Stephen Powers

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Sharknado 2: The Second One | ShotOnWhat?

Property Master Assistant: New York

Sharknado 2: The Second One (2014)

Television Movie

Directed by: Anthony C. Ferrante

Cinematography by: Ben Demaree

Edited by: Ana Florit, Vashi Nedomansky

Cameras: Blackmagic Cinema Camera, Red Epic Camera

Editing System: Adobe Premiere Editing System

Non-Stop | ShotOnWhat?

Props Assistant

Non-Stop (2014)

Directed by: Jaume Collet-Serra

Cinematography by: Flavio Martínez Labiano

Edited by: Jim May

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

The Drop | ShotOnWhat?

Special Effects Technician

The Drop (2014)

Directed by: Michaël R. Roskam

Cinematography by: Nicolas Karakatsanis

Edited by: Christopher Tellefsen

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera

Lenses: Leitz Summilux-C Series Lenses

Dead Man Down | ShotOnWhat?

Props, Special Effects

Dead Man Down (2013)

Directed by: Niels Arden Oplev

Cinematography by: Paul Cameron

Edited by: Timothy A. Good, Frédéric Thoraval

Cameras: ARRI ALEXA Plus Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses, Hawk 150-450 mm T2.8 Lens

The Wolf of Wall Street | ShotOnWhat?

Production Assistant, Special Effects Technician

The Wolf of Wall Street (2013)

Directed by: Martin Scorsese

Cinematography by: Rodrigo Prieto

Edited by: Thelma Schoonmaker

Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, ARRICAM Lite (LT) Camera, Canon EOS-C500 Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 140 mm T3.5 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Plus 135 mm T3.0 Lens, Hawk V-Plus 45-90 mm T2.8 Lens, Hawk V-Plus 80-180 mm T2.8 Lens, Hawk V-Series 180 mm T3.0 Lens, Zeiss Master Prime Lenses

Editing System: Lightworks Editing System

Being Flynn | ShotOnWhat?

Special Effects

Being Flynn (2012)

Directed by: Paul Weitz

Cinematography by: Declan Quinn

Edited by: Joan Sobel

Bachelorette | ShotOnWhat?

Limo Driver, Property Master

Bachelorette (2012)

Directed by: Leslye Headland

Cinematography by: Doug Emmett

Edited by: Jeffrey Wolf

Cameras: Red One MX Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Tower Heist | ShotOnWhat?

Set Dresser

Tower Heist (2011)

Directed by: Brett Ratner

Cinematography by: Dante Spinotti

Edited by: Mark Helfrich

Cameras: ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Hawk V-Lite Lenses, Panavision G Series Anamorphic Lenses

Young Adult | ShotOnWhat?

Special Effects Technician

Young Adult (2011)

Directed by: Jason Reitman

Cinematography by: Eric Steelberg

Edited by: Dana E. Glauberman

Cameras: ARRI ALEXA Camera

Lenses: Cooke S4 Lenses

Going the Distance | ShotOnWhat?

Props

Going the Distance (2010)

Directed by: Nanette Burstein

Cinematography by: Eric Steelberg

Edited by: Peter Teschner

Eat Pray Love | ShotOnWhat?

Special Effects

Eat Pray Love (2010)

Directed by: Ryan Murphy

Cinematography by: Robert Richardson

Edited by: Bradley Buecker

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Final Cut Pro Editing System

Step Up 3D | ShotOnWhat?

Set Dresser

Step Up 3D (2010)

Directed by: Jon M. Chu

Cinematography by: Ken Seng

Edited by: Andrew Marcus

Cameras: Sony CineAlta F23 Camera

After.Life | ShotOnWhat?

Special Effects Technician

After.Life (2009)

Directed by: Agnieszka Wojtowicz-Vosloo

Cinematography by: Anastas N. Michos

Edited by: Niven Howie

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