Leitz Summilux-C Series Lenses | 67 Titles
Ghost in the Shell (2017)
Directed by | Rupert Sanders | Cinematography by | Jess Hall | Editing by | Billy Rich, Neil Smith
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Lenses | Leitz Summilux-C Series Lenses, Panavision Sphero 65 65SP100 100mm T2.0 Lens, Panavision Sphero 65 65SP40 40mm T2.8 Lens, Panavision Sphero 65 65SP50 50mm T2.0 Lens, Panavision Sphero 65 65SP75 75mm T2.0 Lens
Beauty and the Beast (2017)
Directed by | Bill Condon | Cinematography by | Tobias A. Schliessler | Editing by | Virginia Katz
Cameras | ARRI ALEXA XT Plus Camera
Lenses | Leitz Summilux-C Series Lenses
The Nun (2018)
Directed by | Corin Hardy | Cinematography by | Maxime Alexandre | Editing by | Michel Aller, Ken Blackwell
Cameras | ARRI ALEXA Camera
Lenses | Leitz Summilux-C Series Lenses
1923 (2022)
| Cinematography by | Corrin Hodgson, Ben Richardson, Robert McLachlan | Editing by | Chad Galster, Byron Smith, Christopher Gay, Brooke Rupe, Todd Desrosiers
Cameras | ARRI Alexa 35 Camera, ARRI ALEXA Mini Camera
Zack Snyder’s Justice League (2021)
Directed by | Zack Snyder | Cinematography by | Fabian Wagner | Editing by | David Brenner, Carlos M. Castillón, Dody Dorn
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses | Leitz Summilux-C Series Lenses
Close (2022)
Directed by | Lukas Dhont | Cinematography by | Frank van den Eeden | Editing by | Alain Dessauvage
Cameras | ARRI ALEXA Mini Camera
Lenses | Leitz Summilux-C Series Lenses
I, Tonya (2017)
Directed by | Craig Gillespie | Cinematography by | Nicolas Karakatsanis | Editing by | Tatiana S. Riegel
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Lenses | Leitz Summilux-C Series Lenses
Gemini Man (2019)
Directed by | Ang Lee | Cinematography by | Dion Beebe | Editing by | Tim Squyres
Cameras | ARRI ALEXA XT M Camera, Phantom Flex4K Camera
Lenses | Leitz Summilux-C Series Lenses
The Revenant (2015)
Directed by | Alejandro G. Iñárritu | Cinematography by | Emmanuel Lubezki | Editing by | Stephen Mirrione
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, Red Epic Dragon Camera
Lenses | Leitz Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
The Killer (2023)
Mank (2020)
Directed by | David Fincher | Cinematography by | Erik Messerschmidt | Editing by | Kirk Baxter
Cameras | Red Digital Cinema Cameras
Lenses | Leitz Summilux-C Series Lenses
Stranger Things (2016)
| Cinematography by | Tim Ives, Caleb Heymann, Tod Campbell, Lachlan Milne, Brett Jutkiewicz, David Franco | Editing by | Dean Zimmerman, Nat Fuller, Kevin D. Ross, Katheryn Naranjo, Casey Cichocki
Cameras | ARRI ALEXA LF Camera, Red Epic Dragon Camera, Red Helium (Weapon) 8K, Red Monstro 8K Camera
Lenses | Leitz Summilux-C Series Lenses
Avengers: Infinity War (2018)
Directed by | Anthony Russo, Joe Russo | Cinematography by | Trent Opaloch | Editing by | Jeffrey Ford, Matthew Schmidt
Lenses | Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses
Sonic the Hedgehog (2020)
Directed by | Jeff Fowler | Cinematography by | Stephen F. Windon
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera
Lenses | Leitz Summilux-C Series Lenses
Barry (2018)
| Cinematography by | Paula Huidobro, Brandon Trost | Editing by | Jeff Buchanan, Kyle Reiter
Cameras | ARRI ALEXA Mini Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens, Leitz Summilux-C Series Lenses
Green Book (2018) 
Directed by | Peter Farrelly | Cinematography by | Sean Porter | Editing by | Patrick J. Don Vito
Cameras | ARRI ALEXA Mini Camera
Lenses | Leitz Summilux-C Series Lenses
13 Reasons Why (2017)
| Cinematography by | Ivan Strasburg, Kevin Thompson, Cameron Duncan, Tommy Lohmann, Andrij Parekh, Marshall Adams | Editing by | Matthew Ramsey, Leo Trombetta, Philip Harrison, Jacques Gravett, Daniel Gabbe, Sue Blainey, Rich Fox
Cameras | Panasonic VariCam 35
Wounds (2019)
Directed by | Babak Anvari | Cinematography by | Kit Fraser | Editing by | Chris Barwell
Cameras | ARRI ALEXA Mini Camera
Lenses | Leitz Summilux-C Series Lenses
Silicon Valley (2014)
| Cinematography by | Tim Suhrstedt, Jim Denault | Editing by | Tim Roche, Brian Merken, Al LeVine, Paul Zucker, Brian Bautista
Cameras | ARRI ALEXA Camera
Lenses | Leitz Summilux-C Series Lenses
Escape Room (2019)
Directed by | Adam Robitel | Cinematography by | Marc Spicer | Editing by | Steve Mirkovich
Cameras | ARRI ALEXA Mini Camera
Lenses | Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens
