Colorist
Beast (2015)
Cinematography by: Michael Steel
Edited by: Paul Murphy
Cameras: ARRI AMIRA Camera
Lenses: Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 85 mm T1.9 Lens
Editing System: Avid Editing System
Additional Colorist/digital Intermediate Conform
The Water Diviner (2014)
Directed by: Russell Crowe
Cinematography by: Andrew Lesnie
Edited by: Matt Villa
Cameras: ARRI ALEXA XT Camera
Colorist
The Reckoning (2014)
Directed by: John V. Soto
Cinematography by: Jason Thomas
Edited by: Regg Skwarko
Cameras: ARRI ALEXA Camera, Red Epic Camera
Colorist
Goddess (2013)
Directed by: Mark Lamprell
Cinematography by: Damian Wyvill
Cameras: ARRI ALEXA Camera
Senior Colorist
33 Postcards (2011)
Directed by: Pauline Chan
Cinematography by: Toby Oliver
Edited by: Jane Moran
Cameras: Red One Camera
Lead Colourist
King Kong (2005)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jamie Selkirk
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, Mitchell Cameras
Editing System: Avid Editing System
Digital Colorist: Optix Digital Picture
The Lord of the Rings: The Return of the King (2003)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jamie Selkirk
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 535 B Camera, Mitchell Cameras, Moviecam Superlight Camera
Editing System: Avid Editing System
Digital Colorist
The Lord of the Rings: The Two Towers (2002)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Michael Horton
Lenses: Angenieux Lenses, Zeiss Ultra Prime Lenses
