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Niccolo H. Bodner

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Assistant Colorist: Company 3

Christopher Robin (2018)

| UK, USA

Directed by: Marc Forster

Cinematography by: Matthias Koenigswieser

Edited by: Matt Chesse

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Panavision APO Panatar Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Assistant Colorist: Company 3

Pirates of the Caribbean: Dead Men Tell No Tales (2017)

| USA

Directed by: Joachim Rønning, Espen Sandberg

Cinematography by: Paul Cameron

Edited by: Roger Barton, Leigh Folsom Boyd

Assistant Colorist: Company 3

X-Men: Apocalypse (2016)

| USA

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Michael Louis Hill, John Ottman

Cameras: Phantom Flex4K Camera, Red Epic Dragon Camera

Lenses: Leica Summilux-C Series Lenses

Assistant Colorist: Company 3

The Boy (2016)

| USA, Canada, China

Directed by: William Brent Bell

Cinematography by: Daniel Pearl

Edited by: Brian Berdan

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Hawk Vantage One Lenses

Assistant Colorist: Company 3

Allegiant (2016)

| USA

Directed by: Robert Schwentke

Cinematography by: Florian Ballhaus

Edited by: Stuart Levy

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Zoom Lenses, ARRI / Zeiss Master Anamorphic Lenses, ARRI Anamorphic Ultra Wide Zoom 19-36mm T4.2 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Leica Summilux-C Series Lenses

Assistant Colorist: Company 3

Gods of Egypt (2016)

| USA, Australia, China

Directed by: Alex Proyas

Cinematography by: Peter Menzies Jr.

Edited by: Richard Learoyd

Cameras: Red Epic Dragon Camera

Lenses: Panavision Primo 70 Lenses

Assistant Colorist: Company 3

10 Cloverfield Lane (2016)

| USA

Directed by: Dan Trachtenberg

Cinematography by: Jeff Cutter

Edited by: Stefan Grube

Cameras: Red Epic Dragon Camera

Assistant Colorist: Company 3

Star Wars: Episode VII - The Force Awakens (2015)

| USA

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRI ALEXA Camera, Imax MKIII Reflex Camera, Imax MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision Retro C 100mm T2.8 Lens, Panavision Retro C 35mm T2.8 Lens, Panavision Retro C 40mm T2.8 Lens, Panavision Retro C 50mm T2.8 Lens, Panavision Retro C 60mm T2.8 Lens, Panavision Retro C 75mm T2.8 Lens

Editing System: Avid Editing System

Digital Lab Assistant: Digital Sandbox

Chasing Mavericks (2012)

| USA

Directed by: Michael Apted, Curtis Hanson

Cinematography by: Bill Pope

Edited by: John Gilbert

Cameras: ARRI ALEXA Camera, Red Epic Camera

Roto Artist: Look Effects, Inc.

Just Wright (2010)

| USA

Directed by: Sanaa Hamri

Cinematography by: Terry Stacey

Edited by: Melissa Kent

Roto Artist: Look Effects, Inc.

Step Up 3D (2010)

| USA

Directed by: Jon M. Chu

Cinematography by: Ken Seng

Edited by: Andrew Marcus

Cameras: Sony CineAlta F23 Camera

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