Visual Effects Supervisor: Method Studios
The Great Gatsby (2013)
Directed by: Baz Luhrmann
Cinematography by: Simon Duggan
Cameras: Red Epic Camera
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Digital Effects Supervisor: Method Studios
The Sapphires (2012)
Directed by: Wayne Blair
Cinematography by: Warwick Thornton
Edited by: Dany Cooper
Visual Effects Supervisor
A Few Best Men (2011)
Directed by: Stephan Elliott
Cinematography by: Stephen F. Windon
Edited by: Sue Blainey
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
On Set Vfx Supervisor
X-Men Origins: Wolverine (2009)
Directed by: Gavin Hood
Cinematography by: Donald McAlpine
Editing System: Final Cut Pro Editing System
On Set Vfx Supervisor
Mao's Last Dancer (2009)
Directed by: Bruce Beresford
Cinematography by: Peter James
Edited by: Mark Warner
Compositor: Rising Sun
Australia (2008)
Directed by: Baz Luhrmann
Cinematography by: Mandy Walker
Digital Compositor
The Matrix Reloaded (2003)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Digital Compositor
Mr. Accident (2000)
Directed by: Yahoo Serious
Cinematography by: Steve Arnold
Edited by: Simon Martin
Compositor: Animal Logic
The Matrix (1999)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Cameras: Pan-Arri 435 Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics Cameras
Lenses: Panavision Lenses
Digital Compositor / Title Design And Production
Strange Planet (1999)
Directed by: Emma-Kate Croghan
Cinematography by: Justin Brickle
Edited by: Ken Sallows
Pre-visualization Compositor
The Thin Red Line (1998)
Directed by: Terrence Malick
Cinematography by: John Toll
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses: Panavision C100 100 mm T2.8 Lens, Panavision C40 40 mm T2.8 Lens, Panavision C50 50 mm T2.3 Lens, Panavision C75 75 mm T2.5 Lens, Panavision Primo AL100 100 mm T2.0 Lens, Panavision Primo AL40 40 mm T2.0 Lens, Panavision Primo AL50 50 mm T2.0 Lens, Panavision Primo AL75 75 mm T2.0 Lens
Editing System: Avid Editing System
Digital Compositor
Babe: Pig in the City (1998)
Directed by: George Miller
Cinematography by: Andrew Lesnie
