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Metrocolor Culver City, California : 12

Metrocolor | 34 Titles

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Rustlers’ Rhapsody (1985)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 88 Minutes

Directed by | Hugh Wilson | Cinematography by | José Luis Alcaine | Editing by | Zach Staenberg, Colin Wilson

Starring | Tom Berenger, G.W. Bailey, Marilu Henner, Andy Griffith

Cameras | Panavision Panaflex Series Cameras

Lenses | Panavision Lenses

Brainstorm (1983)

Motion Picture | 2D | Film Project | Color | 1.66:1, 2.20:1, 2.39:1 | 106 Minutes

Directed by | Douglas Trumbull | Cinematography by | Richard Yuricich | Editing by | Freeman A. Davies, Edward Warschilka

Starring | Christopher Walken, Natalie Wood, Louise Fletcher, Cliff Robertson

Cameras | Panavision Panaflex Camera, Super Panavision-70 Camera

Nadine (1987)

Motion Picture | 2D | Color | 1.85:1 | 83 Minutes

Directed by | Robert Benton | Cinematography by | Néstor Almendros | Editing by | Sam O'Steen

Starring | Jeff Bridges, Kim Basinger, Rip Torn, Gwen Verdon

Cameras | ARRIFLEX 35 BL4 Camera

Lenses | Zeiss Lenses

Ghostbusters (1984)

Motion Picture | Color | 105 Minutes

Directed by | Ivan Reitman | Cinematography by | László Kovács | Editing by | David E. Blewitt, Sheldon Kahn

Starring | Bill Murray, Dan Aykroyd, Sigourney Weaver, Harold Ramis

Cameras | Panavision Cameras

Lenses | Panavision Lenses

The Keep (1983)

Motion Picture | 2D | Color | 2.39:1 | 96 Minutes

Directed by | Michael Mann | Cinematography by | Alex Thomson | Editing by | Dov Hoenig, Tony Palmer

Starring | Scott Glenn, Ian McKellen, Alberta Watson, Jürgen Prochnow

Cameras | ARRIFLEX 35 BL3 Camera

Lenses | Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

How the West Was Won (1962)

Motion Picture | 2D | Color | 2.35:1, 2.59:1 | 164 Minutes

Directed by | John Ford, Henry Hathaway, George Marshall, Richard Thorpe | Cinematography by | William H. Daniels, Milton R. Krasner, Charles Lang, Joseph LaShelle | Editing by | Harold F. Kress

Starring | James Stewart, John Wayne, Gregory Peck, Henry Fonda

Cameras | Cinerama Camera, Ultra Panavision 70 Camera

Lenses | Kodak Ektar 27 mm Lens, Panavision Lenses

2010 (1984)

Motion Picture | 2D | Color | 2.20:1, 2.39:1 | 116 Minutes

Directed by | Peter Hyams | Cinematography by | Peter Hyams | Editing by | Mia Goldman, James Mitchell

Starring | Roy Scheider, John Lithgow, Helen Mirren, Bob Balaban

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Three Fugitives (1989)

Motion Picture | 2D | Color | 1.85:1 | 96 Minutes

Directed by | Francis Veber | Cinematography by | Haskell Wexler | Editing by | Bruce Green

Starring | Nick Nolte, Martin Short, Sarah Rowland Doroff, James Earl Jones

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera

Lenses | Angenieux HP Zoom Lenses, Cooke Varopanchro Lenses, Zeiss Super Speed Lenses

Terms of Endearment (1983)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 132 Minutes

Directed by | James L. Brooks | Cinematography by | Andrzej Bartkowiak | Editing by | Richard Marks

Starring | Shirley MacLaine, Debra Winger, Jack Nicholson, Danny DeVito

Cameras | Panavision Panaflex Series Cameras

Lenses | Panavision Lenses

Dead Poets Society (1989)

Motion Picture | Color | 128 Minutes

Directed by | Peter Weir | Cinematography by | John Seale | Editing by | William M. Anderson

Starring | Robin Williams, Robert Sean Leonard, Ethan Hawke, Josh Charles

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Pennies from Heaven (1981)

Motion Picture | 2D | Black and White, Color | 108 Minutes

Pennies from Heaven | ShotOnWhat?

Directed by | Herbert Ross | Cinematography by | Gordon Willis | Editing by | Richard Marks

Starring | Steve Martin, Bernadette Peters, Jessica Harper, Vernel Bagneris

The Full Monty (1997)

Motion Picture | 2D | Color | 1.85:1 | 91 Minutes

Directed by | Peter Cattaneo | Cinematography by | John de Borman | Editing by | David Freeman, Nick Moore

Starring | Robert Carlyle, Tom Wilkinson, Mark Addy, Wim Snape

Cameras | Moviecam Cameras

Logan’s Run (1976)

Motion Picture | 2D | Color | 2.20:1, 2.39:1 | 119 Minutes

Directed by | Michael Anderson | Cinematography by | Ernest Laszlo | Editing by | Bob Wyman

Starring | Michael York, Jenny Agutter, Richard Jordan, Roscoe Lee Browne

Cameras | ARRIFLEX Camera, Mitchell Cameras

Passion in the Desert (1997)

Motion Picture | 2D | Color | 1.85:1 | 91 Minutes

Directed by | Lavinia Currier | Cinematography by | Aleksey Rodionov | Editing by | Nicolas Gaster

Starring | Ben Daniels, Michel Piccoli, Paul M. Meston, Kenneth Collard

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera, ARRIFLEX 535 Camera

Lenses | Cooke Cinetal Lenses, Zeiss Standard Speed Prime Lenses

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