Production Coordinator
'Vinyl' Yesterday Once More (2016)
Directed by: Allen Coulter
Cinematography by: Reed Morano
Edited by: Tim Streeto
Production Coordinator
'Vinyl' Whispered Secrets (2016)
Directed by: Mark Romanek
Cinematography by: David Franco
Edited by: Kate Sanford
Production Coordinator
'Vinyl' The Racket (2016)
Directed by: S.J. Clarkson
Cinematography by: Reed Morano
Edited by: Tim Streeto
Production Coordinator
'Vinyl' He in Racist Fire (2016)
Directed by: Peter Sollett
Cinematography by: David Franco
Edited by: Kate Sanford
Production Coordinator
'Vinyl' Cyclone (2016)
Directed by: Nicole Kassell
Cinematography by: Reed Morano
Production Coordinator
'Vinyl' The King and I (2016)
Directed by: Allen Coulter
Cinematography by: David Franco
Edited by: Kate Sanford
Production Coordinator
'Vinyl' E.A.B. (2016)
Directed by: Jon S. Baird
Cinematography by: Reed Morano
Production Coordinator
'Vinyl' Rock and Roll Queen (2016)
Directed by: Carl Franklin
Cinematography by: David Franco
Production Coordinator
'Vinyl' Alibi (2016)
Directed by: Allen Coulter
Cinematography by: Reed Morano
Edited by: Tim Streeto
Production Coordinator - 9 Episodes, 2016
Vinyl (2016)
Directed by: Allen Coulter, Jon S. Baird, S.J. Clarkson, Carl Franklin, Nicole Kassell, Mark Romanek, Martin Scorsese, Peter Sollett
Cameras: Sony PMW-F55 Camera
Production Coordinator
Bridge of Spies (2015)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Editing System: Avid Editing System
Production Coordinator
The Amazing Spider-Man 2 (2014)
Directed by: Marc Webb
Cinematography by: Dan Mindel
Edited by: Pietro Scalia
Production Supervisor: New Orleans
Percy Jackson: Sea of Monsters (2013)
Directed by: Thor Freudenthal
Cinematography by: Shelly Johnson
Edited by: Mark Goldblatt
Production Coordinator
Premium Rush (2012)
Directed by: David Koepp
Cinematography by: Mitchell Amundsen
Supervising Production Coordinator
The Bourne Legacy (2012)
Directed by: Tony Gilroy
Cinematography by: Robert Elswit
Edited by: John Gilroy
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Production Coordinator
Tower Heist (2011)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Edited by: Mark Helfrich
Production Office Coordinator
The Switch (2010)
Cinematography by: Jess Hall
Edited by: John Axelrad
Lenses: Cooke S4 Lenses
Production Coordinator: New York
The Back-up Plan (2010)
Directed by: Alan Poul
Cinematography by: Xavier Grobet
Edited by: Priscilla Nedd-Friendly
Production Coordinator
The Other Guys (2010)
Directed by: Adam McKay
Cinematography by: Oliver Wood
Edited by: Brent White
Production Coordinator
The Rebound (2009)
Directed by: Bart Freundlich
Cinematography by: Jonathan Freeman
Edited by: Christopher Tellefsen
Production Coordinator: New York
The Darjeeling Limited (2007)
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: Andrew Weisblum
Cameras: Panavision Cameras
Production Coordinator
The Savages (2007)
Directed by: Tamara Jenkins
Cinematography by: W. Mott Hupfel III
Edited by: Brian A. Kates
Cameras: ARRICAM Lite (LT) Camera
Lenses: Cooke S4 Lenses
Production Office Coordinator: New York
Illegal Tender (2007)
Directed by: Franc. Reyes
Cinematography by: Frank Byers
Edited by: Tony Ciccone
Production Coordinator
The Namesake (2006)
Directed by: Mira Nair
Cinematography by: Frederick Elmes
Edited by: Allyson C. Johnson
Assistant Production Office Coordinator / Travel Coordinator
The Good Shepherd (2006)
Directed by: Robert De Niro
Cinematography by: Robert Richardson
Edited by: Tariq Anwar
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Assistant Production Office Coordinator
The Notorious Bettie Page (2005)
Directed by: Mary Harron
Cinematography by: W. Mott Hupfel III
Edited by: Tricia Cooke
Assistant: Killer Films
The Company (2003)
Directed by: Robert Altman
Cinematography by: Andrew Dunn
Edited by: Geraldine Peroni
