Distribution Executive
Dust to Glory (2005)
Directed by: Dana Brown
Cinematography by: Kevin Ward
Cameras: Panasonic AG-DVX100 Camera
Editing System: Adobe Premiere Editing System
Distribution Executive
The Game of Their Lives (2005)
Directed by: David Anspaugh
Cinematography by: Johnny E. Jensen
Publicist
The Ballad of Jack and Rose (2005)
Directed by: Rebecca Miller
Cinematography by: Ellen Kuras
Edited by: Sabine Hoffman
Distribution Executive
Enigma (2001)
Directed by: Michael Apted
Cinematography by: Seamus McGarvey
Edited by: Rick Shaine
Cameras: Panavision Panaflex Camera
Publicist: M/S Billings Publicity Ltd.
Bringing Out the Dead (1999)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: Panavision Panaflex Platinum Camera
Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Lightworks Editing System
Unit Publicist
Picture Perfect (1997)
Directed by: Glenn Gordon Caron
Cinematography by: Paul Sarossy
Edited by: Robert M. Reitano
Publicist: M/S Billings Publicity Ltd.
Nixon (1995)
Directed by: Oliver Stone
Cinematography by: Robert Richardson
Editing System: Avid Editing System
Publicist: M/S Billing Publicity, Ltd.
The Addiction (1995)
Directed by: Abel Ferrara
Cinematography by: Ken Kelsch
Edited by: Mayin Lo
Unit Publicist
Casino (1995)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Publicist: M/S Billings Publicity Ltd.
Natural Born Killers (1994)
Directed by: Oliver Stone
Cinematography by: Robert Richardson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Publicist: M/S Billings Publicity Ltd.
Mad Dog and Glory (1993)
Directed by: John McNaughton
Cinematography by: Robby Müller
Unit Publicist
A Bronx Tale (1993)
Directed by: Robert De Niro
Cinematography by: Reynaldo Villalobos
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Publicist: M/S Billings Publicity Ltd.
The Age of Innocence (1993)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Publicist: M/S Billings Publicity Ltd.
Night and the City (1992)
Directed by: Irwin Winkler
Cinematography by: Tak Fujimoto
Edited by: David Brenner
Cameras: Panavision Cameras
Publicist: M/S Billings Publicity Ltd.
Guilty by Suspicion (1991)
Directed by: Irwin Winkler
Cinematography by: Michael Ballhaus
Edited by: Priscilla Nedd-Friendly
Publicist: M/S Billings Publicity Ltd.
Impromptu (1991)
Directed by: James Lapine
Cinematography by: Bruno de Keyzer
Edited by: Michael Ellis
Publicist: M/S Billings Publicity Ltd.
The Doors (1991)
Directed by: Oliver Stone
Cinematography by: Robert Richardson
Publicist: M/S Billings Publicity Ltd.
JFK (1991)
Directed by: Oliver Stone
Cinematography by: Robert Richardson
Lenses: Panavision E35 35 mm T2.0 Lens
Editing System: K.E.M. Editing System
Publicist: M/S Billings Publicity Ltd.
The Grifters (1990)
Directed by: Stephen Frears
Cinematography by: Oliver Stapleton
Edited by: Mick Audsley
Cameras: Panavision Cameras
Publicist: M/S Billings Publicity Ltd.
Goodfellas (1990)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Cameras: ARRIFLEX 35 BL4s Camera
Lenses: Zeiss Lenses
Editing System: Lightworks Editing System
Publicist: M/S Billings Publicity Ltd.
Born on the Fourth of July (1989)
Directed by: Oliver Stone
Cinematography by: Robert Richardson
Cameras: Panavision Cameras, Panavision Panaflex Camera
Lenses: Panavision Lenses
Editing System: Moviola Editing System
Publicist: M/S Billings Publicity Ltd.
Jacknife (1989)
Directed by: David Hugh Jones
Cinematography by: Brian West
Edited by: John Bloom
Cameras: ARRI Cameras
Publicist: M/S Billings Publicity Ltd.
We're No Angels (1989)
Directed by: Neil Jordan
Cinematography by: Philippe Rousselot
Cameras: Panavision Cameras
Publicist: M/S Billings Publicity Ltd.
The Last Temptation of Christ (1988)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Cameras: ARRIFLEX Camera
Publicist: M/S Billings Publicity Ltd.
Rain Man (1988)
Directed by: Barry Levinson
Cinematography by: John Seale
Edited by: Stu Linder
Cameras: Panavision Panaflex Camera
Publicist: M/S Billings Publicity Ltd.
Fatal Attraction (1987)
Directed by: Adrian Lyne
Cinematography by: Howard Atherton
Publicist: M/S Billings Publicity Ltd.
The Last Emperor (1987)
Directed by: Bernardo Bertolucci
Cinematography by: Vittorio Storaro
Edited by: Gabriella Cristiani
Cameras: ARRIFLEX 35 BL Camera
Lenses: Technovision Lenses
Publicist: M/S Billings Publicity Ltd.
Hoosiers (1986)
Directed by: David Anspaugh
Cinematography by: Fred Murphy
Edited by: Carroll Timothy O'Meara
Cameras: ARRI Cameras
Publicist: M/S Billings Publicity Ltd.
Down and Out in Beverly Hills (1986)
Directed by: Paul Mazursky
Cinematography by: Donald McAlpine
Edited by: Richard Halsey
Publicist
The Color of Money (1986)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Cameras: ARRI Cameras
Publicist: M/S Billings Publicity Ltd.
Platoon (1986)
Directed by: Oliver Stone
Cinematography by: Robert Richardson
Edited by: Claire Simpson
Cameras: ARRIFLEX 35 BL3 Camera
Lenses: JDC (Joe Dunton Camera) Lenses
Editing System: Moviola Editing System
Publicist: M/S Billings Publicity Ltd.
After Hours (1985)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Publicist: M/S Billings Publicity Ltd.
Falling in Love (1984)
Directed by: Ulu Grosbard
Cinematography by: Peter Suschitzky
Edited by: Michael Kahn
Publicist: M/S Billings Publicity Ltd.
Cat People (1982)
Directed by: Paul Schrader
Cinematography by: John Bailey
Publicist: M/S Billings Publicity Ltd.
Taps (1981)
Directed by: Harold Becker
Cinematography by: Owen Roizman
Edited by: Maury Winetrobe
Cameras: Panavision Cameras
Publicist: M/S Billings Publicity Ltd.
Raging Bull (1980)
Directed by: Martin Scorsese
Cinematography by: Michael Chapman
Edited by: Thelma Schoonmaker
Cameras: ARRIFLEX 35 BL Camera
Publicist: M/S Billings Publicity Ltd.
Kramer vs. Kramer (1979)
Directed by: Robert Benton
Cinematography by: Néstor Almendros
Edited by: Gerald B. Greenberg
Cameras: Panavision Panaflex Series Cameras
Lenses: Panavision Lenses
Publicist: M/S Billings Publicity Ltd.
Blue Collar (1978)
Directed by: Paul Schrader
Cinematography by: Bobby Byrne
Edited by: Tom Rolf
Cameras: Panavision Cameras
Publicist
The Last Waltz (1978)
Directed by: Martin Scorsese
Cinematography by: Michael Chapman
Cameras: Panavision Cameras
