Office Production Assistant
Ain't Them Bodies Saints (2013)
Directed by: David Lowery
Cinematography by: Bradford Young
Office Production Assistant: Re-shoots
Texas Chainsaw 3D (2013)
Directed by: John Luessenhop
Cinematography by: Anastas N. Michos
Edited by: Randy Bricker
Cameras: Red Epic Camera
Lenses: Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 65 mm T1.9 Lens, Zeiss Ultra Prime Planar 85 mm T1.9 Lens
Editing System: Avid Editing System
Office Production Assistant
Playing for Keeps (2012)
Directed by: Gabriele Muccino
Cinematography by: Peter Menzies Jr.
Edited by: Padraic McKinley
Accounting Clerk
The Iceman (2012)
Directed by: Ariel Vromen
Cinematography by: Bobby Bukowski
Edited by: Danny Rafic
Cameras: ARRI ALEXA Plus Camera, Canon EOS-7D Camera
Set Production Assistant
Drive Angry (2011)
Directed by: Patrick Lussier
Cinematography by: Brian Pearson
Second Second Assistant Director
Julia X (2011)
Directed by: P.J. Pettiette
Cinematography by: Jason Goodman
Edited by: Rob Neal
Cameras: Red One Camera
Editing System: Final Cut Pro Editing System
Production Assistant
Season of the Witch (2011)
Directed by: Dominic Sena
Cinematography by: Amir Mokri
Key Set Production Assistant
Flypaper (2011)
Directed by: Rob Minkoff
Cinematography by: Steven Poster
Edited by: Tom Finan
Cameras: Canon EOS-7D Camera, Red One Camera
Production Assistant
Battle Los Angeles (2011)
Directed by: Jonathan Liebesman
Cinematography by: Lukas Ettlin
Edited by: Christian Wagner
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony PMW-EX3 Camera
Lenses: Panavision Compact Zoom Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Set Production Assistant
Welcome to the Rileys (2010)
Directed by: Jake Scott
Cinematography by: Christopher Soos
Edited by: Nicolas Gaster
Set Production Assistant
Father of Invention (2010)
Directed by: Trent Cooper
Cinematography by: Steve Yedlin
Edited by: Heather Persons
Set Production Assistant
The Expendables (2010)
Directed by: Sylvester Stallone
Cinematography by: Jeffrey L. Kimball
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera
Editing System: Avid Editing System
Set Production Assistant
Beyond a Reasonable Doubt (2009)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Edited by: Jeff Gullo
Key Set Production Assistant: Additional Photography
Righteous Kill (2008)
Directed by: Jon Avnet
Cinematography by: Denis Lenoir
Edited by: Paul Hirsch
Set Production Assistant
Welcome Home, Roscoe Jenkins (2008)
Directed by: Malcolm D. Lee
Cinematography by: Greg Gardiner
Production Assistant
The Mist (2007)
Directed by: Frank Darabont
Cinematography by: Rohn Schmidt
Edited by: Hunter M. Via
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Set Production Assistant
Cleaner (2007)
Directed by: Renny Harlin
Cinematography by: Scott Kevan
Edited by: Brian Berdan
Set Production Assistant
Mr. Brooks (2007)
Directed by: Bruce A. Evans
Cinematography by: John Lindley
Edited by: Miklos Wright
Production Assistant: New Orleans
Until Death (2007)
Directed by: Simon Fellows
Cinematography by: Douglas Milsome
Edited by: Matthew Booth
Set Production Assistant
Local Color (2006)
Directed by: George Gallo
Cinematography by: Michael Negrin
Edited by: Malcolm Campbell
Cameras: Panavision Cameras
Lenses: Angenieux Optimo Zoom Lenses
