Outdoor | 562 Titles
Admission (2014)
Directed by | Gianluca Balla | Cinematography by | Danny Collinson, Hedda Estensen | Editing by | Jamie Robinson
Cameras | Canon EOS-7D Camera
Silent Ones (2013)
Directed by | Ricky Rijneke | Cinematography by | Jean-Paul de Zaetijd, Gergely Pohárnok, Dirk Rijneke | Editing by | Nina Petrovna, Ricky Rijneke
Cameras | Aaton Penelope Camera
Lenses | Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Lenses, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Ultra Prime Distagon 12 mm T1.9 Lens, Zeiss Ultra Prime Distagon 20 mm T1.9 Lens, Zeiss Ultra Prime Distagon 28 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens
The Gold Rush (1925)
Directed by | Charles Chaplin | Cinematography by | Roland Totheroh | Editing by | Charles Chaplin
Cameras | Bell & Howell 2709 Camera
Grease (1978)
Directed by | Randal Kleiser | Cinematography by | Bill Butler | Editing by | John F. Burnett
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Bridge on the River Kwai (1957) 
Directed by | David Lean | Cinematography by | Jack Hildyard | Editing by | Peter Taylor
Lenses | Bausch & Lomb Lenses
It’s a Wonderful Life (1946)
Directed by | Frank Capra | Cinematography by | Joseph F. Biroc, Joseph Walker, Victor Milner | Editing by | William Hornbeck
From Here to Eternity (1953)
Directed by | Fred Zinnemann | Cinematography by | Burnett Guffey, Floyd Crosby | Editing by | William A. Lyon
Cameras | Mitchell Cameras
A Streetcar Named Desire (1951)
The Best Years of Our Lives (1946)
Patton (1970)
Directed by | Franklin J. Schaffner | Cinematography by | Fred J. Koenekamp | Editing by | Hugh S. Fowler
Cameras | Mitchell FC 65mm Camera
High Noon (1952)
Directed by | Fred Zinnemann | Cinematography by | Floyd Crosby | Editing by | Elmo Williams
Cameras | Mitchell Cameras
Rio Grande (1950)
The Riot Club (2014)
The Night of the Hunter (1955)
Commando (1985)
Directed by | Mark L. Lester | Cinematography by | Matthew F. Leonetti | Editing by | Glenn Farr, Mark Goldblatt, John F. Link
Atlas Shrugged: Who Is John Galt? (2014)
Directed by | James Manera | Cinematography by | Gale Tattersall | Editing by | Tony Ciccone, Mike Hugo
Cameras | Canon EOS-C500 Camera
Lenses | Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Canon K35 135 mm T2.0 Lens, Canon K35 24 mm T1.5 Lens, Canon K35 35 mm T1.3 Lens, Canon K35 50 mm T1.3 Lens, Canon K35 85 mm T1.3 Lens, Canon Lenses
Lolita (1962)
Directed by | Stanley Kubrick | Cinematography by | Oswald Morris | Editing by | Anthony Harvey
Cameras | Mitchell BNCR Camera
The New Avengers (1976)
| Cinematography by | Michael Reed, Ernest Steward, Henri Fiks, Gilbert Sarthre, Ian Wilson, James Allen, Jack Atcheler, Karol Ike, Dennis Miller | Editing by | Robert C. Dearberg, Ralph Sheldon, Alan Killick, Graeme Clifford, Eric Wrate, Eric Boyd-Perkins, Stephen Lawrence
Kolchak: The Night Stalker (1974)
| Cinematography by | Ronald W. Browne, Alric Edens, Donald Peterman, Eduardo Ricci | Editing by | Robert M. Leeds, John Elias, Anthony Redman, Larry Strong, Howard Terrill, Edward W. Williams, Ted Rich
The Night Strangler (1973)
