Digital Intermediate Finishing Process | 1761 Titles
Hard Shoulder (2012)
Directed by | Nicholas David Lean | Cinematography by | Steven Priovolos | Editing by | Derek Burgess
Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera
Lenses | Panavision Primo Anamorphic Lenses
Crooked Arrows (2012)
Directed by | Steve Rash | Cinematography by | Dan Stoloff | Editing by | Bart Rachmil, Danny Saphire
Cameras | Red Epic Camera
Lenses | Angenieux Optimo Zoom Lenses
Jonah Hex (2010)
Directed by | Jimmy Hayward | Cinematography by | Mitchell Amundsen | Editing by | Kent Beyda, Daniel P. Hanley, Tom Lewis, Fernando Villena
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
The Bannen Way (2010)
Directed by | Jesse Warren | Cinematography by | Roger Chingirian | Editing by | Zack Arnold
Cameras | Red One Camera
Higher Ground (2011)
Directed by | Vera Farmiga | Cinematography by | Michael McDonough | Editing by | Colleen Sharp
Cameras | Red One MX Camera
The Dilemma (2011)
Directed by | Ron Howard | Cinematography by | Salvatore Totino | Editing by | Daniel P. Hanley, Mike Hill
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Monsieur N. (2003)
Directed by | Antoine de Caunes | Cinematography by | Pierre Aïm | Editing by | Joële Van Effenterre
Cameras | ARRIFLEX 535 B Camera
Lenses | Cooke S4 Lenses
North Country (2005)
Directed by | Niki Caro | Cinematography by | Chris Menges | Editing by | David Coulson
Cameras | Panavision Panaflex Millennium XL Camera
Jack Goes Boating (2010)
Directed by | Philip Seymour Hoffman | Cinematography by | W. Mott Hupfel III | Editing by | Brian A. Kates
Lenses | Cooke S4 Lenses
Miracle (2004)
Directed by | Gavin O'Connor | Cinematography by | Dan Stoloff | Editing by | John Gilroy, Daric Loo
Cameras | Panavision Cameras
I, Robot (2004)
Directed by | Alex Proyas | Cinematography by | Simon Duggan | Editing by | William Hoy, Richard Learoyd, Armen Minasian
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Photo-Sonics 35mm-4ER Camera
Lenses | Cooke S4 Lenses, Zeiss Ultra Prime Lenses
Beneath the Blue (2010)
Directed by | Michael D. Sellers | Cinematography by | Lila Javan, Paul Mockler | Editing by | Mark Linthicum, Bailey Williams
Cameras | Red One Camera
American Mary (2012)
Directed by | Jen Soska, Sylvia Soska | Cinematography by | Brian Pearson | Editing by | Bruce MacKinnon
Cameras | Red Epic Camera
The Holiday (2006)
Directed by | Nancy Meyers | Cinematography by | Dean Cundey | Editing by | Joe Hutshing
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Largo Winch II (2011)
The New Daughter (2009)
Directed by | Luiso Berdejo | Cinematography by | Checco Varese | Editing by | Tom Elkins, Robb Sullivan
16 Blocks (2006)
Directed by | Richard Donner | Cinematography by | Glen MacPherson | Editing by | Steve Mirkovich
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Wild Target (2010)
Directed by | Jonathan Lynn | Cinematography by | David Johnson | Editing by | Michael Parker
Cameras | ARRICAM Studio (ST) Camera
A Schizophrenic Love Story (2011)
Directed by | Dylan Thomas Ellis, Glenn D. Levy | Cinematography by | Michael Cano, Michael Cano | Editing by | Jordan Harris
Cameras | Red One Camera
Mang lung (2005)
Directed by | Daniel Lee | Cinematography by | Tony Cheung | Editing by | Wai Chiu Chung
Cameras | Sony HDW-F900 Camera
Lenses | Canon HJ Series Lenses, Zeiss DigiPrime Lenses
