Special Effects: Malta
Troy (2004)
Directed by: Wolfgang Petersen
Cinematography by: Roger Pratt
Edited by: Peter Honess
Lenses: Cooke S4 Lenses
Special Effects Technician: Second Unit
Gangs of New York (2002)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Editing System: Lightworks Editing System
Special Effects Technician: Venice, Rom
Vajont - La diga del disonore (2001)
Directed by: Renzo Martinelli
Cinematography by: Blasco Giurato
Edited by: Massimo Quaglia
Special Effects Crew
U-571 (2000)
Directed by: Jonathan Mostow
Cinematography by: Oliver Wood
Edited by: Wayne Wahrman
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Cooke S4 Lenses, Nikon - Nikkor Lenses
Special Effects Technician
How the Grinch Stole Christmas (2000)
Directed by: Ron Howard
Cinematography by: Donald Peterman
Special Effects Technician
Daylight (1996)
Directed by: Rob Cohen
Cinematography by: David Eggby
Edited by: Peter Amundson
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Lenses
Special Effects Foreman: Malta
White Squall (1996)
Directed by: Ridley Scott
Cinematography by: Hugh Johnson
Edited by: Gerry Hambling
Head Of Special Effects
Cutthroat Island (1995)
Directed by: Renny Harlin
Cinematography by: Peter Levy
Special Effects Technician
Cliffhanger (1993)
Directed by: Renny Harlin
Cinematography by: Alex Thomson
Edited by: Frank J. Urioste
Cameras: Panavision Cameras
Special Effects Technician
The Last Emperor (1987)
Directed by: Bernardo Bertolucci
Cinematography by: Vittorio Storaro
Edited by: Gabriella Cristiani
Cameras: ARRIFLEX 35 BL Camera
Lenses: Technovision Lenses
Special Effects
Final Justice (1985)
Directed by: Greydon Clark
Cinematography by: Nicholas Josef von Sternberg
Edited by: Larry Bock
Special Effects Foreman: Malta
Force 10 from Navarone (1978)
Directed by: Guy Hamilton
Cinematography by: Christopher Challis
Edited by: Raymond Poulton
Cameras: Panavision Cameras
