Set Dresser
Sound of Metal (2019)
Directed by: Darius Marder
Cinematography by: Daniël Bouquet
Edited by: Mikkel E.G. Nielsen
Cameras: Aaton Penelope Camera
Editing System: Avid Editing System
Set Dresser
Thoroughbreds (2017)
Directed by: Cory Finley
Cinematography by: Lyle Vincent
Edited by: Louise Ford
Cameras: ARRI ALEXA Mini Camera
On-set Dresser
Annabelle Hooper and the Ghosts of Nantucket (2016)
Directed by: Paul Serafini
Cinematography by: Ryan Patrick Dean
Cameras: Sony PXW-FS7 Camera, Sony α7R II Camera
Lenses: Zeiss Compact Prime Lenses
Editing System: Avid Editing System
Set Dec Coordinator
The Finest Hours (2016)
Directed by: Craig Gillespie
Cinematography by: Javier Aguirresarobe
Edited by: Tatiana S. Riegel
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Leitz Summilux-C Series Lenses
Set Dresser
Manchester by the Sea (2016)
Directed by: Kenneth Lonergan
Cinematography by: Jody Lee Lipes
Edited by: Jennifer Lame
Cameras: ARRI ALEXA XT Camera
Lenses: Angenieux Lenses, Canon K35 Prime Lenses
Set Dresser
The Equalizer (2014)
Directed by: Antoine Fuqua
Cinematography by: Mauro Fiore
Edited by: John Refoua
Cameras: ARRI ALEXA Plus 4:3 Camera
Crafty: Assistant
Infinitely Polar Bear (2014)
Directed by: Maya Forbes
Cinematography by: Bobby Bukowski
Edited by: Michael R. Miller
Cameras: ARRI ALEXA Camera
Lenses: Angenieux Optimo Style Lenses
Picture Car Production Assistant
R.I.P.D. (2013)
Directed by: Robert Schwentke
Cinematography by: Alwin H. Küchler
Edited by: Mark Helfrich
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Additional Prop Assistant
Labor Day (2013)
Directed by: Jason Reitman
Cinematography by: Eric Steelberg
Edited by: Dana E. Glauberman
Cameras: Red Epic Camera
