Distributed Aspect Ratio » 1.78:1 (16x9)

1.78:1 (16x9) | 470 Titles

1.78:1 (16x9) 2.50/5 6 Votes

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The Zone of Interest (2023)

Motion Picture | 2D | 4K Project | Color | 1.78:1 (16x9) | 105 Minutes

Directed by | Jonathan Glazer | Cinematography by | Lukasz Zal | Editing by | Paul Watts

Starring | Christian Friedel, Sandra Hüller, Johann Karthaus

Cameras | Sony CineAlta VENICE Camera

Lenses | Leitz M 0.8 Series Lenses

Hangman (2015)

Direct to Video | 2D | HD Project | Color | 1.78:1 (16x9) | 85 Minutes

Directed by | Adam Mason | Cinematography by | Tobias Deml

Starring | Jeremy Sisto, Kate Ashfield, Ryan Simpkins, Ty Simpkins

Cameras | Canon VIXIA HF G10 Camera

Lenses | Canon Lenses

Kacke Kost Geld (2021)

Documentary | 2D | HD Project | Color | 1.78:1 (16x9) | 5 Minutes

Directed by | Joël Mulder | Cinematography by | Mans Buskop | Editing by | Keno Aladjuz

Cameras | Canon Cameras, Panasonic Lumix DMC-GH5s Camera

Dìdi (2024)

Motion Picture | 2D | 4K Project | Color | 1.78:1 (16x9) | 94 Minutes

Directed by | Sean Wang | Cinematography by | Sam A. Davis | Editing by | Arielle Zakowski

Starring | Izaac Wang, Joan Chen, Shirley Chen

Cameras | ARRI Alexa 35 Camera

Lenses | ARRI / Zeiss Master Anamorphic Lenses

Julie’s Confession (2021)

Motion Picture | 2D | 4K Project | Color | 1.78:1 (16x9) | 44 Minutes

Directed by | Franklin Genao | Cinematography by | Franklin Genao | Editing by | Franklin Genao

Starring | Yasiris Alvarado, Julie Yaeli, Franklin Genao

Cameras | Blackmagic Pocket Cinema 4K Camera

Van Hitcom Naar Shitcom (En Weer Terug) (2024)

Short Film | 2D | HD Project | Black & White, Color | 1.33:1 (4x3), 1.78:1 (16x9) | 13 Minutes

Directed by | Charmeno Kraladis | Cinematography by | Tijmen Kroonenberg | Editing by | Keno Aladjuz

Starring | Keno Aladjuz, Tijmen Kroonenberg, Merel Koomen

Cameras | Panasonic Lumix DMC-GH5s Camera

Totem (2017)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 89 Minutes

Directed by | Marcel Sarmiento | Cinematography by | Harry Lipnick | Editing by | Phillip Blackford

Starring | Kerris Dorsey, Ahna O'Reilly, James Tupper

The BFG (2016)

Motion Picture | 2D, 3D | 2K Project | Color | 1.78:1 (16x9), 2.39:1 | 117 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn

Starring | Mark Rylance, Ruby Barnhill, Penelope Wilton

Cameras | ARRI ALEXA XT Series Cameras

Lenses | Panavision Primo Primes Spherical Lenses

The Little Church That Could (2022)

Documentary | 2D | 4K Project | Color | 1.78:1 (16x9) | 13 Minutes

Directed by | James Newhook | Cinematography by | James Newhook, Ben Power | Editing by | James Newhook

Starring | Christopher Newhook, Tom O'Keefe, Kevin Noseworthy

Cameras | Blackmagic URSA Camera

The Dinosaur Hour Extra (2023)

TV Special | 2D | HD Project | Color | 1.78:1 (16x9) | 42 Minutes

Directed by | Sidney Berthier | Cinematography by | Alasdair Tallentire | Editing by | Sidney Berthier

Starring | Helen Bond, Kate Crosby, Andrew Doyle

Cameras | Sony ILME-FX6 Camera, Sony α7 Series Cameras

Lenses | Sony G Master Series Lenses

Amelia Earhart: The Lost Evidence (2017)

TV Special | 2D | HD Project | Color | 1.78:1 (16x9) | 84 Minutes

Cinematography by | Oktay Ortabasi, Juan Antonio PuyolEditing by | Jeff Schiro, Duncan Sinclair

Starring | Josephine Blanco Akiyama, Doug Carner, Amelia Earhart, Shawn Henry

Cameras | Canon EOS-C300 Camera

Lenses | Canon EF Series Lenses

The Crown (2016)

Television Series | 2D | 4K Project | Color | 1.78:1 (16x9) | 58 Minutes

Haunted State (2019)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) |

| Cinematography by | Angela Olson | Editing by | Michael Brown

Starring | Michael Brown, Anne Benson, Todd Dehring, Angela Olson

Cameras | Panasonic HC-VX870K, Panasonic Lumix DMC-GH5s Camera

Lenses | Panasonic Lumix G X Vario 12-35mm f2.8 Lens

The Dinosaur Hour (2023)

