IDX | 31 Titles
Polseres vermelles (2011)
| Cinematography by | Julián Elizalde, David Valldepérez | Editing by | Liana Artigal, Regino Hernández, Xavi Carrasco, Guillermo de la Cal, Domi Parra, Luis Rico
Cameras | Red Epic Camera
Lenses | Angenieux Optimo DP 30-80 mm T2.8 Lens, ARRI Macro 60mm T3.0 Lens, Zeiss Standard Prime MKII 16 mm T2.1 Lens, Zeiss Standard Prime MKII 24 mm T2.1 Lens, Zeiss Standard Prime MKII 28 mm T2.1 Lens, Zeiss Standard Prime MKII 32 mm T2.1 Lens, Zeiss Standard Prime MKII 40 mm T2.1 Lens, Zeiss Standard Prime MKII 50 mm T2.1 Lens, Zeiss Standard Prime MKII 85 mm T2.1 Lens
Cineastes (2014)
Directed by | Alexander Vo | Cinematography by | John Lazear | Editing by | Alexander Vo
Cameras | ARRI ALEXA Series Cameras
Lenses | Zeiss Lenses
Kelly & Cal (2014)
Directed by | Jen McGowan | Cinematography by | Philip Lott | Editing by | David Hopper
Cameras | ARRI ALEXA Plus 4:3 Camera
Lenses | Hawk V-Series Lenses
Blockbuster: Das Leben ist ein Film (2015)
Directed by | Vlado Priborsky | Cinematography by | Costa Konstantinou, Edgar Pfandler, Daniel Steiner | Editing by | Markus Hautz
Cameras | Sony NEX-FS100 Camera, Sony NEX-FS700 Camera
Lenses | Canon EF 16-35 mm f2.8L II Lens, Canon EF 24-70 mm f2.8L II Lens, Canon EF 70-200 mm f2.8 L IS II Lens, Canon FD 100 mm f2.8 SSC Lens, Canon FD 135 mm f2.5 SC Lens, Canon FD 24 mm f2.8 SSC Lens, Canon FD 35 mm f2.0 SSC Lens, Canon FD 50 mm f1.4 SSC Lens, Canon FD 85 mm f1.8 SSC Lens
Awaiting (2015)
Directed by | Mark Murphy | Cinematography by | Hong Manley | Editing by | Dragos Teglas
Cameras | Red Epic Camera
Lenses | Cooke S4/i Lenses, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 16mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0, Red Pro Prime 300 mm T2.9 Lens
Galore (2013)
Directed by | Rhys Graham | Cinematography by | Stefan Duscio | Editing by | Andy Canny
Lenses | Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Plus 45-90 mm T2.8 Lens, Hawk V-Series 180 mm T3.0 Lens
Stranger Within (2013)
Directed by | Adam Neutzsky-Wulff | Cinematography by | Michael Sauer Christensen | Editing by | Niels Ostenfeld
Cameras | Canon EOS-5D Mark II Camera, Red One Camera
Lenses | Zeiss Ultra Prime Lenses
Romans Road (2013)
Directed by | Helen Gibson | Cinematography by | Miguel Gonzalez, Steve Wargo | Editing by | Geoff McClelland
Cameras | Sony PMW-F3 Camera
[Rec] 2 (2009)
![[Rec] 2 | ShotOnWhat?](/images/1245112-small.jpg "Details for [Rec] 2")
Directed by | Jaume Balagueró, Paco Plaza | Cinematography by | Pablo Rosso | Editing by | David Gallart
Cameras | Panasonic Cameras, Sony HDW-750 Camera
Lenses | Canon HJ11ex4.7B 4.7-52 mm f1.9
Lord of the Dance in 3D (2011)
Directed by | Marcus Viner | Cinematography by | Nick Wheeler | Editing by | Tom Palliser
Lenses | Cooke Lenses
Glamour Dolls (2016)
Directed by | John De Luca | Cinematography by | Graham Martyr | Editing by | Dominick Gallagher, Paul Lumsden
Starring |
Lenses | Zeiss Lenses, Zeiss Super Speed Lenses
