Ellie Kemps

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A Hidden Life | ShotOnWhat?

Assistant Production Coordinator

A Hidden Life (2019)

Directed by: Terrence Malick

Cinematography by: Jörg Widmer

Edited by: Rehman Nizar Ali, Joe Gleason, Sebastian Jones

Cameras: Red Epic Dragon Camera

Lenses: Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Ultra Prime 8R 8 mm T.2.8 Lens

Hansel & Gretel: Witch Hunters | ShotOnWhat?

Travel And Accommodation Coordinator

Hansel & Gretel: Witch Hunters (2013)

Directed by: Tommy Wirkola

Cinematography by: Michael Bonvillain

Edited by: Jim Page

Cameras: ARRI ALEXA Camera, ARRI ALEXA Plus Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Master Prime Lenses

The Apparition | ShotOnWhat?

Assistant Production Coordinator

The Apparition (2012)

Directed by: Todd Lincoln

Cinematography by: Daniel Pearl

Edited by: Jeff Betancourt, Tom Elkins, Harold Parker

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses, Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

Cloud Atlas | ShotOnWhat?

Assistant Coordinator

Cloud Atlas (2012)

Directed by: Tom Tykwer, Lana Wachowski, Lilly Wachowski

Cinematography by: Frank Griebe, John Toll

Edited by: Alexander Berner, Claus Wehlisch

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, Phantom HD Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

The Three Musketeers | ShotOnWhat?

Assistant Production Coordinator

The Three Musketeers (2011)

Directed by: Paul W.S. Anderson

Cinematography by: Glen MacPherson

Edited by: Alexander Berner, Claus Wehlisch

Cameras: ARRI ALEXA Camera, Red One MX Camera, Weisscam HS-2 Camera

Lenses: Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens

Anonymous | ShotOnWhat?

Assistant Director: Theatre Scenes

Anonymous (2011)

Directed by: Roland Emmerich

Cinematography by: Anna Foerster

Edited by: Peter R. Adam

Cameras: ARRI ALEXA Camera

Lenses: Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Ninja Assassin | ShotOnWhat?

Production Secretary: First Unit

Ninja Assassin (2009)

Directed by: James McTeigue

Cinematography by: Karl Walter Lindenlaub

Edited by: Giancarlo Ganziano, Joseph Jett Sally

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera

Lenses: Zeiss Master Prime Lenses

Inglourious Basterds | ShotOnWhat?

Travel Coordinator

Inglourious Basterds (2009)

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Sally Menke

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera

Lenses: Cooke Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Speed Racer | ShotOnWhat?

Production Assistant

Speed Racer (2008)

Directed by: Lana Wachowski, Lilly Wachowski

Cinematography by: David Tattersall

Edited by: Roger Barton, Zach Staenberg

Cameras: Phantom HD Camera, Phantom V Series Camera, Sony CineAlta F23 Camera

Lenses: Zeiss DigiPrime Lenses

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