Andy Williams

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Lawless | ShotOnWhat?

Visual Effects Executive Producer: DIVE

Lawless (2012)

Directed by: John Hillcoat

Cinematography by: Benoît Delhomme

Edited by: Dylan Tichenor

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses

Safety Not Guaranteed | ShotOnWhat?

Visual Effects Production Supervisor: DIVE

Safety Not Guaranteed (2012)

Directed by: Colin Trevorrow

Cinematography by: Benjamin Kasulke

Edited by: Joe Landauer, Franklin Peterson

Cameras: Sony PMW-F3 Camera

Lenses: Panavision Ultra Speed MKII Lenses

Silver Linings Playbook | ShotOnWhat?

Visual Effects Production Supervisor: DIVE

Silver Linings Playbook (2012)

Directed by: David O. Russell

Cinematography by: Masanobu Takayanagi

Edited by: Jay Cassidy, Crispin Struthers

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

I Am Number Four | ShotOnWhat?

Visual Effects Producer

I Am Number Four (2011)

Directed by: D.J. Caruso

Cinematography by: Guillermo Navarro

Edited by: Vince Filippone, Jim Page

Cameras: ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

The Romantics | ShotOnWhat?

Visual Effects Producer: DIVE

The Romantics (2010)

Directed by: Galt Niederhoffer

Cinematography by: Sam Levy

Edited by: Jacob Craycroft

The Best and the Brightest | ShotOnWhat?

Supervising Digital Intermediate Producer

The Best and the Brightest (2010)

Directed by: Josh Shelov

Cinematography by: John Inwood

Edited by: Peter Iannuccilli

Let Me In | ShotOnWhat?

Visual Effects Production Supervisor: DIVE

Let Me In (2010)

Directed by: Matt Reeves

Cinematography by: Greig Fraser

Edited by: Stan Salfas

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Standard Primes (SP) Lenses

The Road | ShotOnWhat?

Executive Producer, Visual Effects Executive Producer: DIVE

The Road (2009)

Directed by: John Hillcoat

Cinematography by: Javier Aguirresarobe

Edited by: Jon Gregory

Cameras: ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Royal Kill | ShotOnWhat?

Sound Mix Producer

Royal Kill (2009)

Directed by: Babar Ahmed

Cinematography by: Jonathan Belinski

Edited by: J.D. Beales

Homecoming | ShotOnWhat?

Dailies

Homecoming (2009)

Directed by: Morgan J. Freeman

Cinematography by: John Burdick, Stephen Kazmierski

Edited by: Keith Reamer

The Book of Caleb | ShotOnWhat?

Producer: Dive

The Book of Caleb (2008)

Directed by: Matthew von Manahan

Cinematography by: Mike Gioulakis

Edited by: Adele Romanski

Under Still Waters | ShotOnWhat?

Producer, Visual Effects

Under Still Waters (2008)

Directed by: Carolyn Miller

Cinematography by: Matthew Irving

Edited by: Mark Wawrzenski

Jumper | ShotOnWhat?

Visual Effects Supervisor

Jumper (2008)

Directed by: Doug Liman

Cinematography by: Barry Peterson

Edited by: Saar Klein, Dean Zimmerman, Don Zimmerman

Cameras: Panavision Cameras, Red One Camera

Shadowboxer | ShotOnWhat?

Post Production Manager / Visual Effects

Shadowboxer (2005)

Directed by: Lee Daniels

Cinematography by: M. David Mullen

Edited by: William Chang, Brian A. Kates

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

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