Shane Davidson

17 Titles

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Compositor: Image Engine

Death Note (2017)

Motion Picture

Directed by: Adam Wingard

Cinematography by: David Tattersall

Edited by: Louis Cioffi

Cameras: Panasonic VariCam 35, Panasonic VariCam Camera

Lenses: Fujinon Lenses, Fujinon Premier Lenses, P+S Technik Skater Scope T5.6 Lens, Zeiss Master Prime Lenses, Zeiss Ultra Prime 8R 8 mm T.2.8 Lens

Fantastic Beasts and Where to Find Them | ShotOnWhat?

Compositing Supervisor

Fantastic Beasts and Where to Find Them (2016)

Motion Picture

Directed by: David Yates

Cinematography by: Philippe Rousselot

Edited by: Mark Day

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Compositing Supervisor

Chappie (2015)

Motion Picture

Directed by: Neill Blomkamp

Cinematography by: Trent Opaloch

Edited by: Julian Clarke, Mark Goldblatt

Cameras: Canon EOS-5D Mark III Camera, GoPro (Woodman Labs) Cameras, Red Epic Camera, Sony HDC-1500 Camera, Sony PMW-EX3 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

2D Supervisor: Prime Focus

Final Destination 5 (2011)

Motion Picture

Directed by: Steven Quale

Cinematography by: Brian Pearson

Edited by: Eric A. Sears

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Compositing Supervisor: Prime Focus

The A-Team (2010)

Motion Picture

Directed by: Joe Carnahan

Cinematography by: Mauro Fiore

Edited by: Roger Barton, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Roto Lead: Prime Focus

Avatar (2009)

Motion Picture

Directed by: James Cameron

Cinematography by: Mauro Fiore

Edited by: James Cameron, John Refoua, Stephen E. Rivkin

Cameras: Sony CineAlta F23 Camera, Sony HDC-1500 Camera, Sony HDC-F950 Camera

Lenses: Canon Lenses, Fujinon HA16x6.3BE 6.3-101 mm T1.8 Lens, Fujinon HA5x7B-W50 7-35 mm Lens, Fujinon Lenses

Editing System: Adobe Premiere Editing System, Autodesk Smoke Editing System, Avid Editing System

Lead Compositor

Dragonball Evolution (2009)

Motion Picture

Directed by: James Wong

Cinematography by: Robert McLachlan

Edited by: Matt Friedman, Chris G. Willingham

Journey to the Center of the Earth | ShotOnWhat?

2D Supervisor: Frantic Films / Lead Compositor

Journey to the Center of the Earth (2008)

Motion Picture

Directed by: Eric Brevig

Cinematography by: Chuck Shuman

Edited by: Steven Rosenblum, Paul Martin Smith, Dirk Westervelt

Visual Effects Supervisor: Frantic Films

The Forbidden Kingdom (2008)

Motion Picture

Directed by: Rob Minkoff

Cinematography by: Peter Pau

Edited by: Eric Strand

Cameras: Panavision Genesis Camera

Lenses: Panavision Primo Anamorphic Lenses

2D Supervisor: Frantic Films

White Noise 2: The Light (2007)

Motion Picture

Directed by: Patrick Lussier

Cinematography by: Brian Pearson

Edited by: Tom Elkins, Patrick Lussier

Lead Compositor

Superman Returns (2006)

Motion Picture

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Elliot Graham, John Ottman

Cameras: Panavision Genesis Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Adobe Premiere Editing System, Avid Editing System

Digital Compositor

The Chumscrubber (2005)

Motion Picture

Directed by: Arie Posin

Cinematography by: Lawrence Sher

Edited by: William S. Scharf, Arthur Schmidt

Digital Compositor

Cursed (2005)

Motion Picture

Directed by: Wes Craven

Cinematography by: Robert McLachlan

Edited by: Patrick Lussier, Lisa Mozden

2D Supervisor: Frantic Films

The Big Empty (2005)

Motion Picture

Directed by: Lisa Chang, Newton Thomas Sigel

Cinematography by: Newton Thomas Sigel

Edited by: Maureen O'Keefe

Cameras: Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Anamorphic Lenses

Digital Compositor

Paycheck (2003)

Motion Picture

Directed by: John Woo

Cinematography by: Jeffrey L. Kimball

Edited by: Christopher Rouse, Kevin Stitt

Compositing: Frantic Films

The Core (2003)

Motion Picture

Directed by: Jon Amiel

Cinematography by: John Lindley

Edited by: Terry Rawlings

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Counter Server

Heater (1999)

Motion Picture

Directed by: Terrance Odette

Cinematography by: Arthur E. Cooper

Edited by: David Wharnsby

Cameras: Aaton 35 mm Camera

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Shane Davidson

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Compositor: Image Engine

Death Note (2017)

Compositing Supervisor

Fantastic Beasts and Where to Find Them (2016)

Compositing Supervisor

Chappie (2015)

2D Supervisor: Prime Focus

Final Destination 5 (2011)

Compositing Supervisor: Prime Focus

The A-Team (2010)

Roto Lead: Prime Focus

Avatar (2009)

Lead Compositor

Dragonball Evolution (2009)

2D Supervisor: Frantic Films / Lead Compositor

Journey to the Center of the Earth (2008)

Visual Effects Supervisor: Frantic Films

The Forbidden Kingdom (2008)

2D Supervisor: Frantic Films

White Noise 2: The Light (2007)

Lead Compositor

Superman Returns (2006)

Digital Compositor

The Chumscrubber (2005)

Digital Compositor

Cursed (2005)

2D Supervisor: Frantic Films

The Big Empty (2005)

Digital Compositor

Paycheck (2003)

Compositing: Frantic Films

The Core (2003)

Counter Server

Heater (1999)

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