Raw | 30 Titles
Johnny (2021)
Directed by | John Charles Gerald | Cinematography by | John Charles Gerald
Cameras | ARRI ALEXA Camera, Blackmagic URSA Camera
Lenses | Zeiss Compact Prime CP.2 Distagon 35 mm T2.1 Lens, Zeiss Compact Prime CP.2 Lenses, Zeiss Compact Prime Lenses
The Yaku and the Undefeated (2017)
Directed by | Vaughn Christion | Cinematography by | Vaughn Christion | Editing by | Vaughn Christion
Cameras | Blackmagic Design Cameras
Rounded Corners (2019)
Directed by | Paul Check
Cameras | Panasonic VariCam 35
Lenses | Master Macro 100mm T2.0 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens
Tiempo de lluvia (2018)
Directed by | Itandehui Jansen | Cinematography by | Iwao Kawasaki | Editing by | Macarena Sierra
Cameras | Digital Bolex D16
Lenses | Zeiss Lenses
Free Solo (2018)
Directed by | Jimmy Chin, Elizabeth Chai Vasarhelyi | Cinematography by | Jimmy Chin, Clair Popkin, Mikey Schaefer | Editing by | Bob Eisenhardt
Skull (2018)
Directed by | Yusron Fuadi | Editing by | Yusron Fuadi
Lenses | Nikon - Nikkor Lenses, Samyang VDSLR II Cine 85mm T1.5 Lens, Zeiss Distagon T* 25mm f2.0 ZE
Family Obligations (2019)
Directed by | Kenneth R. Frank | Cinematography by | Kenneth R. Frank | Editing by | Chris Mollica, Kevin Wolfring
Cameras | Blackmagic Pocket Cinema Camera
Black Wedding (2015)
Directed by | Thomas Bohn | Cinematography by | Frank Glencairn
Cameras | Blackmagic Cinema Camera
Lenses | Zeiss Lenses
The Radicalization of Jeff Boyd (2017)
Directed by | Uwe Schwarzwalder | Cinematography by | Brian Pinkus, Uwe Schwarzwalder | Editing by | Uwe Schwarzwalder
Cameras | Blackmagic Pocket Cinema Camera
Under the Bed (2017)
Directed by | Daniel Myrick | Cinematography by | Stephanie Martin | Editing by | Daniel Myrick, Byron Wong
Cameras | Blackmagic Pocket Cinema Camera
Revelator (2017)
Directed by | J. Van Auken | Cinematography by | Dan Clarke | Editing by | J. Van Auken
Cameras | Blackmagic URSA Camera
Brenda (2015)
Directed by | Matteo Bertoli | Cinematography by | Matteo Bertoli | Editing by | Ciaran Murray
Cameras | Blackmagic Pocket Cinema Camera
Lenses | Sigma 18-35mm f1.8 DC HSM Lens, Zeiss Lenses
Kickstart Theft (2012)
Directed by | Fred Goodich | Cinematography by | Vilmos Zsigmond | Editing by | Gib Jaffe
Cameras | Sony CineAlta F65 Camera
Lenses | Canon CN-E 30-105 mm T2.8 Lens, Leica Summilux-C 18 mm T1.4 Lens, Leica Summilux-C 25 mm T1.4 Lens, Leica Summilux-C 35 mm T1.4 Lens, Leica Summilux-C 40 mm T1.4 Lens, Leica Summilux-C 50 mm T1.4 Lens, Leica Summilux-C 75 mm T1.4 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens
The SpongeBob Movie: Sponge Out of Water (2015)
Directed by | Paul Tibbitt, Mike Mitchell | Cinematography by | Phil Meheux | Editing by | David Ian Salter
Cameras | ARRI ALEXA Camera
The Man with the Iron Fists (2012)
Directed by | RZA | Cinematography by | Chi-Ying Chan | Editing by | Joe D'Augustine
Cameras | Red One MX Camera, Silicon Imaging SI-2K Camera
After Earth (2013)
Directed by | M. Night Shyamalan | Cinematography by | Peter Suschitzky | Editing by | Steven Rosenblum
Cameras | Canon EOS-C500 Camera, Sony CineAlta F65 Camera
Department (2012)
Directed by | Ram Gopal Varma | Cinematography by | Siddhartha More, Sapan Narula, Zaryan Patel, Harshraj Shroff, M. Ravichandran Thevar | Editing by | Vinay Chauhan, Abhijit Kokate
Cameras | Canon Cameras, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Panasonic Cameras, Red Digital Cinema Cameras, Red One MX Camera, Weisscam Cameras, Weisscam HS-1 Camera
Lenses | Angenieux Optimo Zoom Lenses, ARRI Lenses, Canon Lenses, Zeiss Compact Prime Lenses, Zeiss Lenses
Frankenweenie (2012)
Directed by | Tim Burton | Cinematography by | Peter Sorg | Editing by | Chris Lebenzon, Mark Solomon
Cameras | Canon EOS-5D Mark II Camera
