Color | 3927 Titles
The Fantastic Flying Books of Mr. Morris Lessmore (2011)
Directed by | William Joyce, Brandon Oldenburg | Cinematography by | Stewart Mayer | Editing by | Eva Contis
Dimanche (2011)
Rio (2011)
Saving Face (2012)
Directed by | Daniel Junge, Sharmeen Obaid-Chinoy | Cinematography by | Asad Faruqi, Aaron Kopp, Martina Radwan | Editing by | Davis Coombe, Hemal Trivedi
The Tsunami and the Cherry Blossom (2011)
Directed by | Lucy Walker | Cinematography by | Aaron Phillips | Editing by | Aki Mizutani
Cameras | Canon EOS-5D Mark II Camera
Koyaanisqatsi (1982)
Directed by | Godfrey Reggio | Cinematography by | Ron Fricke | Editing by | Ron Fricke, Alton Walpole
Cameras | ARRIFLEX 16S Camera, ARRIFLEX 35 IIC Camera
Lenses | Canon Lenses
God Is the Bigger Elvis (2012)
Directed by | Rebecca Cammisa | Cinematography by | Rebecca Cammisa, Claudia Raschke, Paul G. Sanderson III | Editing by | Geeta Gandbhir
The Barber of Birmingham: Foot Soldier of the Civil Rights Movement (2011)
Directed by | Gail Dolgin, Robin Fryday | Cinematography by | Vicente Franco, Ashley James, Allen Rosen | Editing by | Kim Roberts, Jacob Steingroot
Anonymous (2011)
Directed by | Roland Emmerich | Cinematography by | Anna Foerster | Editing by | Peter R. Adam
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses
Press (2016)
Directed by | Paolo Bertino, Alessandro Isetta | Cinematography by | Federico Torres | Editing by | Enrico Giovannone, Anna Isberg, Luca Vigliani
Cameras | Red Epic Dragon Camera
Lenses | Zeiss Standard Prime MKII 100 mm T2.1 Lens, Zeiss Standard Prime MKII 135 mm T2.1 Lens, Zeiss Standard Prime MKII 180 mm T3.0 Lens, Zeiss Super Speeds Mk III 18 mm T1.3 Lens, Zeiss Super Speeds Mk III 25 mm T1.3 Lens, Zeiss Super Speeds Mk III 35 mm T1.3 Lens, Zeiss Super Speeds Mk III 50 mm T1.3 Lens, Zeiss Super Speeds Mk III 65 mm T1.3 Lens, Zeiss Super Speeds Mk III 85 mm T1.3 Lens
Time to Fall in Love (2014)
Directed by | Kourosh Parsi | Cinematography by | Kourosh Parsi | Editing by | Kourosh Parsi
Cameras | Canon EOS-5D Mark II Camera
Lenses | Canon Lenses
Tophy (2015)
Directed by | Kourosh Parsi | Cinematography by | Alex Grene | Editing by | Kourosh Parsi
Cameras | Sony NEX-FS700 Camera
Lenses | Canon EF Series Lenses
Die Pro (2015)
Directed by | Andre Velts | Cinematography by | Eduan Kitching | Editing by | Linsen Loots
Cameras | Red Epic Camera, Red Scarlet Camera
Lenses | Cooke miniS4/i 100mm T2.8 Lens, Cooke miniS4/i 18mm T2.8 Lens, Cooke miniS4/i 25mm T2.8 Lens, Cooke miniS4/i 32mm T2.8 Lens, Cooke miniS4/i 50mm T2.8 Lens, Cooke miniS4/i 75mm T2.8 Lens
The Forest (2016)
Directed by | Jason Zada | Cinematography by | Mattias Troelstrup | Editing by | Jim Flynn
Cameras | ARRI ALEXA XT Plus Camera
Carol (2015)
Directed by | Todd Haynes | Cinematography by | Edward Lachman | Editing by | Affonso Gonçalves
Cameras | ARRIFLEX 416 Camera
Lenses | Angenieux HR Zoom Lenses, Cooke S4/i Lenses, Cooke Speed Panchro Lenses, Cooke Varopanchro Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens
Katyar Kaljat Ghusali (2015)
Directed by | Subodh Bhave | Cinematography by | Sudhir Palsane | Editing by | Ashish Mhatre, Apurva Motiwale
Jamesy Boy (2014)
Directed by | Trevor White | Cinematography by | Robert Lam | Editing by | Josh Noyes
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens
Ship of Theseus (2012)
Directed by | Anand Gandhi | Cinematography by | Pankaj Kumar | Editing by | Sanyukta Kaza, Adesh Prasad, Satchit Puranik
Cameras | Canon EOS-1D Mark IV Camera
