Roberto Escudero

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Terminator: Dark Fate | ShotOnWhat?

Electrician

Terminator: Dark Fate (2019)

Directed by: Tim Miller

Cinematography by: Ken Seng

Edited by: Julian Clarke

Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini Camera

Lenses: ARRI Rental Prime DNA Lenses, Cineovision Lenses

Editing System: Adobe Premiere Editing System

A Monster Calls | ShotOnWhat?

Electrician

A Monster Calls (2016)

Directed by: J.A. Bayona

Cinematography by: Oscar Faura

Edited by: Jaume Martí, Bernat Vilaplana

Cameras: ARRI ALEXA XT Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Lite Vintage´74 Lens, Hawk V-Plus Lenses

Secuestro | ShotOnWhat?

Additional Electrician

Secuestro (2016)

Directed by: Mar Targarona

Cinematography by: Sergi Bartrolí

Edited by: Joan Manel Vilaseca

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Angenieux Optimo Style 25-250 mm T3.5 Lens, Cooke 5/i Lenses

The Gunman | ShotOnWhat?

Electrician

The Gunman (2015)

Directed by: Pierre Morel

Cinematography by: Flavio Martínez Labiano

Edited by: Frédéric Thoraval

Cameras: ARRI ALEXA XT Camera, Red Epic Camera

Lenses: Kowa Cine Prominar Spherical Lenses, Nippon Scope Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Exodus: Gods and Kings | ShotOnWhat?

Rigging Electrician

Exodus: Gods and Kings (2014)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Ali Degismis, Billy Rich

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Grand Piano | ShotOnWhat?

Electrician

Grand Piano (2013)

Directed by: Eugenio Mira

Cinematography by: Unax Mendia

Edited by: José Luis Romeu, Rodrigo Cortés

Lenses: Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

[REC] 3: Genesis | ShotOnWhat?

Additional Lighting Technician

[REC] 3: Genesis (2012)

Directed by: Paco Plaza

Cinematography by: Pablo Rosso

Edited by: David Gallart

Cameras: ARRI ALEXA Camera

Lenses: Hawk V-Lite Lenses

Mientras duermes | ShotOnWhat?

Additional Electrician

Mientras duermes (2011)

Directed by: Jaume Balagueró

Cinematography by: Pablo Rosso

Edited by: Guillermo de la Cal

Knight and Day | ShotOnWhat?

Best Boy

Knight and Day (2010)

Directed by: James Mangold

Cinematography by: Phedon Papamichael

Edited by: Quincy Z. Gunderson, Michael McCusker

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Buried | ShotOnWhat?

Electrician

Buried (2010)

Directed by: Rodrigo Cortés

Cinematography by: Eduard Grau

Edited by: Rodrigo Cortés

[Rec] 2 | ShotOnWhat?

Electrician

[Rec] 2 (2009)

Directed by: Jaume Balagueró, Paco Plaza

Cinematography by: Pablo Rosso

Edited by: David Gallart

Cameras: Panasonic Cameras, Sony HDW-750 Camera

Lenses: Canon HJ11ex4.7B 4.7-52 mm f1.9

Agora | ShotOnWhat?

Electrician

Agora (2009)

Directed by: Alejandro Amenábar

Cinematography by: Xavi Giménez

Edited by: Nacho Ruiz Capillas

Vicky Cristina Barcelona | ShotOnWhat?

Electrician

Vicky Cristina Barcelona (2008)

Directed by: Woody Allen

Cinematography by: Javier Aguirresarobe

Edited by: Alisa Lepselter

Cameras: ARRICAM Lite (LT) Camera

Lenses: Zeiss Master Prime Lenses

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