Visual Effects Producer: Phosphene
'Hunters' Eilu v' Eilu (2020)
Directed by: Michael Uppendahl
Cinematography by: William Rexer
Edited by: John Petaja
Visual Effects Producer: Phosphene
'Hunters' The Great Ole Nazi Cookout of '77 (2020)
Directed by: Nelson McCormick
Cinematography by: Tim Norman
Edited by: Amy E. Duddleston
Visual Effects Producer: Phosphene
'Hunters' The Jewish Question (2020)
Directed by: Michael Uppendahl
Cinematography by: William Rexer
Edited by: Matt Barber
Visual Effects Producer: Phosphene
'Hunters' Shalom Motherf***er (2020)
Directed by: Nelson McCormick
Cinematography by: Tim Norman
Edited by: Andrew Groves
Visual Effects Producer: Phosphene
'Hunters' (Ruth 1:16) (2020)
Directed by: Millicent Shelton
Cinematography by: William Rexer
Edited by: Matt Barber
Visual Effects Producer: Phosphene
'Hunters' At Night, All Birds Are Black (2020)
Directed by: Dennie Gordon
Cinematography by: Tim Norman
Edited by: Amy E. Duddleston
Visual Effects Producer: Phosphene
'Hunters' The Pious Thieves (2020)
Directed by: Nelson McCormick
Cinematography by: Tim Norman
Edited by: John Petaja
Visual Effects Producer: Phosphene
'Hunters' While Visions of Safta Danced in His Head (2020)
Directed by: Wayne Yip
Cinematography by: William Rexer
Edited by: Matt Barber
Visual Effects Producer: Phosphene
'Hunters' The Mourner's Kaddish (2020)
Directed by: Wayne Yip
Cinematography by: William Rexer
Edited by: Amy E. Duddleston
Visual Effects Producer: Phosphene
'Hunters' In the Belly of the Whale (2020)
Directed by: Alfonso Gomez-Rejon
Cinematography by: Frederick Elmes
Edited by: John Petaja
Visual Effects Producer: Phosphene - 10 Episodes, 2020
Hunters (2020)
Directed by: Phil Abraham, Nelson McCormick, Michael Uppendahl, Wayne Yip, Alfonso Gomez-Rejon, Dennie Gordon, Millicent Shelton
Cameras: Red Monstro 8K Camera
Visual Effects Producer
If Beale Street Could Talk (2018)
Directed by: Barry Jenkins
Cinematography by: James Laxton
Cameras: ARRI ALEXA 65 Camera
Lenses: ARRI Rental Prime DNA Lenses
Visual Effects Producer
Can You Ever Forgive Me? (2018)
Directed by: Marielle Heller
Cinematography by: Brandon Trost
Edited by: Anne McCabe
Cameras: Panavision Millennium DXL Camera
Lenses: Panavision Primo 70 Lenses
Visual Effects Coordinator: Iloura
Gods of Egypt (2016)
Directed by: Alex Proyas
Cinematography by: Peter Menzies Jr.
Edited by: Richard Learoyd
Cameras: Red Epic Dragon Camera
Lenses: Panavision Primo 70 Lenses
Visual Effects Producer
'Mr. Robot' eps2.4_m4ster-s1ave.aes (2016)
Directed by: Sam Esmail
Cinematography by: Tod Campbell
Edited by: Philip Harrison
Visual Effects Producer
'Mr. Robot' eps2.5_h4ndshake.sme (2016)
Directed by: Sam Esmail
Cinematography by: Tod Campbell
Edited by: John Petaja
Visual Effects Producer
'Mr. Robot' eps2.6_succ3ss0r.p12 (2016)
Directed by: Sam Esmail
Cinematography by: Tod Campbell
Edited by: Franklin Peterson
Visual Effects Producer
'Mr. Robot' eps2.7_init_5.fve (2016)
Directed by: Sam Esmail
Cinematography by: Tod Campbell
Edited by: Philip Harrison
Visual Effects Producer
'Mr. Robot' eps2.8_h1dden-pr0cess.axx (2016)
Directed by: Sam Esmail
Cinematography by: Tod Campbell
Edited by: John Petaja
Visual Effects Producer - 5 Episodes, 2016
Mr. Robot (2015)
Directed by: Sam Esmail, Jim McKay, Tricia Brock, Deborah Chow, Nisha Ganatra, Niels Arden Oplev, Christoph Schrewe
Edited by: Franklin Peterson, John Petaja, Justin Krohn, Philip Harrison, Rosanne Tan, Joel T. Pashby, Sam Seig, Sharidan Williams-Sotelo, Joe Bini, Andrew Thompson
Cameras: Red Epic Dragon Camera
Editing System: Avid Editing System
Digital Intermediate Producer
Son of a Gun (2014)
Directed by: Julius Avery
Cinematography by: Nigel Bluck
Edited by: Jack Hutchings
Cameras: ARRI ALEXA XT Plus Camera
Digital Intermediate Support
I, Frankenstein (2014)
Directed by: Stuart Beattie
Cinematography by: Ross Emery
Edited by: Marcus D'Arcy
Cameras: Red Epic Camera
Digital Intermediate Editor
The Sapphires (2012)
Directed by: Wayne Blair
Cinematography by: Warwick Thornton
Edited by: Dany Cooper
Digital Intermediate Editor
Lore (2012)
Directed by: Cate Shortland
Cinematography by: Adam Arkapaw
Edited by: Veronika Jenet
Lenses: Canon Lenses, Zeiss Ultra 16 Lenses
Digital Intermediate Editor
Storm Surfers 3D (2012)
Cinematography by: David Maguire
Edited by: Rodrigo Balart
Cameras: Canon EOS 550D Camera, GoPro HD Hero Camera, Panasonic AG-3DA1 Camera, Silicon Imaging SI-2K Camera, Sony PMW-EX3 Camera
Lenses: Fujinon Lenses, Kowa Lenses
Editing System: Avid Editing System
Digital Intermediate Editor
A Few Best Men (2011)
Directed by: Stephan Elliott
Cinematography by: Stephen F. Windon
Edited by: Sue Blainey
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Visual Effects Artist: EFilm Australia
The Way Back (2010)
Directed by: Peter Weir
Cinematography by: Russell Boyd
Edited by: Lee Smith
Digital Compositor
Mad Bastards (2010)
Directed by: Brendan Fletcher
Cinematography by: Allan Collins
Edited by: Claire Fletcher
Optical Effects Artist
Animal Kingdom (2010)
Directed by: David Michôd
Cinematography by: Adam Arkapaw
Edited by: Luke Doolan
Compositor: EFilm Australia
Oranges and Sunshine (2010)
Directed by: Jim Loach
Cinematography by: Denson Baker
Edited by: Dany Cooper
Cameras: ARRICAM Lite (LT) Camera
Editing System: Avid Editing System
Compositor: EFilm Australia
Mao's Last Dancer (2009)
Directed by: Bruce Beresford
Cinematography by: Peter James
Edited by: Mark Warner
Compositor: EFilm Australia
Bright Star (2009)
Directed by: Jane Campion
Cinematography by: Greig Fraser
Edited by: Alexandre de Franceschi
Lenses: Cooke S4 Lenses, Optica Elite Lenses
Digital Compositor
Australia (2008)
Directed by: Baz Luhrmann
Cinematography by: Mandy Walker
