 | Directed by | Clint Eastwood Cinematography by ~ Tom Stern Cameras | ARRI ALEXA XT Camera Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses |
Search Results: Alexa | 1848 Titles
American Sniper (2014)
Cake (2014)
 | Directed by | Daniel Barnz Cinematography by ~ Rachel Morrison Cameras | ARRI ALEXA Plus 4:3 Camera Lenses | Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses |
Get on Up (2014)
 | Directed by | Tate Taylor Cinematography by ~ Stephen Goldblatt Cameras | ARRI ALEXA Camera, Canon EOS Rebel T3i camera, Canon EOS-C500 Camera Lenses | Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Style Lenses, Angenieux Optimo Zoom Lenses, Bausch & Lomb Lenses, Canon EF Series Lenses, Panavision Primo Primes Spherical Lenses |
Le temps des aveux (2014)
 | Directed by | Régis Wargnier Cinematography by ~ Renaud Chassaing Cameras | ARRI ALEXA Plus Camera Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses |
Ida (2013)
 | Directed by | Pawel Pawlikowski Cinematography by ~ Ryszard Lenczewski, Lukasz Zal Cameras | ARRI ALEXA Plus 4:3 Camera Lenses | Zeiss Ultra Prime Lenses |
Rosewater (2014)
 | Directed by | Jon Stewart Cinematography by ~ Bobby Bukowski Cameras | ARRI ALEXA Plus Camera Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses |
Nightcrawler (2014)
 | Directed by | Dan Gilroy Cinematography by ~ Robert Elswit Cameras | ARRI ALEXA XT Camera, Panavision Panaflex Millennium XL2 Camera Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses |
Selma (2014)
 | Directed by | Ava DuVernay Cinematography by ~ Bradford Young Cameras | ARRI ALEXA XT Plus Camera Lenses | Hawk V-Plus Lenses, Hawk V-Series Lenses |
The Theory of Everything (2014)
 | Directed by | James Marsh Cinematography by ~ Benoît Delhomme Cameras | ARRI ALEXA Plus 4:3 Camera, ARRIFLEX 16SR3 Camera Lenses | Hawk V-Plus Lenses, Hawk V-Series Lenses, Leitz Summilux-C Series Lenses |
Under the Skin (2013)
 | Directed by | Jonathan Glazer Cinematography by ~ Daniel Landin Cameras | ARRI ALEXA Plus Camera, one-cam Camera Lenses | Kowa Lenses, Schneider Cinegon Lenses, Schneider Xenon FF Prime Lenses, Schneider Xenoplan Lenses, Zeiss Super Speed Lenses |
Whiplash (2014)
 | Directed by | Damien Chazelle Cinematography by ~ Sharone Meir Cameras | ARRI ALEXA Camera, Canon EOS-7D Camera Lenses | Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses, Leitz Summilux-C Series Lenses |
Wild (2014)
 | Directed by | Jean-Marc Vallée Cinematography by ~ Yves Bélanger Cameras | ARRI ALEXA XT Camera Lenses | Zeiss Master Prime Lenses, Zeiss Super Speed Lenses |
En équilibre (2015)
 | Directed by | Denis Dercourt Cinematography by ~ Julien Hirsch Cameras | ARRI ALEXA Camera Lenses | Angenieux Optimo 28-76 mm T2.6 Lens |
Helium (2013)
 | Directed by | Anders Walter Cinematography by ~ Rasmus Heise Cameras | ARRI ALEXA Camera |
The Interview (2014)
 | Directed by | Evan Goldberg, Seth Rogen Cinematography by ~ Brandon Trost Cameras | ARRI ALEXA Plus 4:3 Camera Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses |
Predestination (2014)
 | Directed by | Michael Spierig, Peter Spierig Cinematography by ~ Ben Nott Cameras | ARRI ALEXA Camera |
The Gambler (2014)
 | Directed by | Rupert Wyatt Cinematography by ~ Greig Fraser Cameras | ARRI ALEXA XT Camera Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses |
A Walk Among the Tombstones (2014)
 | Directed by | Scott Frank Cinematography by ~ Mihai Malaimare Jr. Cameras | ARRI ALEXA Plus 4:3 Camera, Red Epic Camera Lenses | Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision Ultra Speed MKII Lenses |
Dumb and Dumber To (2014)
 | Directed by | Bobby Farrelly, Peter Farrelly Cinematography by ~ Matthew F. Leonetti Cameras | ARRI ALEXA Camera Lenses | Fujinon Premier Lenses, Leitz Summilux-C Series Lenses |
Tusk (2014)
 | Directed by | Kevin Smith Cinematography by ~ James Laxton Cameras | ARRI ALEXA Camera, Red Epic Camera |
