Digital Intermediate Producer
Crimson Peak (2015)
Directed by: Guillermo del Toro
Cinematography by: Dan Laustsen
Edited by: Bernat Vilaplana
Cameras: ARRI ALEXA XT Camera
Digital Intermediate Versioning Producer
Pompeii (2014)
Directed by: Paul W.S. Anderson
Cinematography by: Glen MacPherson
Edited by: Michele Conroy
Cameras: Red Epic Camera
Editing System: Avid Editing System
Digital Intermediate Producer
All Is Lost (2013)
Directed by: J.C. Chandor
Edited by: Pete Beaudreau
Cameras: ARRI ALEXA Camera
Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Standard Speed Prime Lenses
Editing System: Avid Editing System
Digital Intermediate Producer
The Mortal Instruments: City of Bones (2013)
Directed by: Harald Zwart
Cinematography by: Geir Hartly Andreassen
Edited by: Jacqueline Carmody
Digital Intermediate Producer
The Last Exorcism Part II (2013)
Directed by: Ed Gass-Donnelly
Cinematography by: Brendan Steacy
Edited by: Ed Gass-Donnelly
Cameras: ARRI ALEXA Camera
Digital Intermediate Versioning Producer: Deluxe EFilm Toronto
Resident Evil: Retribution (2012)
Directed by: Paul W.S. Anderson
Cinematography by: Glen MacPherson
Edited by: Niven Howie
Cameras: Red Epic Camera
Lenses: Zeiss Ultra Prime Lenses
Digital Intermediate Producer
Silent Hill: Revelation (2012)
Directed by: M.J. Bassett
Cinematography by: Maxime Alexandre
Edited by: Michele Conroy
Cameras: Red Epic Camera, Red One MX Camera
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Digital Intermediate Producer
Columbus Circle (2012)
Directed by: George Gallo
Cinematography by: Anastas N. Michos
Edited by: Malcolm Campbell
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Intermediate Producer: Deluxe Post Production
Cosmopolis (2012)
Directed by: David Cronenberg
Cinematography by: Peter Suschitzky
Edited by: Ronald Sanders
Cameras: ARRI ALEXA Camera
Digital Intermediate Producer: Deluxe EFilm Toronto
A Dangerous Method (2011)
Directed by: David Cronenberg
Cinematography by: Peter Suschitzky
Edited by: Ronald Sanders
Lenses: Cooke S4 Lenses
Digital Intermediate Producer
The Grey (2011)
Directed by: Joe Carnahan
Cinematography by: Masanobu Takayanagi
Digital Intermediate Producer
Shark Night 3D (2011)
Directed by: David R. Ellis
Cinematography by: Gary Capo
Edited by: Dennis Virkler
Cameras: Sony CineAlta F35 Camera
Lenses: Cooke CXX 15-40mm T2.0 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens
Editing System: Avid Editing System
Digital Intermediate Producer
Hubble 3D (2010)
Directed by: Toni Myers
Cinematography by: James Neihouse
Edited by: Toni Myers
Digital Intermediate Producer
Resident Evil: Afterlife (2010)
Directed by: Paul W.S. Anderson
Cinematography by: Glen MacPherson
Edited by: Niven Howie
Editing System: Avid Editing System
Digital Intermediate Producer
Casino Jack (2010)
Directed by: George Hickenlooper
Cinematography by: Adam Swica
Edited by: William Steinkamp
Digital Intermediate Producer
Barney's Version (2010)
Directed by: Richard J. Lewis
Cinematography by: Guy Dufaux
Edited by: Susan Shipton
Cameras: ARRIFLEX Camera
Digital Intermediate Producer
Saw 3D: The Final Chapter (2010)
Directed by: Kevin Greutert
Cinematography by: Brian Gedge
Edited by: Andrew Coutts
Cameras: Silicon Imaging SI-2K Camera
Digital Intermediate Producer
Skateland (2010)
Directed by: Anthony Burns
Cinematography by: Peter Simonite
Edited by: Robert Hoffman
Digital Intermediate Producer
Suck (2009)
Directed by: Rob Stefaniuk
Cinematography by: D. Gregor Hagey
Edited by: Michele Conroy
Digital Intermediate Producer
Survival of the Dead (2009)
Directed by: George A. Romero
Cinematography by: Adam Swica
Edited by: Michael Doherty
Digital Intermediate Producer
Middle Men (2009)
Directed by: George Gallo
Cinematography by: Lukas Ettlin
Edited by: Malcolm Campbell
Digital Intermediate Producer
Walled In (2009)
Directed by: Gilles Paquet-Brenner
Cinematography by: Karim Hussain
Edited by: Jackie Dzuba
Cameras: ARRIFLEX 535 B Camera
Digital Intermediate Producer
Chloe (2009)
Directed by: Atom Egoyan
Cinematography by: Paul Sarossy
Edited by: Susan Shipton
Digital Intermediate Producer
Trailer Park Boys: Countdown to Liquor Day (2009)
Directed by: Mike Clattenburg
Cinematography by: Ted McInnes
Edited by: Roger Mattiussi
Digital Intermediate Producer
Sin Nombre (2009)
Directed by: Cary Joji Fukunaga
Cinematography by: Adriano Goldman
Digital Intermediate Producer
I Hate Valentine's Day (2009)
Directed by: Nia Vardalos
Cinematography by: Brian Pryzpek
Digital Intermediate Producer
The Burrowers (2008)
Directed by: J.T. Petty
Cinematography by: Phil Parmet
Cameras: Panavision Cameras
Digital Intermediate Producer: Deluxe EFilm Toronto
Repo! The Genetic Opera (2008)
Directed by: Darren Lynn Bousman
Cinematography by: Joseph White
Edited by: Harvey Rosenstock
Cameras: Panavision Genesis Camera
Digital Intermediate Producer
Pontypool (2008)
Directed by: Bruce McDonald
Cinematography by: Miroslaw Baszak
Edited by: Jeremiah Munce
Cameras: Red One Camera
Digital Intermediate Producer
Inconceivable (2008)
Directed by: Mary McGuckian
Cinematography by: Mark Wolf
Digital Intermediate Producer
Saw V (2008)
Directed by: David Hackl
Cinematography by: David A. Armstrong
Edited by: Kevin Greutert
Digital Intermediate Producer: Deluxe EFilm Toronto
Synecdoche, New York (2008)
Directed by: Charlie Kaufman
Cinematography by: Frederick Elmes
Edited by: Robert Frazen
Digital Intermediate Producer
Outlander (2008)
Directed by: Howard McCain
Cinematography by: Pierre Gill
Edited by: David Dodson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
