 | Directed by | Stephen Frears Cinematography by ~ Robbie Ryan Cameras | ARRI ALEXA Camera |
Search Results: Alexa | 1848 Titles
Philomena (2013)
The Two Faces of January (2014)
 | Directed by | Hossein Amini Cinematography by ~ Marcel Zyskind Cameras | ARRI ALEXA Plus 4:3 Camera Lenses | Hawk C-Series Lenses |
Dallas Buyers Club (2013)
 | Directed by | Jean-Marc Vallée Cinematography by ~ Yves Bélanger Cameras | ARRI ALEXA Camera Lenses | ARRI / Zeiss Lenses |
The Fault in Our Stars (2014)
 | Directed by | Josh Boone Cinematography by ~ Ben Richardson Cameras | ARRI ALEXA XT Camera |
Sex Tape (2014)
 | Directed by | Jake Kasdan Cinematography by ~ Tim Suhrstedt Cameras | ARRI ALEXA XT Camera |
Wolf Creek 2 (2013)
 | Directed by | Greg McLean Cinematography by ~ Toby Oliver Cameras | ARRI ALEXA Plus 4:3 Camera Lenses | Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Plus 45-90 mm T2.8 Lens, Hawk V-Series 46-230 mm T4.0 Lens |
Charlie Countryman (2013)
 | Directed by | Fredrik Bond Cinematography by ~ Roman Vasyanov Cameras | ARRI ALEXA Camera |
A Long Way Down (2014)
 | Directed by | Pascal Chaumeil Cinematography by ~ Ben Davis Cameras | ARRI ALEXA Camera |
App (2013)
 | Directed by | Bobby Boermans Cinematography by ~ Ezra Reverda Cameras | ARRI ALEXA Plus Camera Lenses | Zeiss Ultra Prime Lenses |
Horrible Bosses 2 (2014)
 | Directed by | Sean Anders Cinematography by ~ Julio Macat Cameras | ARRI ALEXA XT Camera Lenses | Leitz Summilux-C Series Lenses |
The SpongeBob Movie: Sponge Out of Water (2015)
 | Directed by | Paul Tibbitt, Mike Mitchell Cinematography by ~ Phil Meheux Cameras | ARRI ALEXA Camera |
Lucy (2014)
 | Directed by | Luc Besson Cinematography by ~ Thierry Arbogast Cameras | ARRI ALEXA XT Camera, Red Epic Camera, Sony CineAlta F65 Camera Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens |
The Giver (2014)
 | Directed by | Phillip Noyce Cinematography by ~ Ross Emery Cameras | ARRI ALEXA XT Camera Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses |
Last Passenger (2013)
 | Directed by | Omid Nooshin Cinematography by ~ Angus Hudson Cameras | ARRI ALEXA Plus Camera Lenses | Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses |
Before I Disappear (2014)
 | Directed by | Shawn Christensen Cinematography by ~ Daniel Katz Cameras | ARRI ALEXA Series Cameras Lenses | Hawk V-Lite Lenses |
The Purge: Anarchy (2014)
 | Directed by | James DeMonaco Cinematography by ~ Jacques Jouffret Cameras | ARRI ALEXA XT Camera |
Stranger in the House (2015)
 | Directed by | Devon Gummersall Cinematography by ~ David Maurice Gil Cameras | ARRI ALEXA Series Cameras Lenses | Panavision PVintage Prime Lenses |
Teenage Mutant Ninja Turtles (2014)
 | Directed by | Jonathan Liebesman Cinematography by ~ Lula Carvalho Cameras | ARRI ALEXA Plus 4:3 Camera Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses |
’71 (2014)
 | Directed by | Yann Demange Cinematography by ~ Tat Radcliffe Cameras | ARRI ALEXA Camera, ARRIFLEX 416 Camera Lenses | Hawk V-Lite 16 Lens, Hawk V-Lite Vintage´74 Lens |
The Equalizer (2014)
 | Directed by | Antoine Fuqua Cinematography by ~ Mauro Fiore Cameras | ARRI ALEXA Plus 4:3 Camera Lenses | Angenieux Optimo Anamorphic 56-152 mm A2S T4.0 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses |
