Oleg Kulchytskyi

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Don't Breathe | ShotOnWhat?

Re-recording Mixer

Don't Breathe (2016)

Directed by: Fede Alvarez

Cinematography by: Pedro Luque

Edited by: Eric L. Beason, Louise Ford, Gardner Gould

Cameras: ARRI ALEXA XT Camera, Blackmagic Pocket Cinema Camera, Phantom Flex4K Camera, Red Epic Dragon Camera

Lenses: Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens, Zeiss Super Speed Lenses, Zeiss Super Speeds Mk II 18 mm T1.3 Lens, Zeiss Super Speeds Mk II 25 mm T1.3 Lens, Zeiss Ultra 16 Distagon 12 mm T1.3 Lens, Zeiss Ultra 16 Distagon 14 mm T1.3 Lens, Zeiss Ultra 16 Distagon 18 mm T1.3 Lens, Zeiss Ultra 16 Distagon 25 mm T1.3 Lens, Zeiss Ultra 16 Distagon 6 mm T1.3 Lens, Zeiss Ultra 16 Distagon 8 mm T1.3 Lens, Zeiss Ultra 16 Distagon 9.5 mm T1.3 Lens, Zeiss Ultra 16 Planar 35 mm T1.3 Lens

Winter on Fire: Ukraine's Fight for Freedom | ShotOnWhat?

Men in Black 3 | ShotOnWhat?

Re-recording Mixer

Men in Black 3 (2012)

Directed by: Barry Sonnenfeld

Cinematography by: Bill Pope

Edited by: Don Zimmerman

Cameras: ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Lockout | ShotOnWhat?

Re-recording Mixer

Lockout (2012)

Directed by: James Mather, Steve Saint Leger

Cinematography by: James Mather

Edited by: Camille Delamarre, Eamonn Power

Cameras: Red One MX Camera

Lenses: Red Pro Prime Lenses

Battleship | ShotOnWhat?

Re-recording Mixer

Battleship (2012)

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Colby Parker Jr., Billy Rich, Paul Rubell

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Girl with the Dragon Tattoo | ShotOnWhat?

Re-recording Mixer

The Girl with the Dragon Tattoo (2011)

Directed by: David Fincher

Cinematography by: Jeff Cronenweth

Edited by: Kirk Baxter, Angus Wall

Cameras: Red Epic Camera, Red One MX Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Final Cut Pro Editing System, Sony Vegas Editing System

ToyKhtoProyshovKrizVohon | ShotOnWhat?

Re-recording Mixer

ToyKhtoProyshovKrizVohon (2011)

Directed by: Mykhailo Illienko

Cinematography by: Oleksandr Kryshtalovych

Edited by: Viktor Malyarenko

Cameras: Red One Camera

Hop | ShotOnWhat?

Re-recording Mixer: The Lot Stage A Hollywood

Hop (2011)

Directed by: Tim Hill

Cinematography by: Peter Lyons Collister

Edited by: Peter S. Elliot, Gregory Perler

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

247°F | ShotOnWhat?

Re-recording Mixer

247°F (2011)

Directed by: Levan Bakhia, Beka Jguburia

Cinematography by: Vigen Vartanov

Edited by: Peter Hollywood

Cameras: Red One Camera

The Change-Up | ShotOnWhat?

Re-recording Mixer

The Change-Up (2011)

Directed by: David Dobkin

Cinematography by: Eric Alan Edwards

Edited by: Lee Haxall, Greg Hayden

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

The Dilemma | ShotOnWhat?

Re-recording Mixer

The Dilemma (2011)

Directed by: Ron Howard

Cinematography by: Salvatore Totino

Edited by: Daniel P. Hanley, Mike Hill

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Leap Year | ShotOnWhat?

Re-recording Mixer

Leap Year (2010)

Directed by: Anand Tucker

Cinematography by: Newton Thomas Sigel

Edited by: Nick Moore

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision G Series Anamorphic Lenses

She's Out of My League | ShotOnWhat?

Re-recording Mixer

She's Out of My League (2010)

Directed by: Jim Field Smith

Cinematography by: Jim Denault

Edited by: Dan Schalk

Morning Glory | ShotOnWhat?

Re-recording Mixer

Morning Glory (2010)

Directed by: Roger Michell

Cinematography by: Alwin H. Küchler

Edited by: Dan Farrell, Nick Moore, Steven Weisberg

Cameras: Panavision Panaflex Millennium Camera

Lenses: Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

When in Rome | ShotOnWhat?

Re-recording Mixer

When in Rome (2010)

Directed by: Mark Steven Johnson

Cinematography by: John Bailey

Edited by: Ryan Folsey, Andrew Marcus

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Sorcerer's Apprentice | ShotOnWhat?

Re-recording Mixer

The Sorcerer's Apprentice (2010)

Directed by: Jon Turteltaub

Cinematography by: Bojan Bazelli

Edited by: William Goldenberg

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Cooke S4 Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Grown Ups | ShotOnWhat?

Re-recording Mixer

Grown Ups (2010)

Directed by: Dennis Dugan

Cinematography by: Theo van de Sande

Edited by: Tom Costain

Cameras: Panavision Genesis Camera

Lenses: Panavision Primo Anamorphic Lenses

Fighting | ShotOnWhat?

Re-recording Mixer

Fighting (2009)

Directed by: Dito Montiel

Cinematography by: Stefan Czapsky

Edited by: Saar Klein, Jake Pushinsky

I Love You, Man | ShotOnWhat?

Re-recording Mixer

I Love You, Man (2009)

Directed by: John Hamburg

Cinematography by: Lawrence Sher

Edited by: William Kerr

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Duplicity | ShotOnWhat?

Re-recording Mixer

Duplicity (2009)

Directed by: Tony Gilroy

Cinematography by: Robert Elswit

Edited by: John Gilroy

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Pirate Radio | ShotOnWhat?

Re-recording Mixer

Pirate Radio (2009)

Directed by: Richard Curtis

Cinematography by: Danny Cohen

Edited by: Emma E. Hickox

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Old Dogs | ShotOnWhat?

Re-recording Mixer

Old Dogs (2009)

Directed by: Walt Becker

Cinematography by: Jeffrey L. Kimball

Edited by: Ryan Folsey, Tom Lewis

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Case 39 | ShotOnWhat?

Re-recording Mixer

Case 39 (2009)

Directed by: Christian Alvart

Cinematography by: Hagen Bogdanski

Edited by: Mark Goldblatt

Katyn | ShotOnWhat?

Re-recording Mixer

Katyn (2007)

Directed by: Andrzej Wajda

Cinematography by: Pawel Edelman

Edited by: Milenia Fiedler, Rafal Listopad

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