Post-production Supervisor
'American Horror Story' Chapter 10 (2016)
Directed by: Bradley Buecker
Cinematography by: Gavin Kelly
Edited by: Justin Krohn
Post-production Supervisor
'American Horror Story' Chapter 4 (2016)
Directed by: Marita Grabiak
Cinematography by: Jesse M. Feldman
Edited by: Justin Krohn
Post-production Supervisor
'American Horror Story' Chapter 5 (2016)
Directed by: Nelson Cragg
Cinematography by: Jesse M. Feldman
Edited by: Ken Ramos
Post-production Supervisor
'American Horror Story' Chapter 6 (2016)
Directed by: Angela Bassett
Cinematography by: Gavin Kelly
Edited by: Danielle Wang
Post-production Supervisor
'American Horror Story' Chapter 7 (2016)
Directed by: Elodie Keene
Cinematography by: Gavin Kelly
Edited by: Justin Krohn
Post-production Supervisor
'American Horror Story' Chapter 8 (2016)
Directed by: Gwyneth Horder-Payton
Cinematography by: Gavin Kelly
Edited by: Ken Ramos
Post-production Supervisor
'American Horror Story' Chapter 2 (2016)
Directed by: Michael Goi
Cinematography by: Nelson Cragg
Post-production Supervisor
'American Horror Story' Chapter 9 (2016)
Directed by: Alexis Ostrander
Cinematography by: Gavin Kelly
Edited by: Danielle Wang
Post-production Supervisor
'American Horror Story' Chapter 3 (2016)
Directed by: Jennifer Lynch
Cinematography by: Nelson Cragg
Edited by: Danielle Wang
Post-production Supervisor
'American Horror Story' Chapter 1 (2016)
Directed by: Bradley Buecker
Cinematography by: Nelson Cragg
Edited by: Justin Krohn
Head Of Production: Digital Intermediate
Million Dollar Arm (2014)
Directed by: Craig Gillespie
Cinematography by: Gyula Pados
Edited by: Tatiana S. Riegel
Head Of Production: Digital Intermediate
Foxcatcher (2014)
Directed by: Bennett Miller
Cinematography by: Greig Fraser
Editing System: Avid Editing System
Head Of Production: Digital Intermediate
Let's Be Cops (2014)
Directed by: Luke Greenfield
Cinematography by: Daryn Okada
Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera
Head Of Production: Digital Intermediate
Teenage Mutant Ninja Turtles (2014)
Directed by: Jonathan Liebesman
Cinematography by: Lula Carvalho
Cameras: ARRI ALEXA Plus 4:3 Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Head Of Production: Digital Intermediate
Prisoners (2013)
Directed by: Denis Villeneuve
Cinematography by: Roger Deakins
Cameras: ARRI ALEXA Studio Camera
Lenses: Zeiss Master Prime Lenses
Editing System: Avid Editing System
Head Of Production: Digital Intermediate
The Secret Life of Walter Mitty (2013)
Directed by: Ben Stiller
Cinematography by: Stuart Dryburgh
Edited by: Greg Hayden
Cameras: ARRICAM Lite (LT) Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Head Of Production: Digital Intermediate
12 Years a Slave (2013)
Directed by: Steve McQueen
Cinematography by: Sean Bobbitt
Edited by: Joe Walker
Head Of Production: Digital Intermediate
Blue Jasmine (2013)
Directed by: Woody Allen
Cinematography by: Javier Aguirresarobe
Edited by: Alisa Lepselter
Lenses: Zeiss Master Prime Lenses
Editing System: Avid Editing System
Head Of Production: Digital Intermediate
