Mike O'Neal

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Kung Fu Panda 3 | ShotOnWhat?

Technology Initiatives

Kung Fu Panda 3 (2016)

Directed by: Alessandro Carloni, Jennifer Yuh Nelson

Edited by: Clare Knight

R.I.P.D. | ShotOnWhat?

Effects Research & Development Supervisor: Rhythm & Hues

R.I.P.D. (2013)

Directed by: Robert Schwentke

Cinematography by: Alwin H. Küchler

Edited by: Mark Helfrich

Cameras: ARRI ALEXA Camera

Lenses: Zeiss Master Prime Lenses

Life of Pi | ShotOnWhat?

Effects Lead: Rhythm & Hues Studios

Life of Pi (2012)

Directed by: Ang Lee

Cinematography by: Claudio Miranda

Edited by: Tim Squyres

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Marmaduke | ShotOnWhat?

Visual Effects Supervisor: Rhythm & Hues

Marmaduke (2010)

Directed by: Tom Dey

Cinematography by: Greg Gardiner

Edited by: Don Zimmerman

Yogi Bear | ShotOnWhat?

Effects Supervisor: Rhythm & Hues

Yogi Bear (2010)

Directed by: Eric Brevig

Cinematography by: Peter James

Edited by: Kent Beyda

Cameras: Sony CineAlta F23 Camera, Sony HDC-1500 Camera, Sony PMW-EX3 Camera

Cirque du Freak: The Vampire's Assistant | ShotOnWhat?

Digital Compositor: Rhythm And Hues

Cirque du Freak: The Vampire's Assistant (2009)

Directed by: Paul Weitz

Cinematography by: James M. Muro

Edited by: Leslie Jones

Aliens in the Attic | ShotOnWhat?

Co-visual Effects Supervisor: Rhythm & Hues

Aliens in the Attic (2009)

Directed by: John Schultz

Cinematography by: Don Burgess

Edited by: John Pace

Ghosts of Girlfriends Past | ShotOnWhat?

Visual Effects Supervisor: Rhythm & Hues

Ghosts of Girlfriends Past (2009)

Directed by: Mark Waters

Cinematography by: Daryn Okada

Edited by: Bruce Green

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

The Golden Compass | ShotOnWhat?

Digital Effects Supervisor: Rhythm & Hues

The Golden Compass (2007)

Directed by: Chris Weitz

Cinematography by: Henry Braham

Edited by: Anne V. Coates, Peter Honess, Kevin Tent

Cameras: Panavision Cameras, Panavision Genesis Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Anamorphic Lenses

Happy Feet | ShotOnWhat?

Effects Technical Director: Rhythm & Hues

Happy Feet (2006)

Directed by: George Miller, Warren Coleman, Judy Morris

Cinematography by: David Peers

Edited by: Christian Gazal, Margaret Sixel

Editing System: Final Cut Pro Editing System

Superman Returns | ShotOnWhat?

Co-visual Effects Supervisor: Rhythm & Hues Studios

Superman Returns (2006)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Elliot Graham, John Ottman

Cameras: Panavision Genesis Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Adobe Premiere Editing System, Avid Editing System

The Chronicles of Riddick | ShotOnWhat?

Digital Effects Supervisor: Rhythm & Hues

The Chronicles of Riddick (2004)

Directed by: David Twohy

Cinematography by: Hugh Johnson

Edited by: Tracy Adams, Martin Hunter, Dennis Virkler

Daredevil | ShotOnWhat?

Visual Effects: Rhythm & Hues

Daredevil (2003)

Directed by: Mark Steven Johnson

Cinematography by: Ericson Core

Edited by: Armen Minasian, Dennis Virkler

X2 | ShotOnWhat?

Lead Effects Animator: Rhythm & Hues

X2: X-Men United (2003)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Elliot Graham, John Ottman

The Sum of All Fears | ShotOnWhat?

CG Supervisor: Nuclear Effects, Secret Service Agent

The Sum of All Fears (2002)

Directed by: Phil Alden Robinson

Cinematography by: John Lindley

Edited by: Nicolas De Toth, Neil Travis

Solaris | ShotOnWhat?

Digital Artist

Solaris (2002)

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Steven Soderbergh

How the Grinch Stole Christmas | ShotOnWhat?

Digital Artist

How the Grinch Stole Christmas (2000)

Directed by: Ron Howard

Cinematography by: Donald Peterman

Edited by: Daniel P. Hanley, Mike Hill

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision SL10 10 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL35-CF 35 mm T1.8 Lens

What Dreams May Come | ShotOnWhat?

Data Integration Supervisor: Digital Domain

What Dreams May Come (1998)

Directed by: Vincent Ward

Cinematography by: Eduardo Serra

Edited by: David Brenner, Maysie Hoy

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Titanic | ShotOnWhat?

Data Integration Lead: Digital Domain, Engine Room Crewman

Titanic (1997)

Directed by: James Cameron

Cinematography by: Russell Carpenter

Edited by: Conrad Buff IV, James Cameron, Richard A. Harris

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Gridlock'd | ShotOnWhat?

Additional Set Production Assistant

Gridlock'd (1997)

Directed by: Vondie Curtis-Hall

Cinematography by: Bill Pope

Edited by: Christopher Koefoed

Dante's Peak | ShotOnWhat?

3D Lava Sequence: Digital Domain

Dante's Peak (1997)

Directed by: Roger Donaldson

Cinematography by: Andrzej Bartkowiak

Edited by: Conrad Buff IV, Tina Hirsch, Howard E. Smith

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

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