Television Series | 2D | 4K Project | Color | 1.78:1 (16x9) |

| Editing by | Ivan Greyling, Audrey Heaton, Evelin Longo, Roberta Spinicci, Alexander Webb, Sidney Berthier

Starring | John Cleese, Ben Castle, Lewis Schaffer

Cameras | ARRI AMIRA Camera

Lenses | Canon CINE-SERVO 17-120mm T2.95 Lens

DEC Ukraine Humanitarian Appeal (2022)

Short Film | 2D | 4K Project | Color | 1.78:1 (16x9) | 2 Minutes

Directed by | Sidney Berthier | Cinematography by | Sidney Berthier | Editing by | Sidney Berthier

Starring | Colin Brazier, Patrick Christys, Michelle Dewberry

Cameras | Sony α7 Series Cameras

Lenses | Sony G Master Series Lenses

Doctor Who (2005)

Television Series | 2D | HD Project, SD Project | Color | 1.78:1 (16x9) | 45 Minutes

| Cinematography by | Ernest Vincze, Rory Taylor, Stephan Pehrsson, Mark Waters, Ashley Rowe, Neville Kidd, Sam Heasman, Owen McPolin, Tim Palmer, Stuart Biddlecombe, Richard Stoddard, Damian Bromley, Suzie Lavelle, Ed Moore, Balazs Bolygo, Catherine Goldschmidt, Graham Frake, Tony Slater Ling, Dale Elena McCready, G. Magni Ágústsson, Ali Asad, Simon Chapman, Denis Crossan, Tico Poulakakis, Simon Archer, Erik Wilson, Gavin Struthers, Simon Dennis, Jake Polonsky, Mike Southon, Mark Garrett, Nic Morris, Mike Spragg | Editing by | William Oswald, Mike Jones, John Richards, Jamie Pearson, Becky Trotman, Tim Porter, Liana Del Giudice, Crispin Green, Mike Hopkins, Graham Walker, Selina Macarthur, Adam Green, David Cresswell, Matthew Tabern, Philip Kloss, Joel Skinner, David Fisher, Adam Trotman, Edel McDonnell, Ceres Doyle, David Barrett, Matthew Newman, Peter Oliver, Matthew Cannings, Xavier Russell, Helen Murphy, Ulrike Münch, Tom Chapman, Alan Levy, Jamie McCoan, Richard Cox, Adam Recht, Anthony Boys, Anthony Combes, Úna Ní Dhonghaíle, Simon Reglar, Nick Arthurs, Mark Davis, Iain Erskine, St. John O'Rorke, Sam Williams, Lucien Clayton, Philip Hookway, Tim Hodges, Agnieszka Liggett

Starring | Jodie Whittaker, Peter Capaldi, Pearl Mackie, Matt Smith

Cameras | ARRI ALEXA Camera, ARRI ALEXA XT Camera, Sony Betacam (Unknown) Camera, Sony CineAlta F35 Camera, Sony HDW-F900 Camera

Lady at Number 16 (2022)

Short Film | 2D | 4K Project | Black & White | 1.78:1 (16x9) | 9 Minutes

Directed by | James Newhook | Cinematography by | Nick Duncan, Harshdeep Singh | Editing by | James Newhook

Starring | Gavin J. Snow, James Squires, Ashley Dingwell

Cameras | Blackmagic URSA Camera

Star Wars: Episode II – Attack of the Clones (2002)

Motion Picture | 2D, 3D | HD Project | Color | 1.78:1 (16x9), 2.39:1 | 142 Minutes

Directed by | George Lucas | Cinematography by | David Tattersall | Editing by | Ben Burtt, George Lucas

Starring | Hayden Christensen, Natalie Portman, Ewan McGregor, Christopher Lee

Cameras | Sony HDW-F900 Camera

Lenses | Panavision Primo Anamorphic Lenses

Prashna (2020)

Short Film | 2D | HD Project | Color | 1.78:1 (16x9) | 24 Minutes

Directed by | Santosh Ram | Cinematography by | Arjun Balakrishnan | Editing by | Pravin Anarase

Starring | Parmeshwar Devkate, Anjali Jadhav, Ganesh Jadhav

Cameras | Sony PXW-FS7 Camera

Buffy the Vampire Slayer (1997)

Television Series | 2D | Color | 1.33:1 (4x3), 1.78:1 (16x9) | 44 Minutes

| Cinematography by | Michael Gershman, Raymond Stella, Kenneth Zunder, Michael D. O'Shea, Donald M. Morgan | Editing by | Regis Kimble, Peter Basinski, Skip Macdonald, Nancy Forner, Marilyn McMahon Adams, Kimberly Ray, Tammis Chandler, Joshua Charson, Louise Innes, Lisa Lassek, Geoffrey Rowland, Michael Kewley, Skip Schoolnik, Golda Savage, Michael Stern

Starring | Sarah Michelle Gellar, Nicholas Brendon, Alyson Hannigan, Anthony Head

Cameras | Panavision Panaflex Camera, Panavision Panaflex Gold II Camera

Lenses | Panavision Lenses

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