Color | 3927 Titles
Bloody Knuckles (2014)
Directed by | Matt O'Mahoney | Cinematography by | Scooter Corkle | Editing by | Scott Belyea, Matt O'Mahoney
Becoming Redwood (2012)
Directed by | Jesse James Miller | Cinematography by | David Crone | Editing by | Charlie Renfrew
Cameras | Red One MX Camera
Lenses | Zeiss Super Speed Lenses
Arctic Air (2012)
| Cinematography by | Bruce Worrall, Pieter Stathis, Michael C. Blundell | Editing by | Lara Mazur, Franco Pante, Rick Martin, Dan Krieger
The Good Son: The Life of Ray Boom Boom Mancini (2013)
Directed by | Jesse James Miller | Cinematography by | Ken Johns, Ian Kerr | Editing by | Charlie Renfrew
Cameras | Red One Camera
In Their Skin (2012)
A Million Ways to Die in the West (2014)
Directed by | Seth MacFarlane | Cinematography by | Michael Barrett | Editing by | Jeff Freeman
Cameras | Sony PMW-F55 Camera
Chappie (2015)
Directed by | Neill Blomkamp | Cinematography by | Trent Opaloch | Editing by | Julian Clarke, Mark Goldblatt
Cameras | Canon EOS-5D Mark III Camera, GoPro (Woodman Labs) Cameras, Red Epic Camera, Sony HDC-1500 Camera, Sony PMW-EX3 Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Dolphin Tale 2 (2014)
Directed by | Charles Martin Smith | Cinematography by | Daryn Okada | Editing by | Harvey Rosenstock
Cameras | Sony PMW-F55 Camera
Bob and the Trees (2015)
Directed by | Diego Ongaro | Cinematography by | Chris Teague, Daniel Vecchione | Editing by | Benoit Sauvage
Cameras | Blackmagic Pocket Cinema Camera
Sarah Landon and the Paranormal Hour (2007)
Directed by | Lisa Comrie | Cinematography by | Andrew Kuepper | Editing by | Andrew Cohen
Cameras | Panasonic AG-HVX200 Camera
Breakup at a Wedding (2013)
Directed by | Victor Quinaz | Cinematography by | Giovanni P. Autran | Editing by | Giovanni P. Autran, Evan Leed, Charlie Porter
Cameras | Sony PMW-EX1 Camera
David and Goliath (2015)
Directed by | Timothy A. Chey | Cinematography by | Michael Richard Johnson | Editing by | S. Michael Rosen Jr., Timothy A. Chey
Cameras | Blackmagic Design Cameras
The Remnant (2001)
Scream Bloody Murder (2003)
Directed by | Jon Hoffman | Cinematography by | John Lazear | Editing by | Dave Rock
Cameras | Canon XL1 Camera
Lenses | Canon Lenses
A-List (2006)
Directed by | Shira-Lee Shalit | Cinematography by | John Lazear | Editing by | Annette Davey, Paul Frost, Tim Goodwin
Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera, Bell & Howell Eyemo Camera, Cineflex Cameras
Lenses | Cooke Lenses
Con Games (2001)
Directed by | Jefferson Edward Donald | Cinematography by | John Lazear | Editing by | Chris Conlee
Cameras | ARRIFLEX 35 BL4 Camera
Lenses | Angenieux Lenses
Yves Saint Laurent (2014)
Nezha (2014)
Directed by | Xiaofeng Li | Cinematography by | Joewi Verhoeven | Editing by | Yueyue Liu
Cameras | ARRI ALEXA Studio Camera
Lenses | Angenieux Optimo Anamorphic 56-152 mm A2S T4.0 Lens, Angenieux Optimo Anamorphic Lenses, ARRI / Zeiss Master Anamorphic Lenses, Zeiss Master Anamorphic 35 mm T1.9 Lens, Zeiss Master Anamorphic 50 mm T1.9 Lens, Zeiss Master Anamorphic 75 mm T1.9 Lens
