Raw | 42 Titles
Venus Effect (2024)
Directed by | Andrew Burn | Cinematography by | Andrew Burn
Cameras | Sony Cameras, Sony ILME-FX3 Camera
Lenses | Sony G Master Series Lenses
Free Solo (2018)
Directed by | Jimmy Chin, Elizabeth Chai Vasarhelyi | Cinematography by | Jimmy Chin, Clair Popkin, Mikey Schaefer | Editing by | Bob Eisenhardt
Lenses | Canon CINE-SERVO 50-1000mm T5.0 Lens
Fifth Story (2024)
Directed by | Maxance Louvety | Cinematography by | Enzo Kristensen | Editing by | Sam Kun
Lenses | Canon EF 100mm f/2.8L Macro Lens, Canon EF 24-105 mm f4.0 L IS Lens, Canon EF 24-70 mm f2.8L II Lens, Canon FD 135 mm f2.5 SC Lens, Canon FD 24 mm f2.8 SSC Lens, Canon FD 35 mm f2.0 SSC Lens, Canon FD 50 mm f1.4 SSC Lens, Canon FD 85 mm f1.8 SSC Lens, KMZ Helio 44-2 58 mm f2 Lens, KMZ Helios 44 58 mm f1.2, Laowa 24 mm f/14 2X Macro Probe Lens, Lensbaby Composer Pro II + Sweet 35 Lens, Rokinon XEEN 24mm T1.5 Lens, Rokinon XEEN 50mm T1.5 Lens, Sigma 105mm f2.8 EX DG OS HSM Macro Lens, Sigma 35mm f1.4 DG HSM Lens, Sony FE 24mm F1.4 G Master Series Lens, Tokina AT-X116 Pro DX 11-16 mm f2.8 Lens
The Little Church That Could (2022)
Directed by | James Newhook | Cinematography by | James Newhook, Ben Power | Editing by | James Newhook
Cameras | Blackmagic URSA Camera
Gift from Above (2021)
Directed by | James Newhook | Cinematography by | Nick Duncan | Editing by | James Newhook
Cameras | Blackmagic Production 4K Camera
Lady at Number 16 (2022)
Directed by | James Newhook | Cinematography by | Nick Duncan, Harshdeep Singh | Editing by | James Newhook
Cameras | Blackmagic URSA Camera
Galli (The Lane) (2015)
Directed by | Santosh Ram | Cinematography by | Benjamin Burghartz | Editing by | Vivekanand Daakhore
Cameras | Canon EOS-5D Mark III Camera
Lenses | Canon Lenses
Rounded Corners (2019)
Directed by | Paul Check
Cameras | Panasonic VariCam 35
Lenses | Master Macro 100mm T2.0 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens
A Blood Throne (2020)
Directed by | Xavier Garcia | Cinematography by | Jonathan Garcia | Editing by | Xavier Garcia
Cameras | Panasonic Lumix DMC-GH5 Camera
Lenses | SLR Magic APO HyperPrime Cine 25mm T2.1 Lens, SLR Magic APO HyperPrime Cine 32mm T2.1 Lens, SLR Magic APO HyperPrime Cine 50mm T2.1 Lens, SLR Magic APO HyperPrime Cine 85mm T2.1 Lens
The Weed Whacker Massacre (2017)
Directed by | Benjamin R. Dover | Cinematography by | W.L. Walker | Editing by | W.L. Walker
Cameras | Blackmagic Cinema Camera
Lenses | Rokinon Lenses
Northern Lights (2016)
Directed by | Nicholas Connor | Cinematography by | Marco Fanton | Editing by | Nicholas Connor, Amy Pfeil
Cameras | Blackmagic Cinema Camera
Reto Sangriento (2016)
Directed by | Ricky Gonzalez | Cinematography by | Ricky Gonzalez
Cameras | Blackmagic Cinema Camera
Lenses | Rokinon XEEN 16mm T2.6 Lens, Rokinon XEEN 24mm T1.5 Lens, Rokinon XEEN 35mm T1.5 Lens, Rokinon XEEN 50mm T1.5 Lens, Rokinon XEEN 85mm T1.5 Lens
Bitch Lover (2020)
Directed by | Vaughn Christion | Cinematography by | Vaughn Christion | Editing by | Vaughn Christion
Cameras | Blackmagic Cinema Camera
Lenses | Rokinon Lenses, Samyang Lenses
Johnny (2021)
Directed by | John Charles Gerald | Cinematography by | John Charles Gerald
Cameras | ARRI ALEXA Camera, Blackmagic URSA Camera
Lenses | Zeiss Compact Prime CP.2 Distagon 35 mm T2.1 Lens, Zeiss Compact Prime CP.2 Lenses, Zeiss Compact Prime Lenses
The Yaku and the Undefeated (2017)
Directed by | Vaughn Christion | Cinematography by | Vaughn Christion | Editing by | Vaughn Christion
Cameras | Blackmagic Design Cameras
Tiempo de lluvia (2018)
Directed by | Itandehui Jansen | Cinematography by | Iwao Kawasaki | Editing by | Macarena Sierra
Cameras | Digital Bolex D16
Lenses | Zeiss Lenses
Skull (2018)
Directed by | Yusron Fuadi | Editing by | Yusron Fuadi
Lenses | Nikon - Nikkor Lenses, Samyang VDSLR II Cine 85 mm T1.5 Lens, Zeiss Distagon T* 25mm f2.0 ZE
Family Obligations (2019)
Directed by | Kenneth R. Frank | Cinematography by | Kenneth R. Frank | Editing by | Chris Mollica, Kevin Wolfring
Cameras | Blackmagic Pocket Cinema Camera
