Richard B. Molina

20 Titles

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Roman J. Israel, Esq. | ShotOnWhat?

First Assistant Editor

Roman J. Israel, Esq. (2017)

Directed by: Dan Gilroy

Cinematography by: Robert Elswit

Edited by: John Gilroy

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Series Cameras, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Zeiss ARRI Macro Lenses

Midnight Special | ShotOnWhat?

First Assistant Editor

Midnight Special (2016)

Directed by: Jeff Nichols

Cinematography by: Adam Stone

Edited by: Julie Monroe

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Revenant | ShotOnWhat?

First Assistant Editor

The Revenant (2015)

Directed by: Alejandro G. Iñárritu

Cinematography by: Emmanuel Lubezki

Edited by: Stephen Mirrione

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, Red Epic Dragon Camera

Lenses: Leitz Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

300: Rise of an Empire | ShotOnWhat?

First Assistant Editor

300: Rise of an Empire (2014)

Directed by: Noam Murro

Cinematography by: Simon Duggan

Edited by: David Brenner, Wyatt Smith

Cameras: Red Epic Camera

Lenses: Fujinon Alura Lenses, Zeiss Master Prime Lenses

The Hunger Games | ShotOnWhat?

First Assistant Editor

The Hunger Games (2012)

Directed by: Gary Ross

Cinematography by: Tom Stern

Edited by: Christopher S. Capp, Stephen Mirrione, Juliette Welfling

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Cirque du Soleil: Worlds Away | ShotOnWhat?

First Assistant Editor

Cirque du Soleil: Worlds Away (2012)

Directed by: Andrew Adamson

Cinematography by: Brett Turnbull

Edited by: Sim Evan-Jones, Dirk Westervelt

Cameras: Sony HDC-1500 Camera

Salvation Boulevard | ShotOnWhat?

Assistant Editor

Salvation Boulevard (2011)

Directed by: George Ratliff

Cinematography by: Tim Orr

Edited by: Michael LaHaie

Pirates of the Caribbean: On Stranger Tides | ShotOnWhat?

Assistant Editor

Pirates of the Caribbean: On Stranger Tides (2011)

Directed by: Rob Marshall

Cinematography by: Dariusz Wolski

Edited by: David Brenner, Wyatt Smith

Cameras: Red Epic Camera, Red One MX Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

Wall Street: Money Never Sleeps | ShotOnWhat?

First Assistant Editor

Wall Street: Money Never Sleeps (2010)

Directed by: Oliver Stone

Cinematography by: Rodrigo Prieto

Edited by: David Brenner, Julie Monroe

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Zeiss Master Prime Lenses

2012 | ShotOnWhat?

First Assistant Editor

2012 (2009)

Directed by: Roland Emmerich

Cinematography by: Dean Semler

Edited by: David Brenner, Peter S. Elliot

Cameras: Panavision Cameras, Panavision Genesis Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

The Love Guru | ShotOnWhat?

First Assistant Editor

The Love Guru (2008)

Directed by: Marco Schnabel

Cinematography by: Peter Deming

Edited by: Lee Haxall, Gregory Perler, Billy Weber

Rush Hour 3 | ShotOnWhat?

First Assistant Editor: Avid

Rush Hour 3 (2007)

Directed by: Brett Ratner

Cinematography by: James M. Muro

Edited by: Mark Helfrich, Dean Zimmerman, Don Zimmerman

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Nacho Libre | ShotOnWhat?

First Assistant Editor: Avid

Nacho Libre (2006)

Directed by: Jared Hess

Cinematography by: Xavier Grobet

Edited by: Billy Weber

The Big White | ShotOnWhat?

Assistant Editor

The Big White (2005)

Directed by: Mark Mylod

Cinematography by: James Glennon

Edited by: Julie Monroe

The Clearing | ShotOnWhat?

Assistant Editor: Avid

The Clearing (2004)

Directed by: Pieter Jan Brugge

Cinematography by: Denis Lenoir

Edited by: Kevin Tent

Showtime | ShotOnWhat?

Assistant Editor

Showtime (2002)

Directed by: Tom Dey

Cinematography by: Thomas Kloss

Edited by: Billy Weber

Miss Congeniality | ShotOnWhat?

Assistant Editor: Avid

Miss Congeniality (2000)

Directed by: Donald Petrie

Cinematography by: László Kovács

Edited by: Billy Weber

Shanghai Noon | ShotOnWhat?

Assistant Editor

Shanghai Noon (2000)

Directed by: Tom Dey

Cinematography by: Dan Mindel

Edited by: Richard Chew

Vampires | ShotOnWhat?

Assistant Editor

Vampires (1998)

Directed by: John Carpenter

Cinematography by: Gary B. Kibbe

Edited by: Edward A. Warschilka

The Cable Guy | ShotOnWhat?

Apprentice Editor

The Cable Guy (1996)

Directed by: Ben Stiller

Cinematography by: Robert Brinkmann

Edited by: Steven Weisberg

Cameras: ARRIFLEX 535 Camera, Moviecam Compact Camera

Lenses: Zeiss Standard Speed Prime Lenses

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