Carpenter
Rogue One (2016)
Directed by: Gareth Edwards
Cinematography by: Greig Fraser
Cameras: ARRI ALEXA 65 Camera
Lenses: Panavision APO Panatar Lenses
Editing System: Avid Editing System
Carpenter
Star Wars: Episode VII - The Force Awakens (2015)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Cameras: ARRI ALEXA Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision Retro C 100mm T2.8 Lens, Panavision Retro C 35mm T2.8 Lens, Panavision Retro C 40mm T2.8 Lens, Panavision Retro C 50mm T2.8 Lens, Panavision Retro C 60mm T2.8 Lens, Panavision Retro C 75mm T2.8 Lens
Editing System: Avid Editing System
Stand-by Carpenter: Italy
The Man from U.N.C.L.E. (2015)
Directed by: Guy Ritchie
Cinematography by: John Mathieson
Edited by: James Herbert
Construction Crew
Nymphomaniac: Vol. I (2013)
Directed by: Lars von Trier
Cinematography by: Manuel Alberto Claro
Carpenter
Hannah Arendt (2012)
Directed by: Margarethe von Trotta
Cinematography by: Caroline Champetier
Edited by: Bettina Böhler
Cameras: Red Epic Camera
Carpenter
The American (2010)
Directed by: Anton Corbijn
Cinematography by: Martin Ruhe
Edited by: Andrew Hulme
Carpenter
Certified Copy (2010)
Directed by: Abbas Kiarostami
Cinematography by: Luca Bigazzi
Edited by: Bahman Kiarostami
Carpenter
The Twilight Saga: New Moon (2009)
Directed by: Chris Weitz
Cinematography by: Javier Aguirresarobe
Edited by: Peter Lambert
Carpenter
Caravaggio (2007)
Directed by: Angelo Longoni
Cinematography by: Vittorio Storaro
Edited by: Mauro Bonanni
Carpenter
Vollidiot (2007)
Directed by: Tobi Baumann
Cinematography by: Jo Heim
Edited by: Martin Wolf
Carpenter
The Hills Have Eyes (2006)
Directed by: Alexandre Aja
Cinematography by: Maxime Alexandre
Edited by: Baxter
Carpenter
The Merchant of Venice (2004)
Directed by: Michael Radford
Cinematography by: Benoît Delhomme
Edited by: Lucia Zucchetti
Carpenter: Cologne
Amélie (2001)
Directed by: Jean-Pierre Jeunet
Cinematography by: Bruno Delbonnel
Edited by: Hervé Schneid
Lenses: Zeiss Ultra Prime Lenses
