Color | 3927 Titles
Drinking Buddies (2013)
Directed by | Joe Swanberg | Cinematography by | Ben Richardson | Editing by | Joe Swanberg
Cameras | Red Scarlet Camera
Lenses | Zeiss Compact Prime CP.2 Distagon 18 mm T3.6 Lens, Zeiss Compact Prime CP.2 Distagon 21 mm T2.9 Lens, Zeiss Compact Prime CP.2 Distagon 25 mm T2.9 Lens, Zeiss Compact Prime CP.2 Distagon 28 mm T2.1 Lens, Zeiss Compact Prime CP.2 Distagon 35 mm T2.1 Lens, Zeiss Compact Prime CP.2 Makro-Planar 100 mm T2.1 CF Lens, Zeiss Compact Prime CP.2 Planar 50 mm T2.1 Macro Lens, Zeiss Compact Prime CP.2 Planar 85 mm T2.1 Lens, Zeiss Compact Prime Lenses
The Canyons (2013)
Directed by | Paul Schrader | Cinematography by | John DeFazio | Editing by | Tim Silano
Cameras | ARRI ALEXA Camera, Canon EOS-7D Camera
Lenses | Asahi Pentax Super Takumar Lenses, KMZ Helios 44 58 mm f1.2, LZOS Jupiter-9 85 mm f2.0, Zeiss Standard Speed Prime Lenses
Modus Operandi (2009)
Accomplices (2009)
Directed by | Frédéric Mermoud | Cinematography by | Thomas Hardmeier | Editing by | Sarah Anderson
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses
Turbo (2013)
Celle que j’aime (2009)
Directed by | Élie Chouraqui | Editing by | Franck Nakache, Jacques Witta
Cameras | Panavision Genesis Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses, Panavision Primo Primes Spherical Lenses
2 Guns (2013)
Cinéman (2009)
Directed by | Yann Moix | Cinematography by | Jérôme Alméras, Rémy Chevrin | Editing by | André Billaud, Philippe Bourgueil, Marco Cavé, Christine Lucas Navarro
In a World… (2013)
Directed by | Lake Bell | Cinematography by | Seamus Tierney | Editing by | Tom McArdle
Cameras | Red Epic Camera
Lenses | Hawk C-Series Lenses
Lovelace (2013)
Directed by | Rob Epstein, Jeffrey Friedman | Cinematography by | Eric Alan Edwards | Editing by | Robert Dalva, Matt Landon
Cameras | ARRIFLEX 416 Camera
Le séminaire Caméra Café (2009)
Directed by | Charles Nemes | Cinematography by | Étienne Fauduet | Editing by | Kako Kelber
Lenses | Angenieux Optimo 28-76 mm T2.6 Lens
Prince Avalanche (2013)
Directed by | David Gordon Green | Cinematography by | Tim Orr | Editing by | Colin Patton
Cameras | ARRI ALEXA Camera
Lenses | Bausch & Lomb Super Baltar Lenses
Espion(s) (2009)
Directed by | Nicolas Saada | Cinematography by | Stéphane Fontaine | Editing by | Juliette Welfling
Cameras | Aaton Cameras, ARRICAM Lite (LT) Camera
Don Jon (2013)
Directed by | Joseph Gordon-Levitt | Cinematography by | Thomas Kloss | Editing by | Lauren Zuckerman
Insidious: Chapter 2 (2013)
Directed by | James Wan | Cinematography by | John R. Leonetti | Editing by | Kirk M. Morri
Cameras | ARRI ALEXA Camera
Out of the Furnace (2013)
Directed by | Scott Cooper | Cinematography by | Masanobu Takayanagi | Editing by | David Rosenbloom
Bhaag Milkha Bhaag (2013)
Directed by | Rakeysh Omprakash Mehra | Cinematography by | Binod Pradhan | Editing by | P.S. Bharathi
Redemption (2013)
Directed by | Jon Alpert, Matthew O'Neill | Editing by | Adam Barton, John Custodio, Rob Kuhns, David Meneses, Jay Arthur Sterrenberg
Jobs (2013)
Directed by | Joshua Michael Stern | Cinematography by | Russell Carpenter | Editing by | Robert Komatsu
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Ultra Prime Lenses
The Bling Ring (2013)
Directed by | Sofia Coppola | Cinematography by | Christopher Blauvelt, Harris Savides | Editing by | Sarah Flack
Cameras | Red Epic Camera
