Crowds Supervisor
Turbo (2013)
Directed by: David Soren
Cinematography by: Chris Stover
Edited by: James Ryan
Simulation Lead: Digital Domain
Speed Racer (2008)
Cinematography by: David Tattersall
Lenses: Zeiss DigiPrime Lenses
Digital Artist: Digital Domain
Pirates of the Caribbean: At World's End (2007)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Digital Artist: Digital Domain
Transformers (2007)
Directed by: Michael Bay
Cinematography by: Mitchell Amundsen
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Angenieux HR 25-250 mm T3.5 Lens, Cooke Varotal Lenses, Panavision C Series Anamorphic Lenses, Panavision C60 60 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens
Editing System: Avid Editing System, Final Cut Pro Editing System
Digital Artist: Digital Domain
Letters from Iwo Jima (2006)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Animation Lead: Digital Domain
Flags of our Fathers (2006)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Edited by: Joel Cox
Digital Terrain Lead: Digital Domain
Stealth (2005)
Directed by: Rob Cohen
Cinematography by: Dean Semler
Edited by: Stephen E. Rivkin
CG Artist: Barbed Wire FX
The Manchurian Candidate (2004)
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
Digital Artist: Pixel Magic
Daredevil (2003)
Directed by: Mark Steven Johnson
Cinematography by: Ericson Core
CG Artist: Pixel Magic
Agent Cody Banks (2003)
Directed by: Harald Zwart
Cinematography by: Denis Crossan
Edited by: Jim Miller
Cameras: Panavision Cameras
Lenses: Panavision Lenses
3D Digital Modeling And Lighting: Digital Domain
The Italian Job (2003)
Directed by: F. Gary Gray
Cinematography by: Wally Pfister
Digital Artist: Base 2
Minority Report (2002)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Lenses: Panavision Lenses
Digital Artist: Threshold Digital Research Labs
Jay and Silent Bob Strike Back (2001)
Directed by: Kevin Smith
Cinematography by: Jamie Anderson
Previs: Pixel Liberation Front
Training Day (2001)
Directed by: Antoine Fuqua
Cinematography by: Mauro Fiore
Edited by: Conrad Buff IV
Lenses: Hawk C-Series Lenses
Digital Artist: Digital Domain
X-Men (2000)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Digital Artist: Threshold Digital
Metal Mayhem (2000)
Directed by: Benny Chan
Cinematography by: Anthony Pun
Digital Ship Creator: Digital Domain
Red Planet (2000)
Directed by: Antony Hoffman
Cinematography by: Peter Suschitzky