 | Directed by | John R. Leonetti Cinematography by ~ James Kniest Cameras | ARRI ALEXA XT Camera, Canon EOS-5D Mark III Camera, Red Epic Camera Lenses | Canon L Series Lenses, Fujinon Premier Lenses, Leitz Summilux-C Series Lenses |
Search Results: Alexa | 1848 Titles
Annabelle (2014)
This Is Where I Leave You (2014)
 | Directed by | Shawn Levy Cinematography by ~ Terry Stacey Cameras | ARRI ALEXA XT Camera Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses |
Wadjda (2012)
 | Directed by | Haifaa Al-Mansour Cinematography by ~ Lutz Reitemeier Cameras | ARRI ALEXA Camera |
The Hunger Games: Mockingjay – Part 2 (2015)
 | Directed by | Francis Lawrence Cinematography by ~ Jo Willems Cameras | ARRI ALEXA XT Camera Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses |
The Water Diviner (2014)
 | Directed by | Russell Crowe Cinematography by ~ Andrew Lesnie Cameras | ARRI ALEXA XT Camera Lenses | Panavision Primo Anamorphic Lenses |
Star Wars: The Force Awakens (2015)
Broj 55 (2014)
 | Directed by | Kristijan Milic Cinematography by ~ Mirko Pivcevic Cameras | ARRI ALEXA Series Cameras |
L’homme qui rit (2012)
 | Directed by | Jean-Pierre Améris Cinematography by ~ Gérard Simon Cameras | ARRI ALEXA Camera Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses |
Mais qui a re-tué Pamela Rose? (2012)
 | Directed by | Olivier Baroux, Kad Merad Cinematography by ~ Régis Blondeau Cameras | ARRI ALEXA Camera Lenses | Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses |
La liste de mes envies (2014)
 | Directed by | Didier Le Pêcheur Cinematography by ~ Myriam Vinocour Cameras | ARRI ALEXA Plus Camera Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses |
World Without End (2012)
 | Cameras | ARRI ALEXA Camera Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses |
The Transporter Refueled (2015)
 | Directed by | Camille Delamarre Cinematography by ~ Christophe Collette, Vincent Richard Cameras | ARRI ALEXA Camera Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens |
Ange et Gabrielle (2015)
 | Directed by | Anne Giafferi Cinematography by ~ Stéphane Cami Cameras | ARRI ALEXA XT Plus Camera Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Cooke S4 Lenses |
L’effet aquatique (2016)
 | Directed by | Sólveig Anspach, Jean-Luc Gaget Cinematography by ~ Isabelle Razavet Cameras | ARRI ALEXA Series Cameras Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens |
La belle saison (2015)
 | Directed by | Catherine Corsini Cinematography by ~ Jeanne Lapoirie Cameras | ARRI ALEXA Series Cameras Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens |
La tête haute (2015)
 | Directed by | Emmanuelle Bercot Cinematography by ~ Guillaume Schiffman Cameras | ARRI ALEXA XT Camera Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens |
Respire (2014)
 | Directed by | Mélanie Laurent Cinematography by ~ Arnaud Potier Cameras | ARRI ALEXA Camera Lenses | Angenieux HR 25-250 mm T3.5 Lens, Canon K35 Prime Lenses |
Mr. Turner (2014)
 | Directed by | Mike Leigh Cinematography by ~ Dick Pope Cameras | ARRI ALEXA Plus Camera, Canon EOS-C500 Camera Lenses | Cooke Speed Panchro Lenses |
A Most Wanted Man (2014)
 | Directed by | Anton Corbijn Cinematography by ~ Benoît Delhomme Cameras | ARRI ALEXA M Camera Lenses | Zeiss Super Speed Lenses |
Omar (2013)
 | Directed by | Hany Abu-Assad Cinematography by ~ Ehab Assal Cameras | ARRI ALEXA Camera |