Out of the Furnace (2013)
Directed by: Scott Cooper
Cinematography by: Masanobu Takayanagi
Edited by: David Rosenbloom
Editing System: Avid Editing System
Colorist: Dailies
'Person of Interest' 2 Pi R (2013)
Directed by: Richard J. Lewis
Cinematography by: Stephen McNutt
Edited by: Mark Conte
Colorist: Dailies
'Person of Interest' Prisoner's Dilemma (2013)
Directed by: Chris Fisher
Cinematography by: Manuel Billeter
Edited by: John Ganem
Colorist: Dailies
'Person of Interest' Dead Reckoning (2013)
Directed by: John Dahl
Cinematography by: Stephen McNutt
Edited by: Ray Daniels III
Colorist: Dailies
'Person of Interest' One Percent (2013)
Directed by: Chris Fisher
Cinematography by: Manuel Billeter
Edited by: Mark Conte
Colorist: Dailies
'Person of Interest' Booked Solid (2013)
Directed by: Frederick E.O. Toye
Cinematography by: Stephen McNutt
Edited by: John Ganem
Colorist: Dailies
'Person of Interest' Relevance (2013)
Directed by: Jonathan Nolan
Cinematography by: Manuel Billeter
Edited by: Ray Daniels III
Colorist: Dailies
'Person of Interest' Proteus (2013)
Directed by: Kenneth Fink
Cinematography by: Stephen McNutt
Edited by: Mark Conte
Colorist: Dailies
'Person of Interest' All In (2013)
Directed by: Tricia Brock
Cinematography by: Manuel Billeter
Edited by: John Ganem
Colorist: Dailies
'Person of Interest' Trojan Horse (2013)
Directed by: Jeffrey G. Hunt
Cinematography by: Stephen McNutt
Edited by: Ray Daniels III
Colorist: Dailies
'Person of Interest' In Extremis (2013)
Directed by: Chris Fisher
Cinematography by: Manuel Billeter
Edited by: Mark Conte
Colorist: Dailies
'Person of Interest' Zero Day (2013)
Directed by: Jeffrey G. Hunt
Cinematography by: Stephen McNutt
Edited by: John Ganem
Colorist: Dailies
'Person of Interest' God Mode (2013)
Directed by: Richard J. Lewis
Cinematography by: Manuel Billeter
Edited by: Ray Daniels III
Head Of Production: Digital Intermediate - 10 Episodes, 2013
Orange Is the New Black (2013)
Directed by: Andrew McCarthy, Phil Abraham, Michael Trim, Constantine Makris, Mark A. Burley, Nick Sandow, Uta Briesewitz, Erin Feeley, Laura Prepon, Jodie Foster, Jesse Peretz, Ludovic Littee, Matthew Penn, Allison Anders, S.J. Clarkson, Jennifer Getzinger, Daisy von Scherler Mayer, Anthony Hemingway, Nicole Holofcener, Julie Anne Robinson, Adam Bernstein, Tricia Brock, Lev L. Spiro, Matthew Weiner, Wendey Stanzler, Sian Heder, Clark Johnson, Natasha Lyonne, Diego Velasco
Cinematography by: Ludovic Littee, Vanja Cernjul, Yaron Orbach, Manuel Billeter, Michael Trim, David M. Dunlap, Wylda Bayron, Andrew Voegeli, William Newell
Edited by: Bill Turro, Shannon Mitchell, Michael Stern, Amy M. Fleming, Tim Boettcher, W. Kale Whorton, Jennifer Hatton, James A. Brewer, Liza Cardinale, Rockie Stephens
Cameras: ARRI ALEXA Camera, Panasonic VariCam 35
Lenses: Cooke 5/i Lenses
Editing System: Avid Editing System
Head Of Production: Digital Intermediate
'Orange Is the New Black' Bora Bora Bora (2013)
Directed by: Andrew McCarthy
Cinematography by: Vanja Cernjul
Edited by: Michael Stern
