Dianne E. Collins

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Distribution Executive

Dust to Glory  (2005)

Directed by: Dana Brown
Cinematography by: Kevin Ward

Unit Publicist

Picture Perfect  (1997)

Directed by: Glenn Gordon Caron
Cinematography by: Paul Sarossy

Publicist: M/S Billing Publicity, Ltd.

The Addiction  (1995)

Directed by: Abel Ferrara
Cinematography by: Ken Kelsch
Edited by: Mayin Lo

Publicist: M/S Billings Publicity Ltd.

Natural Born Killers  (1994)

Directed by: Oliver Stone
Cinematography by: Robert Richardson
Editing System:

Publicist: M/S Billings Publicity Ltd.

Mad Dog and Glory  (1993)

Directed by: John McNaughton
Cinematography by: Robby Müller

Publicist: M/S Billings Publicity Ltd.

The Age of Innocence  (1993)

Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus

Publicist: M/S Billings Publicity Ltd.

Night and the City  (1992)

Directed by: Irwin Winkler
Cinematography by: Tak Fujimoto
Edited by: David Brenner

Publicist: M/S Billings Publicity Ltd.

Guilty by Suspicion  (1991)

Directed by: Irwin Winkler
Cinematography by: Michael Ballhaus

Publicist: M/S Billings Publicity Ltd.

Impromptu  (1991)

Directed by: James Lapine
Cinematography by: Bruno de Keyzer
Edited by: Michael Ellis

Publicist: M/S Billings Publicity Ltd.

The Doors  (1991)

Directed by: Oliver Stone
Cinematography by: Robert Richardson

Publicist: M/S Billings Publicity Ltd.

Goodfellas  (1990)

Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Lenses:

Publicist: M/S Billings Publicity Ltd.

Jacknife  (1989)

Directed by: David Hugh Jones
Cinematography by: Brian West
Edited by: John Bloom
Cameras:

Publicist: M/S Billings Publicity Ltd.

We're No Angels  (1989)

Directed by: Neil Jordan
Cinematography by: Philippe Rousselot

Publicist: M/S Billings Publicity Ltd.

The Last Temptation of Christ  (1988)

Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus

Publicist: M/S Billings Publicity Ltd.

Rain Man  (1988) oscar-icon

Directed by: Barry Levinson
Cinematography by: John Seale
Edited by: Stu Linder

Publicist: M/S Billings Publicity Ltd.

Fatal Attraction  (1987)

Directed by: Adrian Lyne
Cinematography by: Howard Atherton

Publicist: M/S Billings Publicity Ltd.

The Last Emperor  (1987) oscar-icon

Directed by: Bernardo Bertolucci
Cinematography by: Vittorio Storaro

Publicist: M/S Billings Publicity Ltd.

Hoosiers  (1986)

Directed by: David Anspaugh
Cinematography by: Fred Murphy
Cameras:

Publicist: M/S Billings Publicity Ltd.

Down and Out in Beverly Hills  (1986)

Directed by: Paul Mazursky
Cinematography by: Donald McAlpine
Edited by: Richard Halsey

Publicist: M/S Billings Publicity Ltd.

Platoon  (1986) oscar-icon

Directed by: Oliver Stone
Cinematography by: Robert Richardson
Edited by: Claire Simpson
Editing System:

Publicist: M/S Billings Publicity Ltd.

After Hours  (1985)

Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus

Publicist: M/S Billings Publicity Ltd.

Falling in Love  (1984)

Directed by: Ulu Grosbard
Cinematography by: Peter Suschitzky
Edited by: Michael Kahn

Publicist: M/S Billings Publicity Ltd.

Cat People  (1982)

Directed by: Paul Schrader
Cinematography by: John Bailey

Publicist: M/S Billings Publicity Ltd.

Taps  (1981)

Directed by: Harold Becker
Cinematography by: Owen Roizman
Edited by: Maury Winetrobe

Publicist: M/S Billings Publicity Ltd.

Raging Bull  (1980)

Directed by: Martin Scorsese
Cinematography by: Michael Chapman

Publicist: M/S Billings Publicity Ltd.

Kramer vs. Kramer  (1979) oscar-icon

Directed by: Robert Benton
Cinematography by: Néstor Almendros

Publicist: M/S Billings Publicity Ltd.

Blue Collar  (1978)

Directed by: Paul Schrader
Cinematography by: Bobby Byrne
Edited by: Tom Rolf

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