Sound Mixer
That's My Boy (2012)
Directed by: Sean Anders
Cinematography by: Brandon Trost
Edited by: Tom Costain
Sound Mixer
Jack and Jill (2011)
Directed by: Dennis Dugan
Cinematography by: Dean Cundey
Edited by: Tom Costain
Cameras: ARRI ALEXA Camera
Sound Mixer
Just Go with It (2011)
Directed by: Dennis Dugan
Cinematography by: Theo van de Sande
Edited by: Tom Costain
Boom Operator
Grown Ups (2010)
Directed by: Dennis Dugan
Cinematography by: Theo van de Sande
Edited by: Tom Costain
Cameras: Panavision Genesis Camera
Utility Sound
You Don't Mess with the Zohan (2008)
Directed by: Dennis Dugan
Cinematography by: Michael Barrett
Edited by: Tom Costain
Cameras: Panavision Genesis Camera
Cableperson: Los Angeles
3:10 to Yuma (2007)
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Edited by: Michael McCusker
Editing System: Avid Editing System
Utility Sound
I Now Pronounce You Chuck & Larry (2007)
Directed by: Dennis Dugan
Cinematography by: Dean Semler
Edited by: Jeff Gourson
Cameras: Panavision Genesis Camera
Sound Utility
Reign Over Me (2007)
Directed by: Mike Binder
Cinematography by: Russ T. Alsobrook
Cameras: Panavision Genesis Camera
Editing System: Final Cut Pro Editing System
Utility Sound
The Benchwarmers (2006)
Directed by: Dennis Dugan
Cinematography by: Thomas E. Ackerman
Utility Sound
Click (2006)
Directed by: Frank Coraci
Cinematography by: Dean Semler
Edited by: Jeff Gourson
Cameras: Panavision Genesis Camera
Cableman
Freaky Friday (2003)
Directed by: Mark Waters
Cinematography by: Oliver Wood
Edited by: Bruce Green
Utility Sound
Anger Management (2003)
Directed by: Peter Segal
Cinematography by: Donald McAlpine
Edited by: Jeff Gourson
Utility Sound
Murder by Numbers (2002)
Directed by: Barbet Schroeder
Cinematography by: Luciano Tovoli
Edited by: Lee Percy
Cable Person
Star Trek: Nemesis (2002)
Directed by: Stuart Baird
Cinematography by: Jeffrey L. Kimball
Edited by: Dallas Puett
Utility Sound
Jurassic Park III (2001)
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Edited by: Robert Dalva
Utility Sound
Erin Brockovich (2000)
Directed by: Steven Soderbergh
Cinematography by: Edward Lachman
Edited by: Anne V. Coates
Cameras: Moviecam Compact Camera
Lenses: Cooke S4 Lenses
Utility Sound
Traffic (2000)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Stephen Mirrione
Cable Person
The Other Sister (1999)
Directed by: Garry Marshall
Cinematography by: Dante Spinotti
Edited by: Bruce Green
Cable Person
The General's Daughter (1999)
Directed by: Simon West
Cinematography by: Peter Menzies Jr.
Edited by: Glen Scantlebury
Cable Person
Star Trek: Insurrection (1998)
Directed by: Jonathan Frakes
Cinematography by: Matthew F. Leonetti
Edited by: Peter E. Berger
Cameras: Panavision Cameras
Cable
Virtuosity (1995)
Directed by: Brett Leonard
Cinematography by: Gale Tattersall
Cameras: ARRIFLEX 535 B Camera, Moviecam Compact Camera
Utility Sound Technician
The Crossing Guard (1995)
Directed by: Sean Penn
Cinematography by: Vilmos Zsigmond
Edited by: Jay Cassidy
Cameras: Panavision Cameras
Cable
Blown Away (1994)
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: Tim Wellburn
Boom Operator
The Beverly Hillbillies (1993)
Directed by: Penelope Spheeris
Cinematography by: Robert Brinkmann
Edited by: Ross Albert
Cameras: ARRIFLEX 535 B Camera
Utility Sound
Born Yesterday (1993)
Directed by: Luis Mandoki
Cinematography by: Lajos Koltai
Edited by: Lesley Walker
Cameras: ARRIFLEX Camera
Second Boom Operator
Stop! Or My Mom Will Shoot (1992)
Directed by: Roger Spottiswoode
Cinematography by: Frank Tidy
Boom Operator
The Fisher King (1991)
Directed by: Terry Gilliam
Cinematography by: Roger Pratt
Edited by: Lesley Walker
Boom Operator
Defending Your Life (1991)
Directed by: Albert Brooks
Cinematography by: Allen Daviau
Edited by: David Finfer
Boom Operator
Funny Farm (1988)
Directed by: George Roy Hill
Cinematography by: Miroslav Ondrícek
Edited by: Alan Heim
Cable Person
The Naked Gun: From the Files of Police Squad! (1988)
Directed by: David Zucker
Cinematography by: Robert M. Stevens
Edited by: Michael Jablow