Head Of Production: Digital Intermediate
'Orange Is the New Black' Fucksgiving (2013)
Directed by: Michael Trim
Cinematography by: Vanja Cernjul
Edited by: Shannon Mitchell
Head Of Production: Digital Intermediate
'Orange Is the New Black' Moscow Mule (2013)
Directed by: Phil Abraham
Cinematography by: Vanja Cernjul
Edited by: Michael Stern
Head Of Production: Digital Intermediate
'Orange Is the New Black' Blood Donut (2013)
Directed by: Matthew Penn
Cinematography by: Vanja Cernjul
Edited by: Bill Turro
Head Of Production: Digital Intermediate
'Orange Is the New Black' WAC Pack (2013)
Directed by: Michael Trim
Cinematography by: Vanja Cernjul
Edited by: Tim Boettcher
Head Of Production: Digital Intermediate
'Orange Is the New Black' The Chickening (2013)
Directed by: Andrew McCarthy
Cinematography by: Vanja Cernjul
Edited by: Michael Stern
Head Of Production: Digital Intermediate
'Orange Is the New Black' Imaginary Enemies (2013)
Directed by: Michael Trim
Cinematography by: Vanja Cernjul
Edited by: Bill Turro
Head Of Production: Digital Intermediate
'Orange Is the New Black' I Wasn't Ready (2013)
Directed by: Michael Trim
Cinematography by: Vanja Cernjul
Edited by: Bill Turro
Head Of Production: Digital Intermediate
'Orange Is the New Black' Lesbian Request Denied (2013)
Directed by: Jodie Foster
Cinematography by: Vanja Cernjul
Edited by: Tim Boettcher
Head Of Production: Digital Intermediate
'Orange Is the New Black' Tit Punch (2013)
Directed by: Uta Briesewitz
Cinematography by: Vanja Cernjul
Edited by: Bill Turro
Head Of Production: Digital Intermediate
The Place Beyond the Pines (2012)
Directed by: Derek Cianfrance
Cinematography by: Sean Bobbitt
Colorist: Dailies
'Person of Interest' Identity Crisis (2012)
Directed by: Charles Beeson
Cinematography by: Teodoro Maniaci
Edited by: Scott Lerner
Colorist: Dailies
'Person of Interest' Flesh and Blood (2012)
Directed by: Stephen Semel
Cinematography by: Teodoro Maniaci
Edited by: Mark Conte
Colorist: Dailies
'Person of Interest' Matsya Nyaya (2012)
Directed by: Kevin Bray
Cinematography by: Teodoro Maniaci
Edited by: Ray Daniels III
Colorist: Dailies
'Person of Interest' Many Happy Returns (2012)
Directed by: Frederick E.O. Toye
Cinematography by: Teodoro Maniaci
Edited by: Scott Lerner
Colorist: Dailies
'Person of Interest' No Good Deed (2012)
Directed by: Stephen Williams
Cinematography by: Teodoro Maniaci
Edited by: Mark Conte
Colorist: Dailies
'Person of Interest' Firewall (2012)
Directed by: Richard J. Lewis
Cinematography by: Teodoro Maniaci
Edited by: Ray Daniels III
Colorist: Dailies
'Person of Interest' The Contingency (2012)
Directed by: Richard J. Lewis
Cinematography by: Stephen McNutt
Edited by: Ray Daniels III
Colorist: Dailies
'Person of Interest' Bad Code (2012)
Directed by: Jon Cassar
Cinematography by: Manuel Billeter
Edited by: Mark Conte
Colorist: Dailies
'Person of Interest' Masquerade (2012)
Directed by: Jeffrey G. Hunt
Cinematography by: Stephen McNutt
Edited by: Hibah Schweitzer
Colorist: Dailies
'Person of Interest' Triggerman (2012)
Directed by: James Whitmore Jr.
