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Celluloid | 3105 Titles

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Wuthering Heights (1992)

Motion Picture | 2D | Color | 1.85:1 | 105 Minutes

Wuthering Heights | ShotOnWhat?

Directed by | Peter Kosminsky | Cinematography by | Mike Southon | Editing by | Tony Lawson

Starring | Juliette Binoche, Ralph Fiennes, Janet McTeer, Sophie Ward

Cameras | ARRI Cameras

A Man for All Seasons (1988)

Television Movie | 2D | Color | 1.33:1 (4x3) | 150 Minutes

A Man for All Seasons | ShotOnWhat?

Directed by | Charlton Heston | Cinematography by | Dennis C. Lewiston | Editing by | Eric Boyd-Perkins, Tom Gunn

Starring | Charlton Heston, Vanessa Redgrave, John Gielgud, Richard Johnson

Cameras | Panavision Cameras

The Chase (1966)

Motion Picture | 2D | Color | 2.35:1 | 134 Minutes

The Chase | ShotOnWhat?

Directed by | Arthur Penn | Cinematography by | Joseph LaShelle | Editing by | Gene Milford

Starring | Marlon Brando, Jane Fonda, Robert Redford, E.G. Marshall

Cameras | Panavision Cameras

V.I. Warshawski (1991)

Motion Picture | 2D | Color | 1.85:1 | 89 Minutes

V.I. Warshawski | ShotOnWhat?

Directed by | Jeff Kanew | Cinematography by | Jan Kiesser | Editing by | Debra Neil-Fisher, Carroll Timothy O'Meara

Starring | Kathleen Turner, Jay O. Sanders, Charles Durning, Angela Goethals

Cameras | Panavision Cameras

25th Hour (2002)

Motion Picture | 2D | Color | 2.35:1 | 135 Minutes

25th Hour | ShotOnWhat?

Directed by | Spike Lee | Cinematography by | Rodrigo Prieto | Editing by | Barry Alexander Brown

Starring | Edward Norton, Barry Pepper, Philip Seymour Hoffman, Rosario Dawson

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Zeiss Ultra Prime Lenses

A Real American Hero (1978)

Television Movie | 2D | Color | 1.33:1 (4x3) | 90 Minutes

A Real American Hero | ShotOnWhat?

Directed by | Lou Antonio | Cinematography by | Charles Correll | Editing by | Houseley Stevenson Jr.

Starring | Brian Dennehy, Forrest Tucker, Brian Kerwin, Ken Howard

Cameras | Panavision Cameras

In Love and War (1987)

Television Movie | Color | 100 Minutes

In Love and War | ShotOnWhat?

Directed by | Paul Aaron | Cinematography by | Gayne Rescher | Editing by | Skip Schoolnik

Starring | Jane Alexander, James Woods, Concetta Tomei, Richard McKenzie

Radio (2003)

Motion Picture | 2D | Color | 1.85:1 | 109 Minutes

Radio | ShotOnWhat?

Directed by | Michael Tollin | Cinematography by | Don Burgess | Editing by | Chris Lebenzon, Harvey Rosenstock

Starring | Cuba Gooding Jr., Ed Harris, Debra Winger, S. Epatha Merkerson

Cameras | Panavision Cameras

Ernest Goes to Jail (1990)

Motion Picture | 2D | Color | 1.85:1 | 81 Minutes

Ernest Goes to Jail | ShotOnWhat?

Directed by | John R. Cherry III | Cinematography by | Peter Stein | Editing by | Sharyn L. Ross

Starring | Jim Varney, Gailard Sartain, Bill Byrge, Barbara Tyson

Cameras | Panavision Cameras

High Risk (1981)

Motion Picture | 2D | Color | 94 Minutes

Directed by | Stewart Raffill | Cinematography by | Álex Phillips Jr. | Editing by | Tom Walls

Starring | James Brolin, Anthony Quinn, Lindsay Wagner, James Coburn

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Men in Black (1997)

Motion Picture | 2D | Color | 1.85:1 | 98 Minutes

Directed by | Barry Sonnenfeld | Cinematography by | Donald Peterman | Editing by | Jim Miller

Starring | Tommy Lee Jones, Will Smith, Linda Fiorentino, Vincent D'Onofrio

Cameras | Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII Lenses

Splice (2009)

Motion Picture | 2D | Color | 1.85:1 | 104 Minutes

Splice | ShotOnWhat?

