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Gold Star (2020)

Short Film | 2D | Color | 2.39:1 | 15 Minutes

Directed by | Amin Pourbarghi | Cinematography by | Costa Konstantinou | Editing by | Gusti Wiblinger

Starring | Husom Asiri Alias, Dagmar Bernhard, Fariba Mohamadian

Cameras | ARRI ALEXA Camera, Canon EOS-C300 Camera

Lenses | Canon EF Series Lenses, Canon FD Series Lenses

Guldjakken – fra Struer til Hall of Fame (2018)

Documentary | 2D | 2K Project | Color | 2.39:1 |

Directed by | Jesper Elming | Cinematography by | Claus Frederiksen

Cameras | Sony PXW-FS7 Camera

Lenses | Fujinon MK 18-55mm T2.9 Lens, Samyang VDSLR II Cine 85 mm T1.5 Lens, Sony G 18–110mm f4.0 Lens

Roses. Film-Cabaret (2021)

Documentary | 2D | HD Project | Color | 1.78:1 (16x9), 1.85:1 | 78 Minutes

Directed by | Irena Stetsenko | Cinematography by | Serhiy Stetsenko | Editing by | Mykola Bazarkin

Starring | Dakh Daughters, Vlad Troitskiy, Ruslana Khazipova

Cameras | Canon EOS-1Ds Camera, Canon EOS-5D Mark III Camera, Sony α7S II Camera

Lenses | Konica Hexanon AR 21mm f2.8 Lens, Konica Hexanon AR 28mm f1.8 Lens, Konica Hexanon AR 40mm f1.8 Lens, Konica Hexanon AR 50mm f1.7 Lens

Geluid van het Einde (2023)

Short Film | 2D | 2K Project | Color | 1.66:1 | 7 Minutes

Directed by | Piter Reitsma | Cinematography by | Isabella Klauwers | Editing by | Keno Aladjuz, Tijmen Kroonenberg

Starring | Ousmane Bangura, Esther van Harten

Cameras | Blackmagic Pocket Cinema 4K Camera

Waiting for Smith’s Trilogy (2024)

Short Film | 2D | HD Project | Color | 1.66:1 | 15 Minutes

Directed by | Sebastiaan de Reuver | Cinematography by | Isabella Klauwers | Editing by | Keno Aladjuz

Starring | Eveline Besters, Harry Lloyd, Jelle Pennekamp

Cameras | Blackmagic Pocket Cinema 4K Camera

The Legend of the White Ibex (2019)

Short Film | 2D | HD Project | Color | 41 Minutes

Directed by | Markus Otz | Cinematography by | Kurt Amzos

Starring | Marco Capodieci, Roberto Regazzoni, Amanda Rougier

Cameras | Sony PXW-FS5 Camera

Lenses | Sigma 18-35mm f1.8 DC HSM Lens, Sony Lenses

Instorten (2022)

Short Film | 2D | 4K Project | Color | 1.66:1 | 7 Minutes

Directed by | Piter Reitsma | Cinematography by | Isabella Klauwers | Editing by | Keno Aladjuz, Tijmen Kroonenberg

Starring | Daantje Boom, Juna Hurkens, Vivian Macalau

Cameras | Blackmagic Pocket Cinema 4K Camera

Van Hitcom Naar Shitcom (En Weer Terug) (2024)

Short Film | 2D | HD Project | Black & White, Color | 1.33:1 (4x3), 1.78:1 (16x9) | 13 Minutes

Directed by | Charmeno Kraladis | Cinematography by | Tijmen Kroonenberg | Editing by | Keno Aladjuz

Starring | Keno Aladjuz, Tijmen Kroonenberg, Merel Koomen

Cameras | Panasonic Lumix DMC-GH5s Camera

Burma Road – Flying Tigers (2015)

Documentary | 2D | 2K Project | Color | 1.90:1 |

Directed by | Chris D. Nebe | Cinematography by | Josh Lim, Josh Miller, JJ Osbun | Editing by | Mark Grabianowski, JJ Osbun

Starring | Louis Fantasia, Chris D. Nebe

Cameras | Sony PMW-F3 Camera, Sony PMW-F55 Camera

Lenses | Fujinon Alura Zoom 18-80 mm T2.6 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Zeiss ZF.2 21mm Distagon f2.8 Lens, Zeiss ZF.2 25mm Distagon f2.0 Lens, Zeiss ZF.2 35mm Distagon f1.4 Lens, Zeiss ZF.2 50mm Micro Planar f2.0 Lens, Zeiss ZF.2 85mm Planar f1.4 Lens

2030 (2024)

Short Film | 2D | 2K Project | Color | 2.39:1 | 21 Minutes

Directed by | Tim Eickhoff | Cinematography by | Tim Grau | Editing by | Tim Eickhoff, Tim Grau

Starring | Silviana Ursu, Stan Holoubek, Sebastian Prenzel

Cameras | ARRI ALEXA Plus Camera

Lenses | Red Pro Zoom 18-85 mm T2.9 Lens

Haunted State (2019)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) |

| Cinematography by | Angela Olson | Editing by | Michael Brown

Starring | Michael Brown, Anne Benson, Todd Dehring, Angela Olson

Cameras | Panasonic HC-VX870K, Panasonic Lumix DMC-GH5s Camera

Lenses | Panasonic Lumix G X Vario 12-35mm f2.8 Lens

Top Gun: Maverick (2022)

Motion Picture | 2D, 3D | 4K Project | Color | 1.90:1, 2.39:1 | 130 Minutes

Directed by | Joseph Kosinski | Cinematography by | Claudio Miranda | Editing by | Eddie Hamilton

