Visual Effects Production Accountant: OPSIS
Ambulance (2022)
Directed by: Michael Bay
Cinematography by: Roberto De Angelis
Cameras: Red Epic Helium Camera, Red Komodo Camera
Accounting: Pixomondo - 1 Episode, 2019
Euphoria (2019)
Edited by: Julio C. Perez IV, Laura Zempel, Nikola Boyanov, Aaron I. Butler, Harry Yoon, Darrin Navarro
Cameras: ARRI ALEXA 65 Camera, ARRICAM Lite (LT) Camera
Accounting: Pixomondo
'Euphoria' Pilot (2019)
Directed by: Augustine Frizzell
Cinematography by: Marcell Rév
Edited by: Julio C. Perez IV
Visual Effects Production Accountant: Pixomondo
Overlord (2018)
Directed by: Julius Avery
Edited by: Matt Evans
Accounting: Pixomondo
'Westworld' The Passenger (2018)
Directed by: Frederick E.O. Toye
Cinematography by: John Grillo
Accounting: Pixomondo
'Westworld' Vanishing Point (2018)
Directed by: Stephen Williams
Cinematography by: Darran Tiernan
Edited by: Ron Rosen
Accounting: Pixomondo
'Westworld' Kiksuya (2018)
Directed by: Uta Briesewitz
Cinematography by: Darran Tiernan
Edited by: David Eisenberg
Accounting: Pixomondo
'Westworld' Les Écorchés (2018)
Directed by: Nicole Kassell
Cinematography by: M. David Mullen
Edited by: Anna Hauger
Accounting: Pixomondo
'Westworld' Phase Space (2018)
Directed by: Tarik Saleh
Cinematography by: John Grillo
Edited by: Ron Rosen
Accounting: Pixomondo
'Westworld' Akane no Mai (2018)
Directed by: Craig Zobel
Cinematography by: Darran Tiernan
Edited by: David Eisenberg
Accounting: Pixomondo
'Westworld' The Riddle of the Sphinx (2018)
Directed by: Lisa Joy
Cinematography by: John Grillo
Edited by: Andrew Seklir
Accounting: Pixomondo
'Westworld' Virtù e Fortuna (2018)
Directed by: Richard J. Lewis
Cinematography by: Darran Tiernan
Edited by: Anna Hauger
Accounting: Pixomondo
'Westworld' Reunion (2018)
Directed by: Vincenzo Natali
Cinematography by: John Grillo
Edited by: David Eisenberg
Accounting: Pixomondo
'Westworld' Journey into Night (2018)
Directed by: Richard J. Lewis
Cinematography by: Darran Tiernan
Edited by: Andrew Seklir
Accounting: Pixomondo
Wonder Woman (2017)
Directed by: Patty Jenkins
Cinematography by: Matthew Jensen
Edited by: Martin Walsh
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera
Lenses: ARRI Rental Prime 65 Lenses
Accounting: Pixomondo
The Fate of the Furious (2017)
Directed by: F. Gary Gray
Cinematography by: Stephen F. Windon
Cameras: ARRI ALEXA XT Camera, Red Epic Camera
Accounting: Pixomondo - 10 Episodes, 2018
Westworld (2016)
Directed by: Richard J. Lewis, Jonathan Nolan, Frederick E.O. Toye, Vincenzo Natali, Stephen Williams, Paul Cameron, Jennifer Getzinger, Craig William Macneill, Jonny Campbell, Michelle MacLaren, Neil Marshall, Uta Briesewitz, Lisa Joy, Nicole Kassell, Tarik Saleh, Craig Zobel, Anna Foerster, Amanda Marsalis, Helen Shaver, Hanelle M. Culpepper, Meera Menon, Andrew Seklir
Cinematography by: John Grillo, Darran Tiernan, Brendan Galvin, Robert McLachlan, John Conroy, Peter Flinckenberg, Paul Cameron, Jeffrey Jur, Zoë White, David Franco, M. David Mullen, Matt Flannery
Accounting: Pixomondo
Live by Night (2016)
Directed by: Ben Affleck
Cinematography by: Robert Richardson
Edited by: William Goldenberg
Cameras: ARRI ALEXA 65 Camera
Accounting: Pixomondo
Ride Along 2 (2016)
Directed by: Tim Story
Cinematography by: Mitchell Amundsen
Edited by: Peter S. Elliot
Cameras: Red Epic Dragon Camera
Lenses: Panavision Primo 70 Lenses
Vfx Accountant: Pixomondo
Furious 7 (2015)
Directed by: James Wan
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
Visual Effects Accountant: Pixomondo
'Marco Polo' The Wayfarer (2014)
Cinematography by: Romain Lacourbas
Edited by: Malcolm Jamieson
Visual Effects Accountant: Pixomondo
'Marco Polo' The Wolf and the Deer (2014)
Cinematography by: Romain Lacourbas
Edited by: Malcolm Jamieson
Visual Effects Accountant: Pixomondo
'Marco Polo' The Fourth Step (2014)
Directed by: Alik Sakharov
Cinematography by: Vanja Cernjul
Edited by: Allyson C. Johnson
Visual Effects Accountant: Pixomondo
'Marco Polo' Hashshashin (2014)
Directed by: Daniel Minahan
Cinematography by: Xavier Grobet
Visual Effects Accountant: Pixomondo
'Marco Polo' White Moon (2014)
Directed by: Daniel Minahan
Cinematography by: Xavier Grobet
Edited by: Barbara Tulliver
Visual Effects Accountant: Pixomondo
'Marco Polo' The Scholar's Pen (2014)
Directed by: David Petrarca
Cinematography by: Romain Lacourbas
Edited by: Elizabeth Kling
Visual Effects Accountant: Pixomondo
'Marco Polo' Rendering (2014)
Directed by: John Maybury
Cinematography by: Vanja Cernjul
Edited by: Michael Berenbaum
Visual Effects Accountant: Pixomondo
'Marco Polo' Prisoners (2014)
Directed by: David Petrarca
Cinematography by: Romain Lacourbas
Edited by: Martin Nicholson
Visual Effects Accountant: Pixomondo
'Marco Polo' The Heavenly and Primal (2014)
Directed by: John Maybury
Cinematography by: Vanja Cernjul
Edited by: Erica Freed Marker
Visual Effects Accountant: Pixomondo
'Marco Polo' Feast (2014)
Directed by: Alik Sakharov
Cinematography by: Vanja Cernjul
Edited by: Michael Berenbaum
Visual Effects Accountant: Pixomondo - 10 Episodes, 2014
Marco Polo (2014)
Directed by: Daniel Minahan, David Petrarca, Alik Sakharov, John Maybury, Joachim Rønning, Espen Sandberg, Jon Amiel, James McTeigue
Edited by: Michael Berenbaum, Malcolm Jamieson, Erica Freed Marker, William Henry, Andy Keir, Allyson C. Johnson, Elizabeth Kling, Martin Nicholson, Barbara Tulliver
Cameras: Sony PMW-F55 Camera
Accounting: Pixomondo
Star Trek Into Darkness (2013)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
