Digital Compositor
The Great Gatsby (2013)
Directed by: Baz Luhrmann
Cinematography by: Simon Duggan
Cameras: Red Epic Camera
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Title And Credits
The Sapphires (2012)
Directed by: Wayne Blair
Cinematography by: Warwick Thornton
Edited by: Dany Cooper
End Credits Sequence
Lore (2012)
Directed by: Cate Shortland
Cinematography by: Adam Arkapaw
Edited by: Veronika Jenet
Lenses: Canon Lenses, Zeiss Ultra 16 Lenses
Digital Compositor
A Few Best Men (2011)
Directed by: Stephan Elliott
Cinematography by: Stephen F. Windon
Edited by: Sue Blainey
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Visual Effects Optical Supervisor: EFilm Australia
The Way Back (2010)
Directed by: Peter Weir
Cinematography by: Russell Boyd
Edited by: Lee Smith
Lead Compositor: EFilm Australia, Title Designer And End Credits
Oranges and Sunshine (2010)
Directed by: Jim Loach
Cinematography by: Denson Baker
Edited by: Dany Cooper
Cameras: ARRICAM Lite (LT) Camera
Editing System: Avid Editing System
Optical Supervisor / Visual Effects Supervisor
Animal Kingdom (2010)
Directed by: David Michôd
Cinematography by: Adam Arkapaw
Edited by: Luke Doolan
Compositor: EFilm Australia
Bright Star (2009)
Directed by: Jane Campion
Cinematography by: Greig Fraser
Edited by: Alexandre de Franceschi
Lenses: Cooke S4 Lenses, Optica Elite Lenses
Compositor: EFilm Australia / Compositor: Titles, EFilm Australia
Mao's Last Dancer (2009)
Directed by: Bruce Beresford
Cinematography by: Peter James
Edited by: Mark Warner
Visual Effects Compositor: EFilm Australia
Australia (2008)
Directed by: Baz Luhrmann
Cinematography by: Mandy Walker
Digital Compositor
Disgrace (2008)
Directed by: Steve Jacobs
Cinematography by: Steve Arnold
Edited by: Alexandre de Franceschi
Compositor: Atlab
Death Defying Acts (2007)
Directed by: Gillian Armstrong
Cinematography by: Haris Zambarloukos
Edited by: Nicholas Beauman
Compositor
Jindabyne (2006)
Directed by: Ray Lawrence
Cinematography by: David Williamson
Edited by: Karl Sodersten
Digital Compositor
The Book of Revelation (2006)
Directed by: Ana Kokkinos
Cinematography by: Tristan Milani
Edited by: Martin Connor
Digital Compositor
Ten Canoes (2006)
Cinematography by: Ian Jones
Edited by: Tania Nehme
Cameras: ARRIFLEX 35 BL4s Camera
Digital Compositor
The Marine (2006)
Directed by: John Bonito
Cinematography by: David Eggby
Edited by: Dallas Puett
Digital Compositor
Azumi (2003)
Directed by: Ryûhei Kitamura
Cinematography by: Takumi Furuya
Edited by: Shûichi Kakesu