Cinematography by: Tom Houghton
Edited by: Ray Daniels III
Colorist: Dailies
'Person of Interest' Bury the Lede (2012)
Directed by: Jeffrey G. Hunt
Cinematography by: Stephen McNutt
Edited by: Mark Conte
Colorist: Dailies
'Person of Interest' The High Road (2012)
Directed by: Félix Enríquez Alcalá
Cinematography by: Tom Houghton
Edited by: Russell Denove
Colorist: Dailies
'Person of Interest' Critical (2012)
Directed by: Frederick E.O. Toye
Cinematography by: Stephen McNutt
Colorist: Dailies
'Person of Interest' Til Death (2012)
Directed by: Helen Shaver
Cinematography by: Tom Houghton
Edited by: Mark Conte
Colorist: Dailies
'Person of Interest' C.O.D. (2012)
Directed by: Clark Johnson
Cinematography by: Stephen McNutt
Edited by: Russell Denove
Colorist: Dailies
'Person of Interest' Shadow Box (2012)
Directed by: Stephen Surjik
Cinematography by: Manuel Billeter
Edited by: Ray Daniels III
Colorist: Dailies
'Person of Interest' Risk (2012)
Directed by: Jeff T. Thomas
Cinematography by: Teodoro Maniaci
Edited by: Mark Conte
Colorist: Dailies
'Person of Interest' Baby Blue (2012)
Directed by: Larry Teng
Cinematography by: Teodoro Maniaci
Edited by: Ray Daniels III
Colorist: Dailies
'Person of Interest' Blue Code (2012)
Directed by: David Von Ancken
Cinematography by: Teodoro Maniaci
Edited by: Scott Lerner
Colorist: Dailies
'Person of Interest' Wolf and Cub (2012)
Directed by: Chris Fisher
Cinematography by: Teodoro Maniaci
Edited by: Ray Daniels III
Colorist: Dailies
'Person of Interest' Root Cause (2012)
Directed by: Richard J. Lewis
Cinematography by: Teodoro Maniaci
Edited by: Mark Conte
Colorist: Dailies
'Person of Interest' Super (2012)
Directed by: Stephen Williams
Cinematography by: Teodoro Maniaci
Edited by: Ray Daniels III
Colorist: Dailies
'Person of Interest' Legacy (2012)
Directed by: Brad Anderson
Cinematography by: Teodoro Maniaci
Edited by: Scott Lerner
Digital Intermediate Colorist
Pirates of the Caribbean: On Stranger Tides (2011)
Directed by: Rob Marshall
Cinematography by: Dariusz Wolski
Cameras: Red Epic Camera, Red One MX Camera
Digital Intermediate Colorist
The Rum Diary (2011)
Directed by: Bruce Robinson
Cinematography by: Dariusz Wolski
Edited by: Carol Littleton
Lenses: Zeiss Ultra Prime Lenses
Digital Intermediate Colorist, Digital Intermediate Colorist Assistant
Dream House (2011)
Directed by: Jim Sheridan
Cinematography by: Caleb Deschanel
Digital Intermediate Colorist
Fright Night (2011)
Directed by: Craig Gillespie
Cinematography by: Javier Aguirresarobe
Edited by: Tatiana S. Riegel
Cameras: Red One MX Camera
Lenses: Zeiss Master Prime Lenses
Digital Intermediate Colorist
Super 8 (2011)
Directed by: J.J. Abrams
Cinematography by: Larry Fong
Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Beaulieu 4008 ZM 4 Camera, Bell & Howell Eyemo Camera, Canon 1014XL-S Camera, Panavision Panaflex Millennium XL2 Camera, Red One MX Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Super Speed Lenses
Editing System: Avid Editing System
Digital Intermediate Colorist
Transformers: Dark of the Moon (2011)
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Digital Intermediate Colorist
Mission: Impossible - Ghost Protocol (2011)
Directed by: Brad Bird
Cinematography by: Robert Elswit
Edited by: Paul Hirsch
Cameras: ARRIFLEX 435 Xtreme Camera, IMAX MSM 9802 Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Digital Intermediate Colorist
The Change-Up (2011)
Directed by: David Dobkin
Cinematography by: Eric Alan Edwards
Lenses: Cooke S4 Lenses
