Focus Puller: "b" Camera
Red Tails (2012)
Directed by: Anthony Hemingway
Cinematography by: John B. Aronson
Cameras: Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Sony CineAlta F35 Camera
Editing System: Lightworks Editing System
Focus Puller
A Royal Affair (2012)
Directed by: Nikolaj Arcel
Cinematography by: Rasmus Videbæk
Cameras: ARRICAM Studio (ST) Camera
Lenses: Zeiss Master Prime Lenses
First Assistant Camera
Faust (2011)
Directed by: Aleksandr Sokurov
Cinematography by: Bruno Delbonnel
Edited by: Jörg Hauschild
First Assistant Camera "b" Camera
Solomon Kane (2009)
Directed by: M.J. Bassett
Cinematography by: Dan Laustsen
Edited by: Andrew MacRitchie
First Assistant Camera
The Chronicles of Narnia: Prince Caspian (2008)
Directed by: Andrew Adamson
Cinematography by: Karl Walter Lindenlaub
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera
Lenses: Zeiss Master Prime Lenses
First Assistant Camera
Casino Royale (2006)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Stuart Baird
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Angenieux Lenses, Cooke S4 Lenses
First Assistant Camera
Everything Is Illuminated (2005)
Directed by: Liev Schreiber
Cinematography by: Matthew Libatique
First Assistant Camera
Doom (2005)
Directed by: Andrzej Bartkowiak
Cinematography by: Tony Pierce-Roberts
Edited by: Derek Brechin
First Assistant Camera "c" Camera
Van Helsing (2004)
Directed by: Stephen Sommers
Cinematography by: Allen Daviau
Editing System: Avid Editing System
First Assistant Camera
The League of Extraordinary Gentlemen (2003)
Directed by: Stephen Norrington
Cinematography by: Dan Laustsen
Edited by: Paul Rubell
Cameras: Panavision Cameras
Lenses: Panavision Lenses
First Assistant Camera: Second Unit
xXx (2002)
Directed by: Rob Cohen
Cinematography by: Dean Semler
First Assistant Camera
Passion's Way (1999)
Directed by: Robert Allan Ackerman
Cinematography by: Sandi Sissel
Edited by: Susan B. Browdy