Starring | Tom Cruise, Jennifer Connelly, Miles Teller

Cameras | Sony CineAlta VENICE Camera

Lenses | Sigma Lenses, Voigtländer Lenses, Zeiss Master Prime Lenses

The End of the Dial (2021)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 97 Minutes

Directed by | Brad Knull | Cinematography by | Elvis Ripley | Editing by | Elvis Ripley

Starring | Jeff Dernlan, Jacob Hightower

Cameras | Sony PXW-FS9 Camera

Lenses | Kowa Cine Prominar Anamorphic Lenses, P+S Technik Lenses

The Dinosaur Hour (2023)

Television Series | 2D | 4K Project | Color | 1.78:1 (16x9) |

| Editing by | Ivan Greyling, Audrey Heaton, Evelin Longo, Roberta Spinicci, Alexander Webb, Sidney Berthier

Starring | John Cleese, Ben Castle, Lewis Schaffer

Cameras | ARRI AMIRA Camera

Lenses | Canon CINE-SERVO 17-120mm T2.95 Lens

Doctor Who (2005)

Television Series | 2D | HD Project, SD Project | Color | 1.78:1 (16x9) | 45 Minutes

| Cinematography by | Ernest Vincze, Rory Taylor, Stephan Pehrsson, Mark Waters, Ashley Rowe, Neville Kidd, Sam Heasman, Owen McPolin, Tim Palmer, Stuart Biddlecombe, Richard Stoddard, Damian Bromley, Suzie Lavelle, Ed Moore, Balazs Bolygo, Catherine Goldschmidt, Graham Frake, Tony Slater Ling, Dale Elena McCready, G. Magni Ágústsson, Ali Asad, Simon Chapman, Denis Crossan, Tico Poulakakis, Simon Archer, Erik Wilson, Gavin Struthers, Simon Dennis, Jake Polonsky, Mike Southon, Mark Garrett, Nic Morris, Mike Spragg | Editing by | William Oswald, Mike Jones, John Richards, Jamie Pearson, Becky Trotman, Tim Porter, Liana Del Giudice, Crispin Green, Mike Hopkins, Graham Walker, Selina Macarthur, Adam Green, David Cresswell, Matthew Tabern, Philip Kloss, Joel Skinner, David Fisher, Adam Trotman, Edel McDonnell, Ceres Doyle, David Barrett, Matthew Newman, Peter Oliver, Matthew Cannings, Xavier Russell, Helen Murphy, Ulrike Münch, Tom Chapman, Alan Levy, Jamie McCoan, Richard Cox, Adam Recht, Anthony Boys, Anthony Combes, Úna Ní Dhonghaíle, Simon Reglar, Nick Arthurs, Mark Davis, Iain Erskine, St. John O'Rorke, Sam Williams, Lucien Clayton, Philip Hookway, Tim Hodges, Agnieszka Liggett

Starring | Jodie Whittaker, Peter Capaldi, Pearl Mackie, Matt Smith

Cameras | ARRI ALEXA Camera, ARRI ALEXA XT Camera, Sony Betacam (Unknown) Camera, Sony CineAlta F35 Camera, Sony HDW-F900 Camera

Kompas (2024)

Short Film | 2D | 4K Project | Black & White | 2.0:1 | 21 Minutes

Directed by | Luca Larsen | Cinematography by | Isabella Klauwers | Editing by | Keno Aladjuz

Starring | Robin Copier, Ilse Postma

Cameras | Red Komodo Camera

Lenses | Zeiss Compact Prime CP.3 25mm T2.1 Lens, Zeiss Compact Prime CP.3 35mm T2.1 Lens, Zeiss Compact Prime CP.3 50mm T2.1 Lens, Zeiss Compact Prime CP.3 85mm T2.1 Lens

Galli (The Lane) (2015)

Short Film | 2D | HD Project | Color | 1.78:1 (16x9) | 19 Minutes

Directed by | Santosh Ram | Cinematography by | Benjamin Burghartz | Editing by | Vivekanand Daakhore

Starring | Raja Babhulkar, Mala Inamdar, Sanghsen Jagatkar

Cameras | Canon EOS-5D Mark III Camera

Lenses | Canon Lenses

Elvis (2022)

Motion Picture | 2D | 4K Project | Black & White, Color | 2.39:1 | 159 Minutes

Directed by | Baz Luhrmann | Cinematography by | Mandy Walker | Editing by | Jonathan Redmond, Matt Villa

Starring | Tom Hanks, Austin Butler, Olivia DeJonge

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA LF Camera

Lenses | Panavision Sphero 65 Series Lenses, Panavision T Series Anamorphic Lenses

The Fabelmans (2022)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 151 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Sarah Broshar, Michael Kahn

Starring | Michelle Williams, Gabriel LaBelle, Paul Dano

Cameras | ARRI ALEXA Mini LF Camera, ARRIFLEX 16ST Camera, ARRIFLEX 416 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses

A Blood Throne (2020)

Short Film | 2D | 4K Project | Color | 2.39:1 | 40 Minutes

Directed by | Xavier Garcia | Cinematography by | Jonathan Garcia | Editing by | Xavier Garcia

Starring | Pierre Rumpf, Arissa Page, Danny Irizarry

Cameras | Panasonic Lumix DMC-GH5 Camera

Lenses | SLR Magic APO HyperPrime Cine 25mm T2.1 Lens, SLR Magic APO HyperPrime Cine 32mm T2.1 Lens, SLR Magic APO HyperPrime Cine 50mm T2.1 Lens, SLR Magic APO HyperPrime Cine 85mm T2.1 Lens

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