Costumer: Crowd
'Penny Dreadful' The Blessed Dark (2016)
Directed by: Paco Cabezas
Cinematography by: Nigel Willoughby
Edited by: Geoff Ashenhurst
Costumer: Crowd
'Penny Dreadful' The Day Tennyson Died (2016)
Directed by: Damon Thomas
Cinematography by: John Conroy
Edited by: Christopher Donaldson
Costumer: Crowd
'Penny Dreadful' Predators Far and Near (2016)
Directed by: Damon Thomas
Cinematography by: John Conroy
Edited by: Christopher Donaldson
Costumer: Crowd
'Penny Dreadful' Good and Evil Braided Be (2016)
Directed by: Damon Thomas
Cinematography by: John Conroy
Edited by: Geoff Ashenhurst
Costumer: Crowd
'Penny Dreadful' A Blade of Grass (2016)
Directed by: Toa Fraser
Cinematography by: Nigel Willoughby
Edited by: Aaron Marshall
Costumer: Crowd
'Penny Dreadful' This World Is Our Hell (2016)
Directed by: Paco Cabezas
Cinematography by: John Conroy
Edited by: Michele Conroy
Costumer: Crowd
'Penny Dreadful' No Beast So Fierce (2016)
Directed by: Paco Cabezas
Cinematography by: John Conroy
Edited by: Geoff Ashenhurst
Costumer: Crowd
'Penny Dreadful' Ebb Tide (2016)
Directed by: Paco Cabezas
Cinematography by: Nigel Willoughby
Edited by: Christopher Donaldson
Costumer: Crowd
'Penny Dreadful' Perpetual Night (2016)
Directed by: Damon Thomas
Cinematography by: John Conroy
Edited by: Michele Conroy
Stand By Principals
Risen (2016)
Directed by: Kevin Reynolds
Cinematography by: Lorenzo Senatore
Edited by: Steve Mirkovich
Cameras: ARRI ALEXA Camera
Costumer
Zoolander 2 (2016)
Directed by: Ben Stiller
Cinematography by: Dan Mindel
Edited by: Greg Hayden
Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Plus Camera
Editing System: Avid Editing System
Fitter
Tomorrowland (2015)
Directed by: Brad Bird
Cinematography by: Claudio Miranda
Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera
Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens
Key Costumer: Crowd
The Gunman (2015)
Directed by: Pierre Morel
Cinematography by: Flavio Martínez Labiano
Edited by: Frédéric Thoraval
Cameras: ARRI ALEXA XT Camera, Red Epic Camera
Lenses: Kowa Cine Prominar Spherical Lenses, Nippon Scope Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Costumer: Crowd - 9 Episodes, 2016
Penny Dreadful (2014)
Directed by: Damon Thomas, James Hawes, Brian Kirk, Paco Cabezas, J.A. Bayona, Coky Giedroyc, Dearbhla Walsh, Kari Skogland, Toa Fraser
Edited by: Michele Conroy, Christopher Donaldson, Geoff Ashenhurst, Aaron Marshall, Jaume Martí, Bernat Vilaplana, Gareth C. Scales
Cameras: ARRI ALEXA Camera
Costumer: Crowd
Exodus: Gods and Kings (2014)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Cameras: Red Epic Dragon Camera
Editing System: Avid Editing System
Additional Costumer
La voz dormida (2011)
Directed by: Benito Zambrano
Cinematography by: Alex Catalán
Edited by: Fernando Pardo
Breakdown Assistant
Green Zone (2010)
Directed by: Paul Greengrass
Cinematography by: Barry Ackroyd
Edited by: Christopher Rouse
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
