Robert M. Barr

10 Titles

Is this you? Add a Profile

Semper Fi | ShotOnWhat?

Digital Imaging Technician

Semper Fi (2019)

Directed by: Henry Alex Rubin

Cinematography by: David Devlin

Edited by: Kevin Tent, Kyle Valenta

Cameras: Red Monstro 8K Camera

Lenses: Angenieux HR 25-250 mm T3.5 Lens, Angenieux HR Zoom Lenses, Cineovision Lenses, Zeiss Lenses

Logan | ShotOnWhat?

Dailies Technician

Logan (2017)

Directed by: James Mangold

Cinematography by: John Mathieson

Edited by: Michael McCusker, Dirk Westervelt

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Blackmagic Pocket Cinema Camera, Sony α7S II Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Happy Death Day | ShotOnWhat?

Digital Image Technician

Happy Death Day (2017)

Directed by: Christopher Landon

Cinematography by: Toby Oliver

Edited by: Gregory Plotkin

Cameras: ARRI ALEXA Mini Camera

Lenses: Angenieux Lenses, Cooke S4/i Lenses

Bad Moms | ShotOnWhat?

Loader: Second Unit / Phantom Technician

Bad Moms (2016)

Directed by: Jon Lucas, Scott Moore

Cinematography by: Jim Denault

Edited by: Emma E. Hickox, James Thomas

Trumbo | ShotOnWhat?

Dailies Technician

Trumbo (2015)

Directed by: Jay Roach

Cinematography by: Jim Denault

Edited by: Alan Baumgarten

Cameras: ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Terminator Genisys | ShotOnWhat?

Dailies Technician

Terminator Genisys (2015)

Directed by: Alan Taylor

Cinematography by: Kramer Morgenthau

Edited by: Roger Barton

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision Anamorphic Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Oblivion | ShotOnWhat?

Additional Second Assistant Camera

Oblivion (2013)

Directed by: Joseph Kosinski

Cinematography by: Claudio Miranda

Edited by: Richard Francis-Bruce

Cameras: Red Epic Camera, Sony CineAlta F65 Camera

Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens

Editing System: Avid Editing System

Now You See Me | ShotOnWhat?

Second Assistant Camera - Additional

Now You See Me (2013)

Directed by: Louis Leterrier

Cinematography by: Mitchell Amundsen, Larry Fong

Edited by: Robert Leighton, Vincent Tabaillon

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses

Sway | ShotOnWhat?

Cinematographer

Sway (2010)

Directed by: Cole Northway, Ron Reynolds

Cinematography by: Robert M. Barr

Edited by: Cole Northway, Ron Reynolds

Children of the Corn | ShotOnWhat?

Second Assistant Camera

Children of the Corn (2009)

Television Movie

Directed by: Donald P. Borchers

Cinematography by: Jamie Thompson

Edited by: Danny Saphire

Cameras: ARRIFLEX 235 Camera, Moviecam Cameras

Lenses: Cooke Lenses

©2012 - 2025 ShotOnWhat?

20254.20