Distributed Aspect Ratio » 1.78:1 (16x9)

1.78:1 (16x9) | 440 Titles

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Daniel’s Vlog (2019)

Web Series | 2D | UHD Project | Color | 1.78:1 (16x9) |

| Cinematography by | Daniel Back | Editing by | Tom Sykes, Daniel Back

Starring | Daniel Back

Cameras | Apple iPhone Camera

Tom Sykes Creates (2020)

Web Series | 2D | 4K Project | Color | 1.78:1 (16x9) |

| Cinematography by | Tom Sykes | Editing by | Tom Sykes

Starring | Tom Sykes

Cameras | Panasonic Lumix DMC-GH4 Camera

Lenses | Panasonic Lumix G Vario 14-42mm f3.5 Lens

Law & Order (1990)

Television Series | 2D | Color | 1.33:1 (4x3), 1.78:1 (16x9) | 45 Minutes

| Cinematography by | Constantine Makris, William Klayer, John Beymer, David S. Tuttman, Christopher Misiano, Richard Dobbs, Manuel Billeter, Ernest R. Dickerson, John Thomas, Peter Reniers, Michael F. Barrow, Craig DiBona, Geoffrey Erb, Alec Hirschfeld | Editing by | Michael Schweitzer, Chris Brookshire, Neil Felder, David Post, Monty DeGraff, Toni Morgan, Michael Kewley, Billy Fox, David Siegel, Mark Newman, Leon Ortiz-Gil, Drake Silliman, Randy Jon Morgan, Kevin Krasny, Laurie Grotstein, Micky Blythe, Kurt Courtland, Michael D. Ornstein, Scott Vickrey, Leslie Gaulin, Janice Hampton, Philip Carr Neel, Arthur W. Forney, Devon Greene, Douglas Ibold, Jim Stewart, Edward R. Abroms, Adam Wolfe, Eric A. Sears, John Refoua, John A. Keris

Starring | Jerry Orbach, Jesse L. Martin, Dennis Farina

Cameras | ARRI ALEXA Camera, Panavision Cameras, Panavision Panaflex Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Zeiss Ultra Prime Lenses

2 Broke Girls (2011)

Television Series | 2D | Color | 1.78:1 (16x9) | 22 Minutes

| Cinematography by | Chris La Fountaine, Gary Baum, Joseph W. Calloway | Editing by | Darryl Bates, Ben Bosse, Chris Poulos, Stephen Prime, Peter Chakos, Paul Coneys

Starring | Kat Dennings, Beth Behrs, Garrett Morris

Cameras | Sony HDW-F900 Camera

Lenses | Panavision Primo Anamorphic Lenses

True Detective (2014)

Television Series | 2D | 2K Project | Color | 1.78:1 (16x9) | 55 Minutes

Grey’s Anatomy (2005)

Television Series | 2D | Color | 1.78:1 (16x9) | 41 Minutes

| Cinematography by | Herbert Davis, Alicia Robbins, Steven G. Fracol, Byron Shah, Tim Suhrstedt, Jeanne Tyson, Carlos González, Ross Riege, Robert LaBonge, Christian Sebaldt, Adam Kane, Walt Fraser, Oliver Bokelberg, Daryn Okada, Jeffrey Jur, Mark Jackson, John Simmons | Editing by | Susan Vaill, Joe Mitacek, Edward Ornelas, David Greenspan, Chad Mochrie, Jason Joseph, Meghan Robertson, Vanessa Delgado, Dan Rovetto, Justin Chinn, Briana London, Kathleen Latlip, Gregory Cusumano, Matthew Ramsey, Brandi Bradburn, Bjørn T. Myrholt, Victor Du Bois, Katherine Skjerping, Roger Nygard, Sarah Boyd, Stacy Katzman, Julia Grove, Heidi Scharfe, Philip Fowler, Karoliina Tuovinen, Tom Costain, Kyle Bond, Dino DeLorenzo, Aimee Jennings, Juan Soto

Starring | Chandra Wilson, James Pickens Jr., Ellen Pompeo

Cameras | ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Cooke S4 Lenses

Interstellar (2014)

Motion Picture | 2D | Film Project | Color | 1.44:1, 1.78:1 (16x9), 1.90:1, 2.20:1, 2.39:1 | 169 Minutes

Directed by | Christopher Nolan | Cinematography by | Hoyte Van Hoytema | Editing by | Lee Smith

Starring | Matthew McConaughey, Anne Hathaway, Jessica Chastain

Cameras | Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Leitz Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Mad Love (1995)

Motion Picture | 2D | Film Project | Color | 1.78:1 (16x9) | 93 Minutes

Directed by | Antonia Bird | Cinematography by | Fred Tammes | Editing by | Jeff Freeman

Starring | Chris O'Donnell, Drew Barrymore, Matthew Lillard

Cameras | Panavision Cameras

Raising Hope (2010)

Television Series | 2D | Color | 1.78:1 (16x9) | 22 Minutes

| Cinematography by | Walt Fraser, Sharone Meir | Editing by | Lawrence A. Maddox, William Marrinson, Dan Riddle, Tim Boettcher, Lance Luckey, Kathy Messer

