Nancy Foreman

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Terminator Genisys | ShotOnWhat?

Seamstress: San Francisco

Terminator Genisys (2015)

Directed by: Alan Taylor

Cinematography by: Kramer Morgenthau

Edited by: Roger Barton

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision Anamorphic Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Need for Speed | ShotOnWhat?

Seamstress: Northern California

Need for Speed (2014)

Directed by: Scott Waugh

Cinematography by: Shane Hurlbut

Edited by: Paul Rubell, Scott Waugh

Cameras: ARRI ALEXA Camera, Canon EOS-1D C Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 19.5-94 mm T2.4 Lens, Angenieux Optimo Anamorphic Lenses, Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens, Cooke S4/i Prime 12mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 180mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0, Leica Elmarit-R II 28 mm f2.0, Leica Super Angulon-R 21 mm f4.0, Leica Super-Elmarit-R 15 mm f2.8, Leitz Summicron-C 21 mm T2.0 Lens, Zeiss Distagon T* 15mm f2.8 ZE, Zeiss Distagon T* 18mm f3.5 ZE

Big Eyes | ShotOnWhat?

Costumer: San Francisco

Big Eyes (2014)

Directed by: Tim Burton

Cinematography by: Bruno Delbonnel

Edited by: JC Bond

Cameras: ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA Studio Camera

Editing System: Avid Editing System

Hemingway & Gellhorn | ShotOnWhat?

Costumer

Hemingway & Gellhorn (2012)

Television Movie

Directed by: Philip Kaufman

Cinematography by: Rogier Stoffers

Edited by: Walter Murch

Cameras: ARRI ALEXA Camera

Lenses: Fujinon Premier Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Editing System: Final Cut Pro Editing System

Hereafter | ShotOnWhat?

Costume Supervisor: San Francisco

Hereafter (2010)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Red One Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Four Christmases | ShotOnWhat?

Seamstress: San Francisco

Four Christmases (2008)

Directed by: Seth Gordon

Cinematography by: Jeffrey L. Kimball

Edited by: Mark Helfrich, Melissa Kent

Milk | ShotOnWhat?

Seamstress

Milk (2008)

Directed by: Gus Van Sant

Cinematography by: Harris Savides

Edited by: Elliot Graham

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Canon Scoopic 16 / 16M Camera

Lenses: Angenieux HR Zoom Lenses, Clairmont Anamorphic Lenses, Cooke S4 Lenses

Copycat | ShotOnWhat?

Set Costumer/seamstress

Copycat (1995)

Directed by: Jon Amiel

Cinematography by: László Kovács

Edited by: Jim Clark, Alan Heim

Cameras: Panavision Panaflex Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

A Walk in the Clouds | ShotOnWhat?

Seamstress: Napa

A Walk in the Clouds (1995)

Directed by: Alfonso Arau

Cinematography by: Emmanuel Lubezki

Edited by: Don Zimmerman

Basic Instinct | ShotOnWhat?

Wardrobe Seamstress: San Francisco

Basic Instinct (1992)

Directed by: Paul Verhoeven

Cinematography by: Jan de Bont

Edited by: Frank J. Urioste

Cameras: Panavision Panaflex Camera

Lenses: Panavision Primo Anamorphic Lenses

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