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EON Productions | 25 Titles

EON Productions 5.00/5 2 Votes

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From Russia with Love (1963)

Motion Picture | 2D | Film Project | Color | 1.66:1 | 115 Minutes

Directed by | Terence Young | Cinematography by | Ted Moore | Editing by | Peter R. Hunt

Starring | Sean Connery, Robert Shaw, Lotte Lenya

Cameras | Mitchell BNC Camera

Goldfinger (1964)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 110 Minutes

Directed by | Guy Hamilton | Cinematography by | Ted Moore | Editing by | Peter R. Hunt

Starring | Sean Connery, Gert Fröbe, Honor Blackman

Cameras | Mitchell BNC Camera

Thunderball (1965)

Motion Picture | 2D | Film Project | Color | 2.35:1 | 130 Minutes

Directed by | Terence Young | Cinematography by | Ted Moore | Editing by | Ernest Hosler

Starring | Sean Connery, Claudine Auger, Adolfo Celi

Cameras | ARRIFLEX 35 IIA Camera, Mitchell BNC Camera

Lenses | Panavision B Series Anamorphic Lenses

You Only Live Twice (1967)

Motion Picture | 2D | Film Project | Color | 2.35:1 | 117 Minutes

Directed by | Lewis Gilbert | Cinematography by | Freddie Young | Editing by | Thelma Connell

Starring | Sean Connery, Akiko Wakabayashi, Mie Hama

Cameras | Mitchell BNC Camera

Lenses | Panavision C Series Anamorphic Lenses

Live and Let Die (1973)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 121 Minutes

Directed by | Guy Hamilton | Cinematography by | Ted Moore | Editing by | Bert Bates, Raymond Poulton, John Shirley

Starring | Roger Moore, Yaphet Kotto, Jane Seymour, Clifton James

Cameras | ARRIFLEX 35 IIC Camera, Panavision Super PSR R-200

Lenses | Panavision Super Speed Lenses

The Man with the Golden Gun (1974)

Motion Picture | 2D | Film Project | Color | 1.66:1, 1.85:1 | 125 Minutes

Directed by | Guy Hamilton | Cinematography by | Ted Moore, Oswald Morris | Editing by | Raymond Poulton, John Shirley

Starring | Roger Moore, Christopher Lee, Britt Ekland, Maud Adams

Cameras | ARRIFLEX 35 IIC Camera, Panavision Panaflex Camera, Panavision Super PSR R-200

Lenses | Panavision Super Speed Lenses

The Spy Who Loved Me (1977)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 125 Minutes

Directed by | Lewis Gilbert | Cinematography by | Claude Renoir | Editing by | John Glen

Starring | Roger Moore, Barbara Bach, Curd Jürgens

Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex-X Camera

Lenses | Cooke Lenses, Panavision C Series Anamorphic Lenses

Moonraker (1979)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 126 Minutes

Directed by | Lewis Gilbert | Cinematography by | Jean Tournier | Editing by | John Glen

Starring | Roger Moore, Lois Chiles, Michael Lonsdale

Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex-X Camera

Lenses | Cooke Lenses, Panavision C Series Anamorphic Lenses

For Your Eyes Only (1981)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 127 Minutes

Directed by | John Glen | Cinematography by | Alan Hume | Editing by | John Grover

Starring | Roger Moore, Carole Bouquet, Topol

Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Camera, Panavision Panaflex Gold Camera, Panavision Panaflex-X Camera

Lenses | Cooke Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Living Daylights (1987)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 130 Minutes

Directed by | John Glen | Cinematography by | Alec Mills | Editing by | Peter Davies, John Grover

Starring | Timothy Dalton, Maryam d'Abo, Jeroen Krabbé, Joe Don Baker

Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

GoldenEye (1995)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 130 Minutes

Directed by | Martin Campbell | Cinematography by | Phil Meheux | Editing by | Terry Rawlings

Starring | Pierce Brosnan, Sean Bean, Izabella Scorupco, Famke Janssen

Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 35 IIIC Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses | Cooke Lenses, Nikon - Nikkor Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

A View to a Kill (1985)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 131 Minutes

Directed by | John Glen | Cinematography by | Alan Hume | Editing by | Peter Davies

Starring | Roger Moore, Christopher Walken, Tanya Roberts

Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera

Lenses | Panavision E Series Anamorphic Lenses

Tomorrow Never Dies (1997)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 119 Minutes

Directed by | Roger Spottiswoode | Cinematography by | Robert Elswit | Editing by | Michel Arcand, Dominique Fortin

Starring | Pierce Brosnan, Jonathan Pryce, Michelle Yeoh, Teri Hatcher

Cameras | Panavision Panaflex Gold II Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The World Is Not Enough (1999)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 128 Minutes

Directed by | Michael Apted | Cinematography by | Adrian Biddle | Editing by | Jim Clark

Starring | Pierce Brosnan, Sophie Marceau, Robert Carlyle, Denise Richards

Cameras | Pan-Arri 435 Camera, Panavision Panaflex Gold Camera

Lenses | Panavision C Series Anamorphic Lenses

Diamonds Are Forever (1971)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 120 Minutes

Directed by | Guy Hamilton | Cinematography by | Ted Moore | Editing by | Bert Bates, John W. Holmes

Starring | Sean Connery, Jill St. John, Charles Gray, Lana Wood

Cameras | ARRIFLEX 35 IIA Camera, Panavision Super PSR R-200

Lenses | Panavision C Series Anamorphic Lenses, Panavision Lenses

On Her Majesty’s Secret Service (1969)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 142 Minutes

Directed by | Peter R. Hunt | Cinematography by | Michael Reed | Editing by | John Glen

Starring | George Lazenby, Diana Rigg, Telly Savalas

Cameras | ARRIFLEX 35 IIA Camera, Mitchell BNC Camera

Lenses | Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses

Licence to Kill (1989)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 133 Minutes

Directed by | John Glen | Cinematography by | Alec Mills | Editing by | John Grover

Starring | Timothy Dalton, Robert Davi, Carey Lowell

Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Octopussy (1983)

Motion Picture | 2D | 2K Project | Color | 2.20:1, 2.39:1 | 131 Minutes

Directed by | John Glen | Cinematography by | Alan Hume | Editing by | Peter Davies, Henry Richardson

Starring | Roger Moore, Maud Adams, Louis Jourdan

Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Camera, Panavision Panaflex Gold Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Casino Royale (2006)

Motion Picture | 2D | 2K Project | Black & White, Color | 2.39:1 | 144 Minutes

Directed by | Martin Campbell | Cinematography by | Phil Meheux | Editing by | Stuart Baird

Starring | Daniel Craig, Eva Green, Judi Dench, Jeffrey Wright

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Lenses, Cooke S4/i Lenses

Dr. No (1962)

Motion Picture | 2D | Film Project | Color | 1.66:1, 1.85:1 | 110 Minutes

Directed by | Terence Young | Cinematography by | Ted Moore | Editing by | Peter R. Hunt

Starring | Sean Connery, Ursula Andress, Bernard Lee, Joseph Wiseman

Cameras | Mitchell BNC Camera

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