Assistant Colorist: Company 3
Five Feet Apart (2019)
Directed by: Justin Baldoni
Cinematography by: Frank G. DeMarco
Edited by: Angela M. Catanzaro
Cameras: ARRI AMIRA Camera
Lenses: Cooke Lenses, Cooke Spherical Lenses
Assistant Colorist: Company 3
12 Strong (2018)
Directed by: Nicolai Fuglsig
Cinematography by: Rasmus Videbæk
Edited by: Lisa Lassek
Assistant Colorist: Company 3
Skyscraper (2018)
Directed by: Rawson Marshall Thurber
Cinematography by: Robert Elswit
Assistant Colorist: Company 3
Red Sparrow (2018)
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Edited by: Alan Edward Bell
Assistant Colorist: Company 3
Christopher Robin (2018)
Directed by: Marc Forster
Cinematography by: Matthias Koenigswieser
Edited by: Matt Chesse
Assistant Colorist: Company 3
A Star Is Born (2018)
Directed by: Bradley Cooper
Cinematography by: Matthew Libatique
Edited by: Jay Cassidy
Cameras: ARRI ALEXA Mini Camera
Lenses: Angenieux Optimo Anamorphic Lenses, Cooke Anamorphic/i SF 25mm T2.3 Lens, Cooke Anamorphic/i SF 32mm T2.3 Lens, Cooke Anamorphic/i SF 40mm T2.3 Lens, Cooke Anamorphic/i SF 50mm T2.3 Lens, Cooke Anamorphic/i SF 75mm T2.3 Lens, Cooke Anamorphic/i SF Prime Lenses, Kowa Cine Prominar Anamorphic Lenses
Assistant Colorist: Company 3
Transformers: The Last Knight (2017)
Directed by: Michael Bay
Cinematography by: Jonathan Sela
Assistant Colorist: Company 3
The Mummy (2017)
Directed by: Alex Kurtzman
Cinematography by: Ben Seresin
Assistant Colorist: Company 3
The Greatest Showman (2017)
Directed by: Michael Gracey
Cinematography by: Seamus McGarvey
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Assistant Colorist: Company 3
Alien: Covenant (2017)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Assistant Colorist: Company 3
Wonder Woman (2017)
Directed by: Patty Jenkins
Cinematography by: Matthew Jensen
Edited by: Martin Walsh
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera
Lenses: ARRI Rental Prime 65 Lenses
Assistant Colorist: Company 3
Roman J. Israel, Esq. (2017)
Directed by: Dan Gilroy
Cinematography by: Robert Elswit
Edited by: John Gilroy
Assistant Colorist: Company 3
Beauty and the Beast (2017)
Directed by: Bill Condon
Cinematography by: Tobias A. Schliessler
Edited by: Virginia Katz
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Leitz Summilux-C Series Lenses
Assistant Colorist: Company 3
Pirates of the Caribbean: Dead Men Tell No Tales (2017)
Cinematography by: Paul Cameron
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera
Assistant Colorist: Company 3
Gods of Egypt (2016)
Directed by: Alex Proyas
Cinematography by: Peter Menzies Jr.
Edited by: Richard Learoyd
Cameras: Red Epic Dragon Camera
Lenses: Panavision Primo 70 Lenses
Assistant Colorist: Company 3
The Boy (2016)
Directed by: William Brent Bell
Cinematography by: Daniel Pearl
Edited by: Brian Berdan
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Hawk Vantage One Lenses
Assistant Colorist: Company 3
X-Men: Apocalypse (2016)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: Phantom Flex4K Camera, Red Epic Dragon Camera
Lenses: Leitz Summilux-C Series Lenses
Assistant Colorist: Company 3
10 Cloverfield Lane (2016)
Directed by: Dan Trachtenberg
Cinematography by: Jeff Cutter
Edited by: Stefan Grube
Cameras: Red Epic Dragon Camera
Assistant Colorist: Company 3
Allegiant (2016)
Directed by: Robert Schwentke
Cinematography by: Florian Ballhaus
Edited by: Stuart Levy
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera
Assistant Colorist: Company 3
Star Wars: Episode VII - The Force Awakens (2015)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Cameras: ARRI ALEXA Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Hasselblad Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Retro C 100mm T2.8 Lens, Panavision Retro C 35mm T2.8 Lens, Panavision Retro C 40mm T2.8 Lens, Panavision Retro C 50mm T2.8 Lens, Panavision Retro C 60mm T2.8 Lens, Panavision Retro C 75mm T2.8 Lens
Editing System: Avid Editing System
Digital Lab Assistant: Digital Sandbox
Chasing Mavericks (2012)
Cinematography by: Bill Pope
Edited by: John Gilbert
Cameras: ARRI ALEXA Camera, Red Epic Camera
Roto Artist: Look Effects, Inc.
Step Up 3D (2010)
Directed by: Jon M. Chu
Cinematography by: Ken Seng
Edited by: Andrew Marcus
Cameras: Sony CineAlta F23 Camera
Roto Artist: Look Effects, Inc.
Just Wright (2010)
Directed by: Sanaa Hamri
Cinematography by: Terry Stacey
Edited by: Melissa Kent