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Made in New Mexico (2012)

Documentary | 2D | Color | 52 Minutes

Directed by | Brent Morris, David J. Schweitzer | Cinematography by | David J. Schweitzer | Editing by | David Aubrey, Brent Morris

Starring | John Armijo, Lawrence Blume, Jeff Bridges, George Burdeau

Cameras | Red Digital Cinema Cameras, Sony PMW-EX3 Camera

Lenses | Cooke S4 Lenses

Charlie’s Angels: Full Throttle (2003)

Motion Picture | 2D | Color | 106 Minutes

Directed by | McG | Cinematography by | Russell Carpenter | Editing by | Wayne Wahrman

Starring | Drew Barrymore, Lucy Liu, Cameron Diaz, Bernie Mac

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium Camera

Lenses | Panavision Primo Anamorphic Lenses

The GWARnage Campaign (2002)

Direct to Video | 2D | SD Project | Color | 1.33:1 (4x3) | 130 Minutes

Directed by | Mark Walpole | Cinematography by | Mark Walpole | Editing by | Mark Walpole

Starring | Dave Brockie, Balsac the Jaws of Death, Flattus Maximus, Beefcake the Mighty

Cameras | ARRIFLEX 35 III Camera, Bolex H16 Camera, Canon XL1 Camera

Lenses | Angenieux HP Zoom Lenses, Schneider Xenoplan Lenses

8 Mile (2002)

Motion Picture | 2D | Color | 2.39:1 | 110 Minutes

Directed by | Curtis Hanson | Cinematography by | Rodrigo Prieto | Editing by | Craig Kitson, Jay Rabinowitz

Starring | Eminem, Brittany Murphy, Kim Basinger, Mekhi Phifer

Cameras | Moviecam Compact Camera, Moviecam Superlight Camera

Lenses | Zeiss Ultra Prime Lenses

Glamour Dolls (2016)

Motion Picture | 2D | Color | 2.35:1 | 95 Minutes

Directed by | John De Luca | Cinematography by | Graham Martyr | Editing by | Dominick Gallagher, Paul Lumsden

Starring |

Cameras | ARRI ALEXA Camera, Canon EOS-5D Mark II Camera, Red One MX Camera

Lenses | Zeiss Lenses, Zeiss Super Speed Lenses

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