Colorist: Dailies - 45 Episodes, 2011-2013
Person of Interest (2011)
Directed by: Chris Fisher, Richard J. Lewis, Frederick E.O. Toye, Jeffrey G. Hunt, Stephen Surjik, Stephen Williams, Kenneth Fink, Helen Shaver, Charles Beeson, Kevin Bray, Stephen Semel, Jeff T. Thomas, Sylvain White, Alrick Riley, Kate Woods, Colin Bucksey, Milan Cheylov, Steven DePaul, David Semel, Dennis Smith, Alex Zakrzewski, Brad Anderson, Jon Cassar, Félix Enríquez Alcalá, Clark Johnson, Larry Teng, David Von Ancken, James Whitmore Jr., Tricia Brock, John Dahl, Omar Madha, Jonathan Nolan, Jeffrey Lee Gibson, Kevin Hooks, Michael Offer, Margot Lulick, Tim Matheson, Greg Plageman, Maja Vrvilo
Cinematography by: Dave Insley, Teodoro Maniaci, Manuel Billeter, Stephen McNutt, Gonzalo Amat, Tom Houghton, Petr Hlinomaz, Richard Rutkowski
Edited by: Mark Conte, Ray Daniels III, Ryan Malanaphy, Scott Powell, Scott Lerner, Scott Jacobs, John Ganem, Lola Popovac, Russell Denove, L.B. Brodie, Dorian Harris, Farrel Levy, Jacqueline F. Bisbano, Hibah Schweitzer
Editing System: Avid Editing System
Post-production Supervisor - 10 Episodes, 2016
American Horror Story (2011)
Directed by: Bradley Buecker, Alfonso Gomez-Rejon, Michael Uppendahl, Loni Peristere, Michael Goi, Gwyneth Horder-Payton, Jennifer Lynch, Ryan Murphy, Michael Lehmann, David Semel, Howard Deutch, Jeremy Podeswa, Michael Rymer, Angela Bassett, Miguel Arteta, Tim Hunter, John Scott, Craig Zisk, Anthony Hemingway, Nelson Cragg, Marita Grabiak, Elodie Keene, Alexis Ostrander, Barbara Brown, Rachel Goldberg, Liza Johnson, Maggie Kiley, Jennifer Arnold, Sheree Folkson, Sarah Paulson
Cinematography by: Michael Goi, Gavin Kelly, John B. Aronson, Tom Houghton, Nelson Cragg, Jesse M. Feldman, Christopher Baffa, Joaquin Sedillo, James Chressanthis, Chris Manley, James M. Sterba
Edited by: Fabienne Bouville, Adam Penn, Ken Ramos, Stewart Schill, Regis Kimble, Justin Krohn, Danielle Wang, Bradley Buecker, Adriaan van Zyl, Sean Aylward, Angela Jackson, Chris A. Peterson, Robert Komatsu, Micky Blythe, Kaja Fehr, Joe Leonard, John Petaja, Lizzy Calhoun, Shelly Westerman
Cameras: ARRIFLEX 16SR2 Camera, ARRIFLEX 16SR3 Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Angenieux Lenses, Panavision Lenses
Colorist: Dailies / Colorist - 9 Episodes, 2011
Body of Proof (2011)
Directed by: Christine Moore, Nelson McCormick, Eric Laneuville, John Terlesky, Michael Grossman, Paul Holahan, Matthew Gross, Alex Zakrzewski, Stephen Cragg, Nathan Hope, Dwight H. Little, David Platt, John Polson, John Putch, Kate Woods, Kenneth Fink, David Solomon, Tom Verica, Milan Cheylov, Ralph Hemecker, Sam Hill, David Von Ancken, Michael W. Watkins
Cinematography by: Patrick Cady
Edited by: Lynne Willingham, Jennifer Barbot, Randy Jon Morgan, Paul Trejo, Tirsa Hackshaw, Eric Litman, Louise Innes, Chris G. Willingham, Susan Godfrey, Tom McQuade
Cameras: ARRI ALEXA Camera
Colorist: Dailies
'The Good Wife' Closing Arguments (2011)
Directed by: Robert King
Cinematography by: Fred Murphy
Edited by: Scott Vickrey
Colorist: Dailies
'The Good Wife' Getting Off (2011)
Directed by: Roxann Dawson
Cinematography by: Fred Murphy
Edited by: Hibah Schweitzer
Colorist: Dailies
'The Good Wife' In Sickness (2011)
Directed by: Félix Enríquez Alcalá
Cinematography by: Fred Murphy
Edited by: David Dworetzky
Colorist: Dailies
'The Good Wife' Foreign Affairs (2011)
Directed by: Frederick E.O. Toye
Cinematography by: Fred Murphy
Edited by: Scott Vickrey
Colorist: Dailies
'The Good Wife' Killer Song (2011)
Directed by: James Whitmore Jr.
