Robert Howie

18 Titles

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Digital Imaging Technician: LA Unit

Avatar: The Way of Water (2022)

Directed by: James Cameron

Cinematography by: Russell Carpenter

Edited by: David Brenner, James Cameron, John Refoua, Stephen E. Rivkin

Lenses: Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Fujinon MK 18-55mm T2.9 Lens, Fujinon MK 50-135mm T2.9 Lens

Terminator: Dark Fate | ShotOnWhat?

Digital Imaging Technician: Additional Photography

Terminator: Dark Fate (2019)

Directed by: Tim Miller

Cinematography by: Ken Seng

Edited by: Julian Clarke

Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini Camera

Lenses: ARRI Rental Prime DNA Lenses, Cineovision Lenses

Avengers: Endgame | ShotOnWhat?

Digital Imaging Technician: Second Unit

Avengers: Endgame (2019)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera

Lenses: Panavision APO Panatar Lenses, Panavision Sphero 65 Series Lenses

Avengers: Infinity War | ShotOnWhat?

Digital Imaging Technician: Second Unit

Avengers: Infinity War (2018)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, Red Helium (Weapon) 8K, Red Weapon Dragon Camera

Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

The Finest Hours | ShotOnWhat?

Digital Imaging Technician: Additional Photography

The Finest Hours (2016)

Directed by: Craig Gillespie

Cinematography by: Javier Aguirresarobe

Edited by: Tatiana S. Riegel

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Leitz Summilux-C Series Lenses

Doctor Strange | ShotOnWhat?

Digital Imaging Technician: Additional Photography

Doctor Strange (2016)

Directed by: Scott Derrickson

Cinematography by: Ben Davis

Edited by: Sabrina Plisco, Wyatt Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Panavision 65mm Prime Lenses, Panavision Primo 70 Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

The Ridiculous 6 | ShotOnWhat?

Digital Imaging Technician: Second Unit

The Ridiculous 6 (2015)

Directed by: Frank Coraci

Cinematography by: Dean Semler

Edited by: Tom Costain

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Jobs | ShotOnWhat?

Digital Imaging Technician

Jobs (2013)

Directed by: Joshua Michael Stern

Cinematography by: Russell Carpenter

Edited by: Robert Komatsu

Cameras: ARRI ALEXA Camera

Lenses: Zeiss Ultra Prime Lenses

Piranha 3DD | ShotOnWhat?

Digital Imaging Technician

Piranha 3DD (2012)

Directed by: John Gulager

Cinematography by: Alex Lehmann

Edited by: Martin Bernfeld, Devin C. Lussier, Kirk M. Morri

Drive Angry | ShotOnWhat?

Digital Imaging Technician

Drive Angry (2011)

Directed by: Patrick Lussier

Cinematography by: Brian Pearson

Edited by: Devin C. Lussier, Patrick Lussier

Dolphin Tale | ShotOnWhat?

Digital Imaging Technician / Second Unit Stereographer

Dolphin Tale (2011)

Directed by: Charles Martin Smith

Cinematography by: Karl Walter Lindenlaub

Edited by: Harvey Rosenstock

Cameras: Red One MX Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Fright Night | ShotOnWhat?

Digital Imaging Technician / Second Unit Stereographer

Fright Night (2011)

Directed by: Craig Gillespie

Cinematography by: Javier Aguirresarobe

Edited by: Tatiana S. Riegel

Cameras: Red One MX Camera

Lenses: Zeiss Master Prime Lenses

Pirates of the Caribbean: On Stranger Tides | ShotOnWhat?

Digital Imaging Technician: VFX Unit

Pirates of the Caribbean: On Stranger Tides (2011)

Directed by: Rob Marshall

Cinematography by: Dariusz Wolski

Edited by: David Brenner, Wyatt Smith

Cameras: Red Epic Camera, Red One MX Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

Jackass 3D | ShotOnWhat?

Digital Imaging Technician

Jackass 3D (2010)

Directed by: Jeff Tremaine

Cinematography by: Lance Bangs, Dimitry Elyashkevich, Rick Kosick

Edited by: Seth Casriel, Matthew Kosinski, Matthew Probst

Cameras: Phantom HD Camera, Red One Camera, Silicon Imaging SI-2K Camera

StreetDance 3D | ShotOnWhat?

3D Digital Imaging Technician

StreetDance 3D (2010)

Directed by: Max Giwa, Dania Pasquini

Cinematography by: Sam McCurdy

Edited by: Tim Murrell

The Hole | ShotOnWhat?

3D Digital Imaging Technician, Title Designer

The Hole (2009)

Directed by: Joe Dante

Cinematography by: Theo van de Sande

Edited by: Marshall Harvey

Dark Country | ShotOnWhat?

3D Digital File Manager, Digital Colorist, Digital Imaging Technician: Los Angeles

Dark Country (2009)

Directed by: Thomas Jane

Cinematography by: Geoff Boyle

Edited by: John Lafferty, Robert K. Lambert

Cameras: Red One Camera, Silicon Imaging SI-2K Camera

Lenses: Angenieux Lenses, Schneider Lenses

My Bloody Valentine | ShotOnWhat?

Digital Imaging Technician

My Bloody Valentine (2009)

Directed by: Patrick Lussier

Cinematography by: Brian Pearson

Edited by: Cynthia Ludwig, Patrick Lussier

Cameras: Red One Camera, Silicon Imaging SI-2K Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo Zoom Lenses

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