Terry Cade

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Mission: Impossible - Dead Reckoning Part One | ShotOnWhat?

Stunts

Mission: Impossible - Dead Reckoning Part One (2023)

Directed by: Christopher McQuarrie

Cinematography by: Fraser Taggart

Edited by: Eddie Hamilton

Cameras: ARRI ALEXA Mini LF Camera, Sony CineAlta VENICE Camera, Z CAM E2-F6 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision H Series Lenses, Zeiss Compact Prime Lenses

Outlaw King | ShotOnWhat?

Stunts

Outlaw King (2018)

Directed by: David Mackenzie

Cinematography by: Barry Ackroyd

Edited by: Jake Roberts

Cameras: Panavision Millennium DXL Camera, Red Weapon Dragon Camera

Lenses: Angenieux Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo 70 Lenses

London Has Fallen | ShotOnWhat?

Stunt Performer: UK

London Has Fallen (2016)

Directed by: Babak Najafi

Cinematography by: Ed Wild

Edited by: Michael J. Duthie, Paul Martin Smith

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Leitz Summilux-C Series Lenses

Jack Ryan: Shadow Recruit | ShotOnWhat?

Russian Henchman, Stunts

Jack Ryan: Shadow Recruit (2014)

Directed by: Kenneth Branagh

Cinematography by: Haris Zambarloukos

Edited by: Martin Walsh

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Angenieux HR Zoom Lenses, Panavision C Series Anamorphic Lenses

Editing System: Avid Editing System

Freight | ShotOnWhat?

Stunt Performer

Freight (2010)

Directed by: Stuart St. Paul

Cinematography by: Carl Summerscales

Edited by: Matthew Bate

The Golden Compass | ShotOnWhat?

Stunts

The Golden Compass (2007)

Directed by: Chris Weitz

Cinematography by: Henry Braham

Edited by: Anne V. Coates, Peter Honess, Kevin Tent

Cameras: Panavision Cameras, Panavision Genesis Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Anamorphic Lenses

Rise of the Footsoldier | ShotOnWhat?

Stunts

Rise of the Footsoldier (2007)

Directed by: Julian Gilbey

Cinematography by: Ali Asad

Edited by: Julian Gilbey, Will Gilbey

The Mummy Returns | ShotOnWhat?

Stunts

The Mummy Returns (2001)

Directed by: Stephen Sommers

Cinematography by: Adrian Biddle

Edited by: Bob Ducsay, Kelly Matsumoto

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision C Series Anamorphic Lenses

The Mummy | ShotOnWhat?

Stunts

The Mummy (1999)

Directed by: Stephen Sommers

Cinematography by: Adrian Biddle

Edited by: Bob Ducsay

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The World Is Not Enough | ShotOnWhat?

Stunts

The World Is Not Enough (1999)

Directed by: Michael Apted

Cinematography by: Adrian Biddle

Edited by: Jim Clark

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Gold Camera

Lenses: Panavision C Series Anamorphic Lenses

Licence to Kill | ShotOnWhat?

Stunts

Licence to Kill (1989)

Directed by: John Glen

Cinematography by: Alec Mills

Edited by: John Grover

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Shanghai Surprise | ShotOnWhat?

Stunts

Shanghai Surprise (1986)

Directed by: Jim Goddard

Cinematography by: Ernest Vincze

Edited by: Ralph Sheldon

The Holcroft Covenant | ShotOnWhat?

Stunts

The Holcroft Covenant (1985)

Directed by: John Frankenheimer

Cinematography by: Gerry Fisher

Edited by: Ralph Sheldon

Cameras: Panavision Cameras

A View to a Kill | ShotOnWhat?

Stunts

A View to a Kill (1985)

Directed by: John Glen

Cinematography by: Alan Hume

Edited by: Peter Davies

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera

Lenses: Panavision E Series Anamorphic Lenses

Indiana Jones and the Temple of Doom | ShotOnWhat?

Stunts

Indiana Jones and the Temple of Doom (1984)

Directed by: Steven Spielberg

Cinematography by: Douglas Slocombe

Edited by: Michael Kahn, George Lucas

Cameras: Panavision Panaflex Gold Camera

Lenses: Panavision C Series Anamorphic Lenses

High Road to China | ShotOnWhat?

Stunt Double

High Road to China (1983)

Directed by: Brian G. Hutton

Cinematography by: Ronnie Taylor

Edited by: John Jympson

Cameras: Technovision Cameras

Octopussy | ShotOnWhat?

Stunts

Octopussy (1983)

Directed by: John Glen

Cinematography by: Alan Hume

Edited by: Peter Davies, Henry Richardson

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Camera, Panavision Panaflex Gold Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Never Say Never Again | ShotOnWhat?

Stunts

Never Say Never Again (1983)

Directed by: Irvin Kershner

Cinematography by: Douglas Slocombe

Edited by: Ian Crafford

Cameras: Panavision Panaflex Camera

Lenses: Panavision Lenses

Pink Floyd The Wall | ShotOnWhat?

Stunts

Pink Floyd: The Wall (1982)

Directed by: Alan Parker

Cinematography by: Peter Biziou

Edited by: Gerry Hambling

For Your Eyes Only | ShotOnWhat?

Stunts

For Your Eyes Only (1981)

Directed by: John Glen

Cinematography by: Alan Hume

Edited by: John Grover

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Camera, Panavision Panaflex Gold Camera, Panavision Panaflex-X Camera

Lenses: Cooke Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Star Wars: Episode IV - A New Hope | ShotOnWhat?

Stunts

Star Wars: Episode IV - A New Hope (1977)

Directed by: George Lucas

Cinematography by: Gilbert Taylor

Edited by: Richard Chew, T.M. Christopher, Paul Hirsch, Marcia Lucas, George Lucas

Cameras: ARRIFLEX 35 III Camera, Dykstraflex Camera, Mitchell VistaVision Camera, Panavision Cameras, Panavision Super PSR R-200

Lenses: Panavision C Series Anamorphic Lenses

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