Post-production Supervisor
Calvary (2014)
Directed by: John Michael McDonagh
Cinematography by: Larry Smith
Edited by: Chris Gill
Cameras: ARRI ALEXA Series Cameras
Executive Co-ordinator: Working Title
Pirate Radio (2009)
Directed by: Richard Curtis
Cinematography by: Danny Cohen
Edited by: Emma E. Hickox
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera
Executive Coordinator: Working Title
Frost/Nixon (2008)
Directed by: Ron Howard
Cinematography by: Salvatore Totino
Lenses: Cooke S4 Lenses, Cooke Varotal Lenses
Editing System: Avid Editing System
Executive Coordinator: Working Title
Atonement (2007)
Directed by: Joe Wright
Cinematography by: Seamus McGarvey
Edited by: Paul Tothill
Lenses: Panavision Hylén System Lens, Panavision Primo Primes Spherical Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens
Editing System: Avid Editing System
Executive Coordinator: Working Title Films
Hot Fuzz (2007)
Directed by: Edgar Wright
Cinematography by: Jess Hall
Edited by: Chris Dickens
Executive Coordinator: Working Title Films
Mr. Bean's Holiday (2007)
Directed by: Steve Bendelack
Cinematography by: Baz Irvine
Edited by: Tony Cranstoun
Executive Coordinator: Working Title
Smokin' Aces (2006)
Directed by: Joe Carnahan
Cinematography by: Mauro Fiore
Edited by: Robert Frazen
Executive Coordinator: Working Title
Nanny McPhee (2005)
Directed by: Kirk Jones
Cinematography by: Henry Braham
Co-executive Coordinator: Working Title Films
Pride & Prejudice (2005)
Directed by: Joe Wright
Cinematography by: Roman Osin
Edited by: Paul Tothill
Lenses: Cooke S4 Lenses
Editing System: Lightworks Editing System
Executive Coordinator: Working Title
Bridget Jones: The Edge of Reason (2004)
Directed by: Beeban Kidron
Cinematography by: Adrian Biddle
Edited by: Greg Hayden
Executive Coordinator: Working Title Films
The Shape of Things (2003)
Directed by: Neil LaBute
Cinematography by: James L. Carter
Edited by: Joel Plotch
Production Coordinator
About a Boy (2002)
Cinematography by: Remi Adefarasin
Edited by: Nick Moore
Cameras: ARRIFLEX 35mm Cameras
Lenses: ARRI Lenses
Editing System: Avid Editing System
Production Coordinator
High Heels and Low Lifes (2001)
Directed by: Mel Smith
Cinematography by: Steven Chivers
Edited by: Chris Blunden
Production Coordinator
The Tribe (1998)
Directed by: Stephen Poliakoff
Cinematography by: Wit Dabal
Edited by: Anne Sopel
Production Coordinator
My Son the Fanatic (1997)
Directed by: Udayan Prasad
Cinematography by: Alan Almond
Edited by: David Gamble