Cinematography by: Fred Murphy
Edited by: David Dworetzky
Colorist: Dailies
'The Good Wife' Wrongful Termination (2011)
Directed by: Phil Abraham
Cinematography by: Fred Murphy
Edited by: Hibah Schweitzer
Colorist: Dailies
'The Good Wife' Ham Sandwich (2011)
Directed by: Griffin Dunne
Cinematography by: Fred Murphy
Edited by: Scott Vickrey
Colorist: Dailies
'The Good Wife' Great Firewall (2011)
Directed by: Nelson McCormick
Cinematography by: Fred Murphy
Edited by: Hibah Schweitzer
Colorist: Dailies
'The Good Wife' Silver Bullet (2011)
Directed by: Jim McKay
Cinematography by: Tim Guinness
Edited by: David Dworetzky
Colorist: Dailies
'The Good Wife' Net Worth (2011)
Directed by: Brooke Kennedy
Cinematography by: Fred Murphy
Edited by: Scott Vickrey
Colorist: Dailies
'The Good Wife' Breaking Up (2011)
Directed by: Félix Enríquez Alcalá
Cinematography by: Fred Murphy
Edited by: Hibah Schweitzer
Colorist: Dailies
'The Good Wife' Two Courts (2011)
Directed by: Tom DiCillo
Cinematography by: Fred Murphy
Edited by: Scott Vickrey
Colorist: Dailies
'The Good Wife' Silly Season (2011)
Directed by: Rosemary Rodriguez
Cinematography by: Fred Murphy
Edited by: David Dworetzky
Colorist: Dailies
'The Good Wife' Real Deal (2011)
Directed by: Michael Zinberg
Cinematography by: Fred Murphy
Edited by: Hibah Schweitzer
Colorist: Dailies
'Body of Proof' Broken Home (2011)
Directed by: Nelson McCormick
Cinematography by: Patrick Cady
Edited by: Randy Jon Morgan
Colorist: Dailies
'Body of Proof' Buried Secrets (2011)
Directed by: David Platt
Cinematography by: Patrick Cady
Edited by: Lynne Willingham
Colorist: Dailies
'Body of Proof' All in the Family (2011)
Directed by: John Polson
Cinematography by: Patrick Cady
Edited by: Jennifer Barbot
Colorist: Dailies
'Body of Proof' Society Hill (2011)
Directed by: Kate Woods
Cinematography by: Patrick Cady
Colorist: Dailies
'Body of Proof' Talking Heads (2011)
Directed by: Christine Moore
Cinematography by: Patrick Cady
Edited by: Lynne Willingham
Colorist: Dailies
'Body of Proof' Dead Man Walking (2011)
Directed by: Matthew Gross
Cinematography by: Patrick Cady
Edited by: Jennifer Barbot
Colorist: Dailies
'Body of Proof' Helping Hand (2011)
Directed by: John Terlesky
Cinematography by: Patrick Cady
Edited by: Jennifer Barbot
Colorist: Dailies
'Body of Proof' Letting Go (2011)
Directed by: Nelson McCormick
Cinematography by: Patrick Cady
Edited by: Randy Jon Morgan
Colorist
'Body of Proof' Pilot (2011)
Directed by: Nelson McCormick
Cinematography by: Patrick Cady
Edited by: Randy Jon Morgan
Colorist: Dailies
'Person of Interest' Number Crunch (2011)
Directed by: Jeffrey G. Hunt
Cinematography by: Teodoro Maniaci
Edited by: Mark Conte
Colorist: Dailies
'Person of Interest' Get Carter (2011)
Directed by: Alex Zakrzewski
Cinematography by: Teodoro Maniaci
Edited by: Scott Lerner
Colorist: Dailies
'Person of Interest' Foe (2011)
Directed by: Milan Cheylov
Cinematography by: Teodoro Maniaci
Edited by: Ray Daniels III
Colorist: Dailies
'Person of Interest' Witness (2011)
Directed by: Frederick E.O. Toye
Cinematography by: Teodoro Maniaci
Edited by: Mark Conte
