Tarnia Nicol

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The Matrix Resurrections | ShotOnWhat?

Art Director

The Matrix Resurrections (2021)

Directed by: Lana Wachowski

Cinematography by: Daniele Massaccesi, John Toll

Edited by: Joseph Jett Sally

Cameras: Red Komodo Camera

Lenses: Panavision Compact Zoom Lenses, Panavision LWZ 27-68 mm T2.8 Lens, Panavision Panaspeed Series Lenses, Panavision Primo 70 Lenses, Sigma Lenses, Zeiss Cinema Zoom Series Lenses

The Girl in the Spider's Web | ShotOnWhat?

Art Director

The Girl in the Spider's Web (2018)

Directed by: Fede Alvarez

Cinematography by: Pedro Luque

Edited by: Tatiana S. Riegel

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera

Lenses: ARRI Rental Prime DNA Lenses, Zeiss Master Prime Lenses

Overlord | ShotOnWhat?

Art Director

Overlord (2018)

Directed by: Julius Avery

Cinematography by: Laurie Rose, Fabian Wagner

Edited by: Matt Evans

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses: Panavision T Series Anamorphic Lenses

Mechanic: Resurrection | ShotOnWhat?

Art Director

Mechanic: Resurrection (2016)

Directed by: Dennis Gansel

Cinematography by: Daniel Gottschalk

Edited by: Ueli Christen, Michael J. Duthie, Todd E. Miller

Cameras: Red Epic Camera, Red Scarlet Camera

A Cure for Wellness | ShotOnWhat?

Art Director

A Cure for Wellness (2016)

Directed by: Gore Verbinski

Cinematography by: Bojan Bazelli

Edited by: Pete Beaudreau, Lance Pereira

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRI ALEXA XT Studio Camera

Lenses: Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

The Hunger Games: Mockingjay - Part 2 | ShotOnWhat?

Set Designer

The Hunger Games: Mockingjay - Part 2 (2015)

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell, Mark Yoshikawa

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Grand Budapest Hotel | ShotOnWhat?

Assistant Art Director

The Grand Budapest Hotel (2014)

Directed by: Wes Anderson

Cinematography by: Robert D. Yeoman

Edited by: Barney Pilling

Cameras: ARRICAM Studio (ST) Camera

Lenses: Angenieux Lenses, Cooke S4 Lenses, Cooke Varotal Lenses, Technovision Techno-Cooke Anamorphic Zoom 40-200mm T4.5 Lens

Editing System: Avid Editing System

Cloud Atlas | ShotOnWhat?

Set Designer

Cloud Atlas (2012)

Directed by: Tom Tykwer, Lana Wachowski, Lilly Wachowski

Cinematography by: Frank Griebe, John Toll

Edited by: Alexander Berner, Claus Wehlisch

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, Phantom HD Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Anonymous | ShotOnWhat?

Draftsperson

Anonymous (2011)

Directed by: Roland Emmerich

Cinematography by: Anna Foerster

Edited by: Peter R. Adam

Cameras: ARRI ALEXA Camera

Lenses: Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

The Chronicles of Narnia: The Voyage of the Dawn Treader | ShotOnWhat?

Draftsperson

The Chronicles of Narnia: The Voyage of the Dawn Treader (2010)

Directed by: Michael Apted

Cinematography by: Dante Spinotti

Edited by: Rick Shaine

Cameras: Sony CineAlta F23 Camera

Editing System: Avid Editing System

Mao's Last Dancer | ShotOnWhat?

Draftsperson

Mao's Last Dancer (2009)

Directed by: Bruce Beresford

Cinematography by: Peter James

Edited by: Mark Warner

Nim's Island | ShotOnWhat?

Set Designer

Nim's Island (2008)

Directed by: Jennifer Flackett, Mark Levin

Cinematography by: Stuart Dryburgh

Edited by: Stuart Levy

Cameras: Panavision Cameras

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