Directed by | Vincenzo Natali | Cinematography by | Tetsuo Nagata | Editing by | Michele Conroy

Starring | Adrien Brody, Sarah Polley, Delphine Chanéac, Brandon McGibbon

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Anamorphic Lenses

Deliverance (1972)

Motion Picture | 2D | Color | 2.20:1, 2.35:1 | 109 Minutes

Deliverance | ShotOnWhat?

Directed by | John Boorman | Cinematography by | Vilmos Zsigmond | Editing by | Tom Priestley

Starring | Jon Voight, Burt Reynolds, Ned Beatty, Ronny Cox

Cameras | Panavision Cameras

A Simple Plan (1998)

Motion Picture | 2D | Color | 1.85:1 | 121 Minutes

Directed by | Sam Raimi | Cinematography by | Alar Kivilo | Editing by | Eric L. Beason, Arthur Coburn

Starring | Bill Paxton, Billy Bob Thornton, Bridget Fonda, Brent Briscoe

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

New Jack City (1991)

Motion Picture | 2D | Color | 1.37:1, 1.85:1 | 97 Minutes

New Jack City | ShotOnWhat?

Directed by | Mario Van Peebles | Cinematography by | Francis Kenny | Editing by | Steven Kemper

Starring | Wesley Snipes, Ice-T, Allen Payne, Chris Rock

Cameras | Panavision Cameras

A Cry in the Wild (1990)

Motion Picture | 2D | Color | 1.85:1 | 82 Minutes

A Cry in the Wild | ShotOnWhat?

Directed by | Mark Griffiths | Cinematography by | Gregg Heschong | Editing by | Carol Oblath

Starring | Jared Rushton, Ned Beatty, Pamela Sue Martin, Stephen Meadows

Cameras | ARRIFLEX 35 BL4s Camera, ARRIFLEX 35 III Camera

Tuck Everlasting (2002)

Motion Picture | 2D | Color | 2.35:1 | 90 Minutes

Tuck Everlasting | ShotOnWhat?

Directed by | Jay Russell | Cinematography by | James L. Carter | Editing by | Jay Cassidy

Starring | Alexis Bledel, Jonathan Jackson, Sissy Spacek, William Hurt

Cameras | Panavision Panaflex Gold II Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Blue Thunder (1983)

Motion Picture | 2D | Color | 2.20:1, 2.35:1 | 109 Minutes

Blue Thunder | ShotOnWhat?

Directed by | John Badham | Cinematography by | John A. Alonzo | Editing by | Edward M. Abroms, Frank Morriss

Starring | Roy Scheider, Warren Oates, Candy Clark, Daniel Stern

Cameras | Panavision Cameras

Hometown U.S.A. (1979)

Motion Picture | 2D | Color | 1.85:1 | 93 Minutes

Hometown U.S.A. | ShotOnWhat?

Directed by | Max Baer Jr. | Cinematography by | Daniel Pearl | Editing by | Frank Morriss

Starring | Gary Springer, David Wilson, Brian Kerwin, Pat Delany

Cameras | Panavision Cameras

Everybody Wants to Be Italian (2007)

Motion Picture | 2D | Color | 1.85:1 | 105 Minutes

Everybody Wants to Be Italian | ShotOnWhat?

Directed by | Jason Todd Ipson | Cinematography by | Michael Fimognari | Editing by | Mike Saenz

Starring | Jay Jablonski, Cerina Vincent, John Kapelos, John Enos III

Cameras | Panavision Cameras

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