Colorist: Dailies
'Person of Interest' Judgement (2011)
Directed by: Colin Bucksey
Cinematography by: Teodoro Maniaci
Edited by: Ray Daniels III
Colorist: Dailies
'Person of Interest' The Fix (2011)
Directed by: Dennis Smith
Cinematography by: Teodoro Maniaci
Edited by: Scott Lerner
Colorist: Dailies
'Person of Interest' Cura Te Ipsum (2011)
Directed by: Charles Beeson
Cinematography by: Teodoro Maniaci
Edited by: Mark Conte
Colorist: Dailies
'Person of Interest' Mission Creep (2011)
Directed by: Steven DePaul
Cinematography by: Richard Rutkowski
Edited by: Scott Lerner
Colorist: Dailies
'Person of Interest' Ghosts (2011)
Directed by: Richard J. Lewis
Cinematography by: Teodoro Maniaci
Edited by: Ray Daniels III
Colorist: Dailies
'Person of Interest' Pilot (2011)
Directed by: David Semel
Cinematography by: Teodoro Maniaci
Digital Intermediate Colorist
Morning Glory (2010)
Directed by: Roger Michell
Cinematography by: Alwin H. Küchler
Editing System: Avid Editing System
Colorist: Dailies
The Switch (2010)
Cinematography by: Jess Hall
Edited by: John Axelrad
Lenses: Cooke S4 Lenses
Colorist: Dailies
'The Good Wife' Cleaning House (2010)
Directed by: Rosemary Rodriguez
Cinematography by: Fred Murphy
Edited by: David C. Cook
Colorist: Dailies
'The Good Wife' Breaking Fast (2010)
Directed by: James Whitmore Jr.
Cinematography by: Fred Murphy
Edited by: David Dworetzky
Colorist: Dailies
'The Good Wife' Double Jeopardy (2010)
Directed by: Dean Parisot
Cinematography by: Fred Murphy
Edited by: Scott Vickrey
Colorist: Dailies
'The Good Wife' Running (2010)
Directed by: James Whitmore Jr.
Cinematography by: Fred Murphy
Edited by: Scott Vickrey
Colorist: Dailies
'The Good Wife' Taking Control (2010)
Directed by: Félix Enríquez Alcalá
Cinematography by: Fred Murphy
Edited by: David C. Cook
Colorist: Dailies
'The Good Wife' Unplugged (2010)
Directed by: Christopher Misiano
Cinematography by: Fred Murphy
Edited by: David C. Cook
Colorist: Dailies
'The Good Wife' Hybristophilia (2010)
Directed by: Frederick E.O. Toye
Cinematography by: Fred Murphy
Edited by: David Dworetzky
Colorist: Dailies
'The Good Wife' Mock (2010)
Directed by: Rod Holcomb
Cinematography by: Fred Murphy
Edited by: Scott Vickrey
Colorist: Dailies
'The Good Wife' Boom (2010)
Directed by: Lesli Linka Glatter
Cinematography by: Fred Murphy
Edited by: Jacque Elaine Toberen
Colorist: Dailies
'The Good Wife' Doubt (2010)
Directed by: Félix Enríquez Alcalá
Cinematography by: Fred Murphy
Edited by: David C. Cook
Colorist: Dailies
'The Good Wife' Bang (2010)
Directed by: Rod Holcomb
Cinematography by: Fred Murphy
Edited by: Jacque Elaine Toberen
Colorist: Dailies
'The Good Wife' Fleas (2010)
Directed by: Rosemary Rodriguez
Cinematography by: Fred Murphy
Edited by: David C. Cook
Colorist: Dailies
'The Good Wife' Heart (2010)
Directed by: Félix Enríquez Alcalá
Cinematography by: Fred Murphy
Edited by: Scott Vickrey
Colorist: Dailies
'The Good Wife' Hi (2010)
Directed by: John Gallagher
Cinematography by: Fred Murphy
Edited by: Scott Vickrey
Colorist: Dailies
'The Good Wife' Bad (2010)
Directed by: Alex Zakrzewski