Starring | Lucas Neff, Martha Plimpton, Garret Dillahunt

Cameras | Sony CineAlta F35 Camera

Lenses | Panavision Primo Primes Spherical Lenses

Dexter (2006)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) | 53 Minutes

| Cinematography by | Romeo Tirone, Jeffrey Jur, Martin J. Layton, Alan Caso, Terry Stacey | Editing by | Louis Cioffi, Stewart Schill, Keith Henderson, Matthew Colonna, Amy E. Duddleston, Michael Ruscio, Elena Maganini, Scott K. Wallace, David Latham, Padraic McKinley, Chris Figler, Rob Seidenglanz

Starring | Michael C. Hall, Jennifer Carpenter, David Zayas, James Remar

Cameras | ARRI ALEXA Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Nikon D800 Camera, Sony CineAlta F23 Camera, Sony HDW-F900 Camera

Hot in Cleveland (2010)

Television Series | 2D | 2K Project | Color | 1.78:1 (16x9) | 30 Minutes

| Cinematography by | Gary Baum, Gary Palmer, Donald A. Morgan, Craig Kief, Byron Shah, Jonathan West | Editing by | Ron Volk, Scott Ashby, Jason Hardwick, Mark Dashnaw, Mike Flanagan, Darryl Bates, Sven Nilsson, Ryan Rothmaier, Brian Halopoff

Starring | Valerie Bertinelli, Jane Leeves, Wendie Malick

Cameras | Sony HDW-F900 Camera

Lenses | Panavision Lenses

Apollo 13 (1995)

Motion Picture | 2D | 4K Project | Color | 1.66:1, 1.78:1 (16x9), 2.39:1 | 140 Minutes

Directed by | Ron Howard | Cinematography by | Dean Cundey | Editing by | Daniel P. Hanley, Mike Hill

Starring | Tom Hanks, Bill Paxton, Kevin Bacon

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras

Lenses | Panavision Primo Primes Spherical Lenses

Clueless (1995)

Motion Picture | 2D | Film Project | Color | 1.78:1 (16x9) | 97 Minutes

Directed by | Amy Heckerling | Cinematography by | Bill Pope | Editing by | Debra Chiate

Starring | Alicia Silverstone, Stacey Dash, Brittany Murphy

Cameras | Moviecam Compact Camera, Panavision Cameras

Lenses | Panavision Lenses, Zeiss Lenses

Don’t Read This on a Plane (2020)

Motion Picture | 2D | 4K Project | Color | 1.78:1 (16x9) | 93 Minutes

Directed by | Stuart McBratney | Cinematography by | Scott Devitte, László Kun | Editing by | Stuart McBratney

Starring | Sophie Desmarais, Susanna Dekker, Hildegard Schroedter

Cameras | Panasonic Lumix DMC-GH5 Camera, Red Epic Camera

Lenses | Angenieux Lenses, Panasonic Lenses, SLR Magic Lenses

Pete Winning and the Pirates (2015)

Motion Picture | 2D | HD Project | Color | 1.78:1 (16x9) | 93 Minutes

Directed by | Mike Donis, Jason Leaver, Navin Ramaswaran | Cinematography by | Josh Ary, Mike Donis, Bruce William Harper, Jason Leaver, Henry Sansom | Editing by | Mike Donis

Starring | Mike Donis, Saffron Cassaday, Sandra DaCosta, Shawn Devlin

Cameras | Canon EOS Rebel T2i Camera, Canon EOS-5D Mark II Camera, Canon EOS-5D Mark III Camera

A Christmas Prince (2017)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 92 Minutes

Directed by | Alex Zamm | Cinematography by | Viorel Sergovici | Editing by | Marshall Harvey

Starring | Rose McIver, Ben Lamb, Alice Krige

Cameras | Red Helium (Weapon) 8K

Lenses | Zeiss Ultra Prime Lenses

Killer Twin (2018)

Television Movie | 2D | Color | 1.78:1 (16x9) | 89 Minutes

Directed by | David Langlois | Cinematography by | Jan Klompje | Editing by | Tyronne L'Hirondelle

Starring | Lindsay Hartley, Jason Cermak, Candice Hunter

Cameras | Red Epic Dragon Camera

Lenses | Zeiss Compact Prime CP.2 Lenses, Zeiss Zoom Lenses

Deadly Match (2019)

Television Movie | 2D | Color | 1.78:1 (16x9) | 83 Minutes

Directed by | David Langlois | Cinematography by | Dan Dumouchel | Editing by | Jesse Lyon

Starring | Alyssa Lynch, Mitch Ainley, Tatyana Ali

Cameras | Red Digital Cinema Cameras

Cheer Squad Secrets (2020)

Television Movie | 2D | Color | 1.78:1 (16x9) | 89 Minutes

Directed by | David Langlois | Cinematography by | Andy Hodgson | Editing by | Emerson Hill

Starring | Margaret Anne Florence, Anita Brown, Karis Cameron

Cameras | Red Epic Dragon Camera

Lenses | Sigma Lenses

Reto Sangriento (2016)

Television Movie | 2D | 4K Project | Color | 1.78:1 (16x9) | 90 Minutes

Directed by | Ricky Gonzalez | Cinematography by | Ricky Gonzalez

Starring | Macarena Montoya, Eleazar Gamez, Patty Corres

Cameras | Blackmagic Cinema Camera

Lenses | Rokinon XEEN 16mm T2.6 Lens, Rokinon XEEN 24mm T1.5 Lens, Rokinon XEEN 35mm T1.5 Lens, Rokinon XEEN 50mm T1.5 Lens, Rokinon XEEN 85mm T1.5 Lens

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