Best Boy Grip: Action Unit
Mad Max: Fury Road (2015)
Directed by: George Miller
Cinematography by: John Seale
Edited by: Margaret Sixel
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Blackmagic Cinema Camera, Canon EOS-5D Mark II Camera, Nikon D800 Camera, Olympus E-P5 Camera
Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses
Editing System: Avid Editing System
Key Grip Rigger
'Homeland' There's Something Else Going On (2014)
Directed by: Seith Mann
Cinematography by: David Klein
Edited by: Michael Ruscio
Key Grip Rigger
'Homeland' The Drone Queen (2014)
Directed by: Lesli Linka Glatter
Cinematography by: David Klein
Key Grip Rigger
'Homeland' Trylon and Perisphere (2014)
Directed by: Keith Gordon
Cinematography by: David Klein
Edited by: Michael Ruscio
Key Grip Rigger
'Homeland' Shalwar Kameez (2014)
Directed by: Lesli Linka Glatter
Cinematography by: David Klein
Key Grip Rigger
'Homeland' Iron in the Fire (2014)
Directed by: Michael Offer
Cinematography by: David Klein
Edited by: Jordan Goldman
Key Grip Rigger
'Homeland' From A to B and Back Again (2014)
Directed by: Lesli Linka Glatter
Cinematography by: David Klein
Edited by: Michael Ruscio
Key Grip Rigger
'Homeland' About a Boy (2014)
Directed by: Charlotte Sieling
Cinematography by: David Klein
Edited by: Harvey Rosenstock
Key Grip Rigger
'Homeland' Redux (2014)
Directed by: Carl Franklin
Cinematography by: David Klein
Edited by: Jordan Goldman
Key Grip Rigger
'Homeland' Halfway to a Donut (2014)
Directed by: Alex Graves
Cinematography by: David Klein
Edited by: Harvey Rosenstock
Key Grip Rigger
'Homeland' Long Time Coming (2014)
Directed by: Lesli Linka Glatter
Cinematography by: David Klein
Key Grip Rigger
'Homeland' Krieg Nicht Lieb (2014)
Directed by: Clark Johnson
Cinematography by: David Klein
Edited by: Harvey Rosenstock
Key Grip Rigger
'Homeland' 13 Hours in Islamabad (2014)
Directed by: Daniel Attias
Cinematography by: David Klein
Edited by: Jordan Goldman
Remote Head Technician
Chronicle (2012)
Directed by: Josh Trank
Cinematography by: Matthew Jensen
Edited by: Elliot Greenberg
Grip: Second Unit, South Africa
Safe House (2012)
Directed by: Daniel Espinosa
Cinematography by: Oliver Wood
Edited by: Richard Pearson
Assistant Grip: Studio Segments
Green Lantern (2011)
Directed by: Martin Campbell
Cinematography by: Dion Beebe
Edited by: Stuart Baird
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System
Key Grip Rigger - 12 Episodes, 2014
Homeland (2011)
Directed by: Lesli Linka Glatter, Michael Cuesta, Daniel Attias, Alex Graves, Keith Gordon, Tucker Gates, Clark Johnson, Seith Mann, Guy Ferland, Michael Offer, Michael Klick, Jeffrey Nachmanoff, Carl Franklin, Charlotte Sieling, Brad Turner, John Dahl, Lodge Kerrigan, Jeremy Podeswa, David Semel, Daniel Minahan, David Nutter, Jeffrey Reiner, John David Coles, Nelson McCormick
Edited by: Jordan Goldman, Philip Carr Neel, Harvey Rosenstock, Joe Hobeck, Terry Kelley, Michael Ruscio, Sarah Zeitlin, Garret Donnelly, Victoria Grimsley, David Latham
Cameras: ARRI ALEXA Camera, Red Epic Camera
Super Techno Crane Operator
Mission: Impossible - Ghost Protocol (2011)
Directed by: Brad Bird
Cinematography by: Robert Elswit
Edited by: Paul Hirsch
Cameras: ARRIFLEX 435 Xtreme Camera, IMAX MSM 9802 Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Rigging Key Grip: South Africa
Amelia (2009)
Directed by: Mira Nair
Cinematography by: Stuart Dryburgh
Grip Assistant
24: Redemption (2008)
Directed by: Jon Cassar
Cinematography by: Rodney Charters
Edited by: Scott Powell
Tracking Shots
In My Country (2004)
Directed by: John Boorman
Cinematography by: Seamus Deasy
Edited by: Ron Davis