Cinematography by: Fred Murphy
Edited by: David C. Cook
Colorist: Dailies
'The Good Wife' Painkiller (2010)
Directed by: Steve Shill
Cinematography by: Fred Murphy
Edited by: Jacque Elaine Toberen
Colorist: Dailies
'The Good Wife' Infamy (2010)
Directed by: Nelson McCormick
Cinematography by: Fred Murphy
Edited by: Scott Vickrey
Colorist
Brooklyn's Finest (2009)
Directed by: Antoine Fuqua
Cinematography by: Patrick Murguia
Edited by: Barbara Tulliver
Telecine Assistant
The Taking of Pelham 123 (2009)
Directed by: Tony Scott
Cinematography by: Tobias A. Schliessler
Edited by: Chris Lebenzon
Colorist: Dailies - 41 Episodes, 2009-2011
The Good Wife (2009)
Directed by: Rosemary Rodriguez, Michael Zinberg, Brooke Kennedy, James Whitmore Jr., Félix Enríquez Alcalá, Jim McKay, Frederick E.O. Toye, Robert King, Matt Shakman, Nelson McCormick, Rod Holcomb, Roxann Dawson, Griffin Dunne, Josh Charles, Paris Barclay, Charles McDougall, Christopher Misiano, Dean Parisot, Kevin Hooks, David Dworetzky, Scott Ellis, Daniel Minahan, Gloria Muzio, John Polson, John Gallagher, Lesli Linka Glatter, Julie Hébert, Peter O'Fallon, Steve Shill, Alex Zakrzewski, Phil Abraham, Tom DiCillo, Joshua Marston, David Platt, Ted Humphrey, Craig Zisk, Phil Alden Robinson
Edited by: Scott Vickrey, David Dworetzky, Matthew Kregor, David C. Cook, Katherine Skjerping, Jacque Elaine Toberen, Hibah Schweitzer, Paul Karasick, Jake Cohen, Dody Dorn, Robb Sullivan
Cameras: ARRI ALEXA Camera, Sony CineAlta F35 Camera
Colorist: Dailies
'The Good Wife' Lifeguard (2009)
Directed by: Paris Barclay
Cinematography by: Fred Murphy
Edited by: David C. Cook
Colorist: Dailies
'The Good Wife' Threesome (2009)
Directed by: James Whitmore Jr.
Cinematography by: Fred Murphy
Edited by: Jacque Elaine Toberen
Colorist: Dailies
'The Good Wife' Unprepared (2009)
Directed by: Jim McKay
Cinematography by: Fred Murphy
Edited by: Scott Vickrey
Colorist: Dailies
'The Good Wife' Conjugal (2009)
Directed by: Rod Holcomb
Cinematography by: Fred Murphy
Edited by: Jacque Elaine Toberen
Colorist: Dailies
'The Good Wife' Unorthodox (2009)
Directed by: John Polson
Cinematography by: Fred Murphy
Edited by: David C. Cook
Colorist: Dailies
'The Good Wife' Crash (2009)
Directed by: Gloria Muzio
Cinematography by: Fred Murphy
Edited by: Scott Vickrey
Colorist: Dailies
'The Good Wife' Fixed (2009)
Directed by: Daniel Minahan
Cinematography by: Fred Murphy
Edited by: David C. Cook
Colorist: Dailies
'The Good Wife' Home (2009)
Directed by: Scott Ellis
Cinematography by: Fred Murphy
Edited by: Jacque Elaine Toberen
Colorist: Dailies
'The Good Wife' Stripped (2009)
Directed by: Charles McDougall
Cinematography by: Fred Murphy
Edited by: Scott Vickrey
Colorist: Dailies
'The Good Wife' Pilot (2009)
Directed by: Charles McDougall
Cinematography by: M. David Mullen
Digital Intermediate Colorist
August (2008)
Directed by: Austin Chick
Cinematography by: Andrij Parekh
Edited by: Pete Beaudreau
Telecine Assistant
American Gangster (2007)
Directed by: Ridley Scott
Cinematography by: Harris Savides
Edited by: Pietro Scalia
Editing System: Avid Editing System
